Artsy traveling means being on the lookout for interesting encounters with artists, artisans, musicians, writers—the whole pantheon of creative people. In Arezzo, a delightful town in Tuscany known as the city of gold and high fashion, I met with visual artist Silvia Salvadori.
Silvia works out of her studio, the Bottega d’Arte Toscana, on a tiny side street steps from the Piazza Grande in Arezzo (see the map below). If you are in Arezzo, stop by to meet her and see her marvelous work.
Silvia is one of the very few artists in Italy who creates art using the same painting techniques as those used by the great masters of medieval Tuscany. I’m talking about such luminaries as Giotto, Duccio, and Lorenzetti—all artists I love and who inspired my debut novel The Towers of Tuscany.
Who is Silvia Salvadori?
Silvia’s ambition as an artist is to preserve and promote the ancient painting techniques described by Cennino Cennini in his work Il Libro dell’Arte (1370-1440) and by Giorgio Vasari in the Lives of the most excellent painters, sculptors, and architects (1550-1568).
Using these techniques, Silvia draws her inspiration from the art created by artists in Florence and Siena during medieval, Gothic, and early Renaissance times.
Silvia’s workshop–the Bottega d’Arte Toscana–is a treasure trove of beautiful paintings. One of the more prominent pieces is A Window in Time that hangs on the back wall of the Bottega and immediately captured my attention. This arresting painting is a tribute to the city of Arezzo and the work of Piero della Francesca. The painting is a good example of how Silvia uses medieval painting techniques to put her own spin on a medieval subject.
Interview with Silvia Salvadori
I interviewed Silvia in the Bottega d’Arte Toscana in Arezzo in October 2022. Here’s an excerpt from our lively conversation conducted with the aid of a translation app.
Silvia’s Inspiration
Artsy Traveler: Why have you chosen to create works inspired by medieval art and using medieval techniques?
Silvia Salvadori: Twenty years ago, I began to study these painting techniques while at school in Siena. From there, a real adventure began. I decided I wanted to rediscover and use the painting techniques described by Cennini, a painter who lived in the 14th century and was a pupil of Giotto.
Art materials being used in Silvia’s workshop
Silvia’s Goal as an Artist
Artsy Traveler: What is your goal?
SilviaSalvadori: My goal is to preserve these techniques from medieval art and pass them on to future generations. These techniques are typically Tuscan. They were born in Siena and then also applied later by artists living in Florence and Arezzo where other schools of painting were born.
There have been other artists who have taken up these techniques but only to make reproductions or copies. I started by making copies, but now I am creating a style that is Renaissance but that also looks to the future.
It is a cultural project. These medieval art techniques are important and should not be lost.
How Silvia Creates a Painting
Artsy Traveler: How do you create a painting?
Silvia Salvadori: As described in Cennini’s book Il Libro dell’Arte, I start with wooden boards from poplar, lime, willow or pear trees that have been aged at least thirty years. I then prepare them using layers and layers (eight to twelve coats) of rabbit skin glue mixed with chalk. The chalk I use is the same kind that Cennini used in the 14th century. I also use the same pigments that Cennini describes.
The second phase is gilding performed with thin leaves of pure 23 carat gold stretched on a thin layer of red clay. I also use precious gems. These gems all had special meaning in medieval times. For example, amber, which I use a lot, symbolizes eternity.
For a detailed description of all the steps involved in creating a painting, check this page on Silvia’s website.
Silvia demonstrates how she uses a small punch to make designs in the gold leaf.
Landscapes in Silvia’s Work
Artsy Traveler: I see that you also often include landscapes in your paintings.
SilviaSalvadori: Yes, since I live in Arezzo and every day see the Tuscany landscape, I like to include it in my paintings.
An example of one of Silvia Salvadori’s landscape paintings
Looking to the Future
Artsy Traveler: Will you one day teach your techniques?
Silvia: I would very much like to teach young people how to paint using these techniques so that the techniques are not lost. But as Cennino said, technique is not enough. To create art, you must have a kind soul.
Silvia’s Artwork
As soon as you see one of Silvia’s pieces, you know you are looking at work inspired by medieval and Renaissance art. And while most of her subjects are directly related to their medieval and Renaissance counterparts, some subjects are contemporary and from pop culture.
Silvia’s work glows with the rich colors she creates from pigments she mixes with egg tempera, just like Cennini describes in his handbook. Her skill is awe-inspiring. Following are examples of the many gorgeous paintings hanging in Bottega d’Arte.
Paintings of Madonna and Child
Go to any art gallery in Italy that features medieval art and you’ll see scores of depictions of the Madonna and Child. Silvia’s versions, while heavily inspired by medieval works, are fresh and vibrant. The colors glow in the soft light of her workshop.
Here are four of the Madonna and Child paintings displayed in the Bottega d’Arte.
Paintings of Medieval Scenes
I love how medieval artists depicted buildings and towns. Silvia does the same when she includes buildings in her paintings. I particularly loved these two pieces.
Paintings with Contemporary Subjects
Silvia doesn’t confine herself to creating works in the medieval style. Many of the paintings in her workshop depict contemporary subjects—from Marilyn Monroe to a dachshund (one of my favorites).
My Connection to Silvia’s Work
I was thrilled to discover Silvia and her beautiful artwork for two reasons. First, as you’ve already seen from the examples included in this post, her work is stunning. And second, her work has a direct connection with my first novel The Towers of Tuscany about a female painter in 14th-century Tuscany.
When I was researching early Renaissance painting techniques in order to write the novel, I read and re-read Il Libro dell’Arte by Cennino de Cennini many times. Imagine my delight to discover that Silvia is intimately familiar with Cennini’s book, credited as the first manual designed to teach painting techniques to artists.
I felt honored to spend time with someone totally dedicated to her art. Silvia clearly loves what she does. As I watched her paint with tiny brushes that she uses to meticulously layer on stroke after stroke, I felt like the centuries had melted away and I was watching Sofia Barducci, my fictional heroine in The Towers of Tuscany, at work.
I have every confidence that Silvia will be able to realize her ambition to one day share her knowledge with other artists so that the ancient techniques are kept alive.
Visit Silvia Salvadori
Visit Silvia in the Bottega d’Arte Toscana in Arezzo and tell her the Artsy Traveler sent you! And after you’ve enjoyed meeting Silvia, consider purchasing one of her pieces. She has a wide variety of sizes and subjects to choose from. And considering the hours and hours of work Silvia dedicates to each of her pieces, the prices are very reasonable.
I love the small piece I purchased of a stylized Tuscan town painted in Silvia’s unique style. I have hung it next to my writing desk so I can look at it every day and remember the wonderful hour I spent getting to know Silvia and admiring her work.
The small painting I purchased from Silvia Salvadori
Visit Arezzo
After meeting Silvia in the Bottega d’Arte, take time to wander around Arezzo. It’s a charming town with plenty to delight the Artsy Traveler. With its inclined trapezoidal shape, the Piazza Grande is one of the most beautiful in Tuscany (which is saying something!).
Here are some pictures of the Piazza Grande.
And like so many towns in Tuscany, a big attraction is the food. We passed numerous stores and cafes featuring local cuisine. The specialty in Arezzo is Pappardelle all’Aretina (a ribbon-shaped pasta served with a sauce made from rabbit or duck), Zuppa di Cavolo (a cabbage soup), and the Pappa al Pomodoro (a tomato soup).
While in Arezzo, you can also visit the Vasari House Museum, which is a rare example of an artist’s house from the late Renaissance.
Conclusion
Have you visited Arezzo? Share your experience and suggestions with other Artsy Travelers in the Comments below.
Culinary tourism is definitely a thing, and nowhere more so than in Italy. Food tours and cooking classes abound and for good reason. Italy and food go together like, well, Italy and food.
The popularity of Stanley Tucci’s series Searching for Italy about food in Italy is proof that eating and cooking continue to be two of the many artsy reasons to travel in Italy.
Is cooking an art? Absolutely!
And so, while spending a week in Rome in 2022, I decided to take a cooking class. I’d taken a cooking class in Paris, and one of my guest posters, Liz Reding, has written a post about her cooking class experiences in France and Spain.
It was time for Italy to take a turn.
Choosing InRome Cooking
I chose a 3-hour cooking class with InRome Cooking. Here’s the link to register if, after reading this post, you’re interested in taking the class.
Full disclosure – the link takes you to the Tiqets.com website, which is one of my affiliates. That means I get a small percentage of the ticket price if you register.
Cut to the chase–I highly recommend taking a 3-hour class with InRome Cooking. The time flew by and not only did I learn a lot, but I also enjoyed a fabulous meal that I’d cooked myself with some help from my new friends and chef Marco.
About InRome Cooking
InRome Cooking operates out of three locations:
Flagship school on Corso del Rinascimento in a converted 17th-century palace very close to the Piazza Navona and overlooking the Italian parliament. This is the location for the Hands-on Pasta Making Class & Tiramisù class I took.
A sleek and stylish terraced building near the Pantheon on Via Giustiniani.
A cooking school located in the Pope’s organic farm at his private estate in Castel Gandolfo outside Rome.
My Experience with InRome Cooking
In this post, I write about my experience taking a 3-hour class at the Corso del Rinascimento location.
InRome Cooking offers several classes–either shared or private.
I chose the Hands-on Pasta Making Class & Tiramisù for two reasons. First, my husband, Gregg Simpson, had recently discovered the delectable delights of Tiramisù and so I thought it would be good to learn how to make it at home. And second, I have a pasta maker gathering dust in my cupboard, and felt it was high time I learned how to use it correctly.
Both goals were met during the course of the evening.
Registering for a Class with InRome Cooking
I registered for the class about three days in advance, in October 2022. The registration process through Tiqets.com was quick and efficient. Within seconds, I had my ticket downloaded and ready to show. It’s advisable to register well in advance. I was probably lucky to get a spot because the class of just twelve participants was full.
Arriving at InRome Cooking
Promptly at 5:20, I arrived at InRome Cooking located at Corso del Rinascimento, 65 after passing it and then doubling back. You have to look closely to see the rather small InRome Cooking sign on the door.
InRome Cooking next to the buzzer at Corso del Rinascimento, 65
For a few moments, I was flummoxed, but soon figured out that I needed to ring the buzzer to be let in. A voice answered (phew!), the buzzer buzzed, and I climbed two flights of marble stairs in the converted 17th-century palazzo. I do like a nice palazzo.
I was met at the top of the stairs by Chef Marco holding a clipboard and smiling broadly. He ushered me into a gorgeous, light-filled kitchen and introduced me to my companions for the evening: a mother and son from Arizona; a mother and son from Sweden, a mom and dad and son from San Francisco, and two couples from Toronto.
The InRome Cooking kitchen with ingredients set out to make Tiramisù
The evening began promptly at 5:30 with a welcome glass of prosecco. We were then placed around the large table already laden with the ingredients and utensils we’d need to make Tiramisù.
Prosecco!
Me with chef Marco
Making Tiramisù
We started by making dessert so it would have time to set before enjoying it at the end of the evening.
Chef Marco paired us up and told us to get cracking (literally!). We each separated an egg to get two yolks. The whites were whisked away to be beaten by the sous chefs for later folding into the Tiramisù. We then set to work beating the gorgeous yellow yolks.
Marco told us that fresh eggs are essential for Tiramisù (or indeed any cooking). They shouldn’t be much older than a few weeks and preferably from local hens. I’m lucky that I live on an island where fresh eggs are readily available.
Throughout the evening, Marco emphasized that great cooking starts with the very freshest of ingredients. You don’t need many ingredients to create a wonderful dish when each ingredient is top quality.
Tiramisù Ingredients
For the Tiramisù, we used only six ingredients: fresh eggs, sugar, mascarpone cheese, ladyfingers (called savoiardi), cold coffee, and cocoa powder (unsweetened) for the topping. Tiramisù translates literally as “pick me up,” a direct result of the espresso used in the recipe.
Tiramisù Method
Under Marco’s expert tutelage, we beat sugar into the egg yolks until the color was a rich and creamy light yellow. The more we beat, the creamier the eggs became. I’d say we beat for at least five minutes. Fortunately, Marco supplied links to recipes at the end of the class so I didn’t need to make notes.
After beating the eggs and sugar, we stirred in very generous dollops of mascarpone cheese. Marco emphasized that precise measuring is not necessary in Italian cooking. A generous tablespoon looked to me more like two or three level tablespoons. But then is there such a thing as too much marscapone?
Next step was folding in generous spoonfuls of whipped egg yolks.
Layering the Tiramisù
With our creamy, eggy, cheesy concoction all mixed and ready to go, we were ready to build our Tiramisù. Marco handed each of us a lovely big tea cup (I suppose coffee cup would be more accurate!) and demonstrated the next steps.
First, I took a ladyfinger biscuit and dipped it quickly into the bowl of cold espresso. Down and up, no lingering. The ladyfinger should absorb the coffee but not be dissolved by it. I then broke the ladyfinger in two and placed it at the bottom of the cup.
Next, I spooned in half of the creamy, eggy, cheesy mixture and then dipped and broke another ladyfinger. Finally, I slathered on the rest of the creamy stuff.
One more step! We were given shakers of pure, unsweetened cocoa to sprinkle on top of the Tiramisù and directed to carve something meaningful into the cocoa so we’d know which one is ours.
Here’s my first (and extremely delicious) attempt at Tiramisù with my initials etched in with a toothpick:
Tiramisù made at InRome Cooking
Making Pasta
The Tiramisùs were whisked away and the large workspace cleaned by the staff while I mingled for a while with the other guests and enjoyed another glass of prosecco. Two of the people from Toronto had been to Bowen Island where I live, and one has a friend who has just written her first historical novel. Coincidentally, it’s about a subject that intrigued me after visiting the Back to Backs National Trust property in Birmingham. Small world.
We were to make two kinds of pasta: cacio e pepe and amatriciana. It turned out we wouldn’t be making the sauces; Marco demonstrated that. Our job was to make the pasta.
Marco showed us how to mix the two flours and then to knead in the olive oil to make a beautiful, yellow dough. Next step was to pass the dough through the rollers of the pasta maker several times to flatten it and then through the cutters.
The pasta makers were equipped with two cutters–one to make spaghetti which we later ate with the cacio e pepe sauce and one to make fettucine, which we ate with the amatriciana sauce.
Carol flattening the pasta
Making the Sauces
As he had all evening, Marco emphasized the importance of using just a few, top quality ingredients.
Amatriciana Sauce
The amatriciana sauce contains only three ingredients: Mutti tomato sauce (it only contains tomatoes grown in Italy, of course), small pieces of pork cheek that have been very slowly cooked to release the fat and flavor, and romano cheese.
Marco cooked the fettucine we’d just made for a very few minutes and then showed us how to combine the pasta with the three-ingredient sauce. The smell was amazing!
Cacio e pepeSauce
This sauce is a Roman specialty and is the simplest of all. Only two ingredients are used–romano cheese and freshly ground pepper. That’s it! Marco demonstrated how he makes the sauce by stirring the starchy water from the boiled pasta into the cheese to make a rich, creamy sauce. He then added the fresh pepper. The result was to die for!
Making Amatriciana
Making Cacio e pepe
Eating the Results
Following the demonstrations of how the pasta is combined with the two sauces to make Amatriciana and Cacio e pepe, we were invited into the adjacent dining room, complete with coffered, Renaissance style ceiling. I joined the table of Canadians and enjoyed pleasant conversation about travel and food while enjoying the fruits of the evening’s labors.
Amatriciana
Cacio e pepe
Rome Walking Tours
GuruWalk lists pay-what-you-please walking tours that connect tourists with tour guides all around the world. Check out their tours of Rome!
Conclusion
The three-hour cooking class (more like three and half by the time we finished eating) at InRome Cooking is a bargain at only €75 (price varies depending on which class you choose). Considering I enjoyed three delectable courses, learned a lot of valuable cooking tips and even got plenty of hands-on practice, I consider the fee very reasonable indeed.
Have you taken a cooking class in Rome? Share your experience in the comments below.
A three-day visit to Venice gives you a flavorful taste of this float-on-water, impossibly beautiful city.
I love Venice and go there as often as I can. In three days, you won’t see everything, but you’ll see a fair bit and, most importantly, you’ll whet your appetite (forgive the pun!) to return.
My suggestions for three days in Venice include plenty of time for slowing down and enjoying yourself. You can’t see everything, so don’t even try. Instead, focus on my suggested artsy highlights and still have plenty of energy left over for wandering.
Venice is probably the most “wanderable” city I’ve ever visited.
Definitely avoid popping into Venice for a day, or worse, an afternoon. It’s better not to visit at all than to end up being jostled around Piazza San Marco (St. Mark’s Square) with thousands of other sweaty, rushed tourists. You’ll come away with a negative view of Venice, and that would be a terrible shame!
Why I Love Venice
Of all the cities I’ve been to, Venice is my favorite. The first time I visited, I couldn’t stop laughing for the first fifteen minutes of our ride on the vaporetto (water bus) from the train station along the Grand Canal to our hotel. I just couldn’t believe that such a place existed on Earth, that Venice was real.
But Venice is real, and Venice is special.
Quiet side canals glimmer in the luminous Adriatic light, buildings with exotic facades slowly sink into the mud, world-class museums and art galleries abound, peaceful piazzas and bustling piazzas beckon, gondolas glide and water taxis and water busses churn up and down the Grand Canal, and the music of Vivaldi wafts into the night air.
A quiet side canal in Venice
Can you tell that I adore Venice? Unfortunately, in the years before the pandemic, my favorite city was become horribly overcrowded. Massive cruise ships docked within sight of the Grand Canal and the cafés on the Piazza San Marco took rip-offs to a whole new level.
I wonder how things will change now that Venice is again starting to welcome back travelers. I personally hope that more regulations are put in place to handle the flow of visitors. I don’t mind paying a tourist tax to enjoy Venice (cafe rip-offs aside). We’ll see what the future holds!
When to Visit Venice
That said, go to Venice. Just be strategic about how and when you visit. Floods in winter are often a serious problem, and summers can be hot and crowded. I’ve stayed in Venice in both spring and autumn and recommend both seasons. You’ll still encounter crowds, but the weather will be bearable. Just bring lots of mosquito repellant!
A Three-Day Venice Itinerary
Here’s how I suggest you spend your time as an Artsy Traveler with two full days and three nights in Venice.
Day 1 in Venice
Arrival in Venice
Arrive around lunchtime and make your way to your hotel. If you’re driving, park in the Tronchetto Car Park. The rates are fairly reasonable and the car park has a station on the Venice People Mover, an automated tramway that takes you quickly into Venice.
People Mover station near Tronchetto Car Park in Venice
I wouldn’t waste time parking on the mainland. You’ll save a bit of money, but you’ll also waste a fair bit of time getting into Venice itself. Save your energy for sightseeing! Here’s a comprehensive overview of parking options in Venice.
If you’re taking the train, you’ll arrive at the train station and then, depending on where your hotel is located, hop on a vaporetto–the Venice version of a bus.
Getting Around Venice
The two main ways to get around Venice is by riding the vaporetto–a quintessentially Venetian experience–and walking. You could also take water taxis, but they are super expensive. I’ve only taken one once from our place near the Grand Canal back to the Tronchetto Car Park at the end of a week in Venice to attend one of Gregg’s art exhibitions. We had a large box of his paintings in addition to our luggage and did not want to wrangle everything on to and off of the people mover.
A sleek and stylish water taxi may be worth the splurge if you have lots of luggage
Sometimes, saving your legs and your sanity is worth the extra cost of a water taxi. But most of the time, you’ll get everywhere you need to go in Venice either by walking or by taking the vaporetto. Also, even when it’s packed to the gunnels, a ride on the vaporetto is fun!
Buy Tickets in Advance for the Vaporetto
A single ride on a vaporetto costs€7.5 Euros! That’s waterway robbery. Fortunately, you can buy a City Pass from the Venezia Unica website CityPass website that includes public transit and entrance to various Venice sites or you can just buy a transit pass for one, two, three, or seven days.
A vaporetto on the Grand Canal in Venice
I suggest buying the three-day pass and using it on Days 1, 2, and 3. On the morning of Day 4 when you’re making your way back to your car, either walk, depending on where you’re staying, or splash out for a single ticket. We bought a seven-day travel card for €60 each. Since our apartment was close to the Grand Canal, we used the vaporetto several times a day to get around and to travel to Burano and Murano. Buy the Venice Travel Card at the ticket-vending machines located at the largest vaporetto stops or online before you arrive (most convenient).
Areas to Stay in Venice
I suggest you stay in the Dosoduro area across the Grand Canal from Piazza San Marco or the area between the Rialto Bridge and the train station. I’ll talk more about hotels later. For now, drop your bags if your room isn’t ready and set out for your first stop.
Activities on Day 1 in Venice
Here’s what you’ll have time to do on your first afternoon and evening in Venice:
Visit the Peggy Guggenheim Museum
Walk to and cross the Rialto Bridge
Visit Piazza San Marco as the sun is setting and the crowds have thinned
Take a traghetto back across the Grand Canal
Dine at a small trattoria near your hotel
Here are the details!
Visit the Peggy Guggenheim Museum
I seriously love this museum. Located right on the Grand Canal and accessed from the Dosoduro district, the Peggy Guggenheim Museum is a must-see for modern art lovers. Peggy Guggenheim was quite the gal in her day. She knew just about every famous modern artist in Europe in the 1930s and 1940s and amassed an amazing collection of their art.
You’ll find works by Picasso, Kandinsky, Miró, Braque, Giacometti, Klee, Magritte, Dali, Pollock, de Chirico, Brancusi, Braque, Duchamp, and Mondrian.
The museum is located in Peggy’s renovated Venetian palazzo. Wander the cool halls to revel in the fabulous collection and then go outside to enjoy a stunning panoramic view of the Grand Canal. On your first day in Venice, this really is the place to come to get your first Venetian hit.
The Rialto Bridge is one of Venice’s most iconic sites and as such it is often heaving with tourists. Avoid crossing it during the day, but definitely cross it at least once or twice during your visit to Venice. Since it’s one of the very few bridges across the Grand Canal, you can’t miss it!
The Rialto Bridge over the Grand Canal is often very crowded
Visit Piazza San Marco
Take your time and wait until the sun is setting and the crowds have thinned, and then make your way to Piazza San Marco. Called the drawing room of Europe by Napoleon, the Piazza San Marco lives up to the hype, even when seething with tourists. But it’s better when it’s not too crowded.
Another option is to visit it very early in the morning (see my suggestions for Day 3) or late at night after dinner to really see and appreciate it.
In the evening, you can dance to the music coming from the posh cafés that line both sides of the piazza. Scare away a few pigeons and enjoy. I have occasionally splurged on a cup of coffee at one of the cafés (the prices are truly eye-watering), but the people-watching is worth the price and hey, you’re in Venice.
Piazza San Marco on a rainy evening
Take a Traghetto Back Across the Grand Canal
You have to ride a traghetto at least once while you’re in Venice. These fairly large and plain gondolas ferry people across the Grand Canal from various points. One option is to catch it from the Santa Sofia boat pier not far from Piazza San Marco and go across to the Rialto Fish Market. The ride is fast, cheap, and great fun. It’s not exactly a replacement for a “real” gondola ride, but it’s a great budget option, and at least you can say you rode in a gondola.
On the other hand, I do suggest you splurge on a gondola ride (see Day 3 suggestions).
Dine at a Small Trattoria
Check restaurant reviews and find a small restaurant near where you are staying. Avoid the more touristy restaurants at or near Piazza San Marco. My most memorable meal in Venice was at La Zucca, a small osteria on a side canal on the Dorsoduro side of the Grand Canal. Get reservations in advance (advisable everywhere in Venice) and enjoy!
Day 2 in Venice
On your first of two full days in Venice, use your morning energy for sightseeing (fewer crowds) and then spend the afternoon on Murano. Here’s what I suggest:
Visit the Accademia Gallery
Visit Murano for a glass-blowing demonstration and to shop for glass
Go to a concert of baroque music in the evening
Here are the details!
Activities on Day 2 in Venice
Visit the Accademia Gallery
You’ll find plenty of Renaissance and Baroque biggies in the Accademia in Venice (Gallerie Accademia). Works by such masters as Veronese, Tiepolo, Bellini, and Titian grace the walls of this very walkable and enjoyable museum. It’s not too big and in my experience isn’t usually that crowded.
That said, get tickets in advance to avoid line-ups, just in case. Check the gallery’s website for details.
Take the Vaporetto to Murano
Using your vaporetto pass, hop on the vaporetto for a trip across the lagoon to the lovely island of Murano. It’s quite a long voyage and the lagoon can be choppy. If you can, snag a seat outside to guard against seasickness.
Murano is the glass-blowing island and allegedly the best place to buy the distinctive Venetian blown glass. There are certainly plenty of shops there and the prices did seem to be a bit more reasonable than the prices at the tourist joints in Venice itself.
Enjoy a Glass-blowing Demonstration
Upon arival, head for a glass-blowing demonstration. It’s put on for the tourists, and our hand-scarred guy looked kind of bored as he dutifully blew, rotated, heated, and smashed a variety of glass ornaments. But I enjoyed the demonstration and recommend it to see how glass blowing is done.
Glass blowing is big business on the Venetian island of Murano
Browse the Shops
Make your way down some fairly nondescript streets to the main shopping street bisected with a small, straight canal arched over with several small bridges. On both sides of the canal, shop after shop after shop marched a good three blocks in both directions—each one crammed to the ceiling with glass.
Colorful main drag on the island of Murano
Storefront after storefront twinkles with heaps of glittering, glaring, glinting glass—swoopy vases and finely spun figures, paperweights, pendants, chandeliers, glasses, earrings, pitchers, plates, bowls, beads. Every store advertised that their glass is authentic, made on Murano, not in China like 80% of all the other glass for sale in Venice.
Enjoy Lunch Along the Canal in Murano
After shopping, enjoy a leisurely lunch at one of the canalside restaurants in Murano and then hop back on the vaporetto to return to Venice.
After your trip to Murano, either relax in or near your hotel for the afternoon or just keep wandering. Venice is endlessly fascinating. I love strolling alongside the canals, never knowing what’s around the next corner. Sometimes, I find a bustling street, at other times, nothing is moving except a cat stretching on a boat moored in the canal.
Gregg loved our visit to Murano and created several pieces inspired by glass blowing. Here’s my favorite (also featured in our collaboration Pastel & Pen: Travels in Europe):
“Murano” inspired by Murano blown glass by Gregg Simpson
Attend a Concert of Italian Baroque Music
A highlight of a trip to Venice is attending a concert of Italian baroque music. Vivaldi is the hometown boy here and you shouldn’t have much trouble finding a concert featuring his Four Seasons. by Italian baroque
One concert we attended was held in a baroque church with a ceiling painted by Tiepolo.
Look online for concert schedules and purchase tickets in advance if you can. Afterwards, float out into the warm Venetian evening (depending on the time of year!) and find another small trattoria for dinner.
Get Lost in Venice After Dark
And after dinner,keep wandering. Getting lost after dark in Venice is one of Europe’s best travel experiences. In fact, I put getting lost in Venice at the top of my list of must-do activities because first, getting lost is unavoidable (even with GPS on your phone), and second, you’ll never be lost for long.
Some of my fondest Venice memories are of strolling alongside dark canals in the evening (violent crime is very rare in Venice), not knowing if I was going in the right direction and not caring.
Sign pointing to San Marco in Venice
Venice is an island; you can’t fall off. With the world asleep and the crowds long gone, Venice at night is one of the most magical places on Earth. Walk until you come to one of the ubiquitous signs pointing to San Marco or Rialto or Ferrovia (train station) and get your bearings. You could also ask someone for directions, but chances are they’re tourists and also lost.
Day 3 in Venice
Get going bright and early to take in two of the most iconic sites of Venice, again before the crowds start to gather. Here’s an overview of Day 3:
Tour the Duomo and the Doge’s Palace
Wander and get lost some more
Take a gondola ride after dark
Activities on Day 3 in Venice
Tour the Duomo and Doge’s Palace
Both are crowded, and both are must-sees. Get your tickets ahead of time and go early or late. Several times I’ve bypassed long lines of hot and tired tourists waiting to get into the Doge’s Palace. Breeze past them with your pre-purchased ticket.
The sumptuous public rooms of the Doge’s Palace will show you just how powerful Venice was back in the day. A more sobering attraction are the dungeons reached by crossing the Bridge of Sighs, so called because prisoners who crossed it got their last glimpse of the world before being shut away and usually executed. Cheerful stuff.
Bridge of Sighs at night in Venice, Italy.
Leave Piazza San Marco before it gets too crowded and spend the afternoon wandering the back streets. Shop for souvenirs if you haven’t already bought your quota in Murano, relax at a sidewalk cafe in a small piazza, watch the people go by, and enjoy life.
What’s the hurry? You’re in Venice!
Take a Gondola Ride at Dusk
Yes, it’s expensive and kinda touristy but it’s also super romantic and relaxing. You’ll be taken into canals you may not have seen from the street, and if you’re lucky, you’ll hear a few gondoliers break into song. Occasionally, I’ve seen gondola traffic jams. To avoid them (not at all romantic!), go later.
Gondolas bobbing on the Grand Canal in Venice
At the time of writing, a daytime gondola ride costs 80 Euros for 40 minutes. After dark, the price rises to 100 euros, but in my opinion, going at night is the best. Six people fit in a gondola so you could share, depending on who you are with and whether romance is on the cards!
Tours of Venice
Here’s a selection of artsy sightseeing options in Venice with links to fast-track tickets.
Walking Tours of Venice with GuruWalks
How about a walking tour of Venice? GuruWalks has some good options:
Staying in Venice
Venice deserves at least three nights and preferably more so you can settle in and enjoy being a temporary Venetian. If time allows, rent an apartment and stay for a week.
My most cherished memories of Venice are the ten days we spent there in September 2015 while Gregg had an exhibition of his paintings in a gallery overlooking the Grand Canal.
Poster for exhibition of Gregg Simpson’s work in Venice
Paintings featured in the exhibition by Gregg Simpson
I spent hours just wandering the city, staying well clear of the heaving masses in Piazza San Marco and taking my time getting to know this most extraordinary city. For our apartment stay, we chose a place just off the Grand Canal about a five-minute walk from the train station. The neighborhood was quiet and close to a piazza that every evening spilled over with local Venetians enjoying the air and watching their children play.
If you have the time, rent an apartment in Venice and stay for a week. Live like a local, not that you’ll see many locals these days. Venetians are moving out of the city at an alarming rate. But at least you’ll experience shopping in tiny local grocery stores and get to know your way around a neighborhood.
As mentioned earlier, consider staying in the Dorsoduro district across the Grand Canal from the Piazza San Marco. I recommend you avoid the area immediately adjacent to Piazza San Marco. Hotels there can be expensive, and the tiny streets in the area are wall-to-wall tourists during the day.
Accommodation Suggestions
Here are suggestions for hotels that we have stayed in–one in the Dorsoduro and one near the Rialto Bridge.
Hotel Canaletto: We stayed there a few years ago and loved it. The rooms were small, but that’s par for the course in Venice. The location, just 200 meters from Rialto Bridge, was fantastic as was its situation on a charming side canal.
Hotel Messner is a more modest option, located in the Dorsoduro neighborhood close to the Peggy Guggenheim Museum. It was quiet, and the area was peaceful and uncrowded, particularly at night.
For other options in Venice, check the map below. Resist the temptation to stay on the mainland. The savings will be minimal once you take into account train fares and your time. Stay in the middle of Venice and enjoy this unique city.
Include Venice in your trip to Italy if at all possible. With a bit of planning and some strategic dodging, you can easily avoid the crowds and find plenty of peaceful areas to enjoy. Venice is a city for dreaming. Give her time and she’ll reward you.
Looking to travel elsewhere in Italy? Here are some more posts to check out:
Do you enjoy reading novels set in the places you are traveling to? I know I do. I love curling up at the end of a long day of sightseeing and reading a novel that helps me revisit the places I’ve seen. My preference is historical novels because I love history, which is one of the many reasons that I’m drawn to traveling in Europe. I enjoy wandering cobbled back alleys and imagining myself swishing my long skirts through the dust. No doubt the reality was a lot less romantic and much smellier, but imagination can be a wonderful thing!
I’ve chosen my top ten novels based on two criteria. First, the novel needs to evoke a sense of the place in which it was set, and second, it needs to relate in some way to the arts. You’re sure to find some new-to-you reads to take along on your next trip, or even to stay at home with.
England
Entertaining Mr Pepysby Deborah Swift
Entertaining Mr Pepys is the third novel in Deborah Swift’s “Women of Pepys’ Diary” series. All three novels are worth taking along if you are spending time in London and want a fascinating glimpse of what life was like in the 1660s. Famed diarist Samuel Pepys is at the center of this and the first two novels (Pleasing Mr Pepys and A Plague on Mr Pepys), each following a different woman who knew Samuel and was mentioned in his diary. In Entertaining Mr Pepys, the actress Elizabeth (Bird) Carpenter takes center stage as she navigates the world of the theater when women were finally allowed on stage as actresses. If you enjoy impeccably researched historical novels with plenty of intrigue, then the “Women of Pepys’ Diary” series is for you.
The Lost Book of the Grail by Charlie Lovett
While traveling in England, plan on touring some of its awesome cathedrals (don’t miss York Minster, Salisbury Cathedral, and Durham Cathedral to name just three of my faves!) and then settle down with The Lost Book of the Grail. The setting is an ancient cathedral in the fictional town of Barchester. Flashback chapters open with succinct descriptions of cathedral areas such as cloisters, the nave, chapels, and more that I found fascinating. Through a series of clever flashbacks, you navigate the history of the cathedral from its founding by a martyred saint through the Norman invasion, Reformation, Civil War, Victorian era, World War II, and modern times. The plot’s twists and turns provide enough mystery to make the denouement both surprising and satisfying.
France
Drawing Lessons by Patricia Sands
Are you taking a trip to Provence? Then pack or download a copy of Drawing Lessons, a delicious novel set in Arles that follows a woman’s quest to redefine herself after the death of her husband. Patricia Sands evokes the sensuous delights of Provence so beautifully that you’ll feel like you are there. And if, indeed, you are there, you’ll have the sights and smells that surround you confirmed in the story.
The Paris Hours by Alex George
This is the novel to read when you’re spending time in Paris. The Paris Hours tells the stories of four “ordinary” people during one day in Paris in 1927. Along the way, they encounter an extraordinary panoply of luminaries including Hemingway, Proust, Picasso, Gertrude Stein, Ravel, Josephine Baker, and even Sylvia Beach, the proprietor of Paris’s most famous English bookstore, Shakespeare & Company. Alex George brings the ambience, and the people, of Paris to life as he takes readers through streets and parks they can still walk through today. Surprises and twists abound in one of the most cleverly plotted and exquisitely written novels I’ve read in a long while.
Germany
And After the Fireby Lauren Belfer
I am a huge fan of the music of Johann Sebastian Bach (check out my visit to the Bach Museum in Leipzig) and so And After the Fire was the novel for me. It tells the fascinating story of a lost Bach manuscript with a disturbing message. The story spans over two hundred years, from Berlin in the 18th century through the Holocaust to New York in contemporary times. Inspired by historical events, the compelling narrative of this deeply researched and evocative novel resonates with emotion and immediacy.
Chasing the Wind by C. C. Humphreys
Heading for Berlin? Take along Chasing the Wind, a rollicking good adventure that mixes a Bruegel masterpiece, a female aviator, espionage, and the 1936 Berlin Olympics. It’s a page-turner, so make sure you’ve finished your sightseeing for the day before reading it, else you may decide to stay in your hotel room and read rather than go out to sample Berlin’s many museums (check out Booming Berlin: Your Artsy Guide for suggestions about what to do during a three-day visit to Berlin).
Italy
Raphael, Painter in Rome by Stephanie Storey
No trip to Rome is complete without experiencing the art of Raphael, Michelangelo and da Vinci. And the perfect novel to accompany you is Raphael, Painter in Romeby Stephanie Storey, and her other novel Oil and Marble. Both chronicle the lives of three of the most renowned artists in western Europe: Raphael in Raphael, Painter in Rome and Michelangelo and Leonardo da Vinci in Oil and Marble. Even in the 21st century, there are parts of old Rome in which only a small leap of the imagination is needed to be transported back to the Renaissance when intrigue lurked around every corner and the smell of oil paint was heavy in the air. Raphael. Painter in Rome takes you deep into the heart of a Rome that may be long gone but still lingers in the imagination after dark.
Netherlands
Girl with a Pearl Earring by Tracy Chevalier
One of the things I love about touring the Netherlands is how the light often reminds me of an Old Master painting. One of the most famous is Vermeer’s Girl with a Pearl Earring. So, the perfect read for fans of his work is the novel of the same name by Tracy Chevalier. Set in 17th-century Delft, Girl with a Pearl Earring is a richly-imagined portrait of the young woman who inspired the painting. I love how Chevalier seamlessly merges history and fiction in this and many of her other novels set in Europe, including The Lady and the Unicorn (14th-century France), Burning Bright(late 18th-century London), Falling Angels (early 20th-century London), A Single Thread(1930s England), and Remarkable Creatures (early 19th-century England).
Spain
The Return by Victoria Hislop
I picked up a copy of The Returnin a second-hand bookstore while wandering the back streets of Antibes seeking shade at the height of the 2019 heat wave (la canicule, as the French called it). It was the perfect novel to read while traveling west into Spain. It takes place both in the present and during the Spanish Civil War, a time in history about which I knew very little. The story of a flamenco guitar player (a tocadores) and a flamenco dancer (a bailaora) who fall in love in 1930s Granada and are separated during the terrible excesses of the Spanish Civil War will stay with you long after you leave Spain.
The Miramonde Trilogy by Amy Maroney
For a book lover, few things are more enchanting than enjoying a novel and then discovering that it’s the first in a trilogy. I had that experience after reading The Girl from Oto, the first offering in Amy Maroney’s trilogy about a female artist in Renaissance Spain, the other two novels being Mira’s Way and A Place in the World. I read all three not long after I traveled through the Pyrenees where much of the story takes place. Amy Maroney brings the region to life wonderfully—its wildlife and independent mountain people, the sweeping landscapes and harsh weather, and the turbulent history during the time when King Ferdinand and Queen Isabella were on the throne.
What’s your favorite artsy novel set in Europe? Share your recommendations with other Artsy Travelers in the Comments below.
Where to begin when it comes to artsy sightseeing in Italy? Italy feels at times like one giant art gallery! There’s so much to see that even after numerous trips, I know I have many more wonders in store for me on future trips.
In this post I’ve described some of my favorites in eight historical periods: Greek, Etruscan, Roman, Byzantine, Medieval, Renaissance, Baroque, and 20th Century.
Read about my artsy sightseeing highlights and then follow links to more detailed recommendations. Seriously, you could very easily spend years in Italy and not run out of art to admire.
Map of Italy: Suggested Artsy Sightseeing Choices
The map below shows the locations of the artsy sightseeing options mentioned in this post. Click a number to read more about the location.
Three of the best preserved Greek temples in the world are located in Italy! Ever since I first saw pictures of the magnificent Doric temples at Paestum (#1) in southern Italy, I’ve wanted to visit them. In the spring of 2024, I was finally able to go and wow! The ruins are well worth the effort to get to them. Pictures give some idea of the beauty of the temples, but they cannot give a sense of the sheer size and splendor of the columns.
Temple of Poseidon at Paestum
The temples are thought to be dedicated to the city’s namesake Poseidon (known to the Romans as Neptune), Hera and Ceres. The oldest temple dedicated to Hera dates from 550 BC. Here are some options for touring Paestum with Get Your Guide.
I’ve grown very fond of Etruscan art. It’s different from Roman art in that it’s less monumental and more personal. The Etruscans pre-date the Romans and were based around Florence and throughout Tuscany as far south as Tarquinia, about 50 kilometers north of Rome. The Etruscans were a fascinating society in which women held much more power than they did in Roman society.
I mention Volterra in the section on Tuscany. The Etruscan Guarnacci Museum is the place to see Etruscan artifacts.
Here are two other great options for enjoying Etruscan art while artsy sightseeing in Italy.
Tarquinia
All around Tarquinia are the ruins of Etruscan tombs, many with fabulous paintings. Visit the Necropolis of Tarquinia (#2) to see some of the most famous paintings including the Tomb of the Leopards which dates from 473 BC. The colors are remarkably well preserved.
Tomb of the Leopards in Tarquinia
Visit the museum in Tarquinia to see more Etruscan art. Fascinating.
National
Etruscan Museum in Rome
We loved this place! The Museo Nazionale Etrusco (#3), housed in the lovely Villa Giulia, was virtually empty when we were there, which was a treat after visiting other museums in Rome. We wandered happily through room after room of Etruscan treasures including the famous Sarcophagus of the Spouses from the late 6th century BC.
Although we didn’t find the museum crowded, play it safe – skip the line and buy your tickets online.
I also enjoyed the urns and household goods, even little statues of animals. The Etruscan style is very modern-looking.
Ancient Roman – Artsy Sightseeing Options
In addition to visiting the Roman sites in Rome and Pompeii, you don’t need to go far to find Roman ruins in Italy. Here are a few artsy sightseeing suggestions related to Roman art and architecture.
Hadrian’s
Villa
Hadrian’s Villa (#4) is a massive archeological complex near Tivoli outside Rome. Designated a UNESCO World Heritage Site, the site is a must-see for fans of ancient Rome.
Be prepared to walk–the complex is
vast, containing over 30 buildings and covering 250 acres, making it larger
than the city of Pompeii. Stroll past the remains of fountains, pools, and
gardens surrounding what must have been one heck of a pleasure palace back in
the day.
Hadrian’s Villa in Italy
Hadrian constructed the villa as a retreat from the tough work of emperor-ing during the second and third decades of the 2nd century AD. We first discovered the villa on our family trip to Italy in 1994. Since then, much more of the site has been excavated with more ruins yet to be uncovered.
TIP: A good strategy is to visit Hadrian’s Villa (also called Villa Adriana) and the Renaissance Villa d’Este on a day tour. Here’s an option.
Ostia Antica
Rome’s original seaport is 30 minutes from Rome by train. Ostia Antica (#5) is like a mini Pompeii but without all the tourists. If you’re not planning to go south, take an afternoon from your Roman sightseeing to check out the atmospheric ruins at Ostia Antica.
You’ll find a well-preserved Roman theatre, the Baths of Neptune, remains of the military camp, temples to ancient deities, the forum and even Ostia Synagogue, the oldest known synagogue site in Europe.
Baths of Caracalla
This complex of ancient public baths close to Rome is worth a visit. Several towering walls remain along with impressive black and white mosaics. Descend below ground to view the well-preserved tunnels where slaves worked to keep the baths operating and the water hot.
This museum is a relevation–and one of the best museums showcasing Roman-era art that I’ve every visited. The museum contains much of the art–paintings, frescoes, objects, mosaics–recovered from Pompeii. If you’re pressed for time and trying to decide whether to visit the Pompeii ruins or the archeological museum, my vote is the archeological museum. The ruins may be far more popular (and very crowded), but to get a comprehensive view of what life was like in Pompeii, the museum has it all.
Early Christian and Byzantine Art – Artsy Sightseeing Options
Ravenna (#8) is the place in Italy to see the best Byzantine and early Christian mosaics. I wasn’t prepared for how incredibly new the mosaics looked. Despite dating from 400 to 600 AD, they looked like they were created yesterday.
I was taken with how the figures were depicted. Large eyes stare right at you, flowing robes glint with gold, the figures look like they could step from their perches on the walls high above you and join you for a glass of wine.
Be warned that many of the fabulous mosaics are located high up which means after a day of touring the UNESCO sites, you come away with a stiff neck.
It’s worth it! Artsy sightseeing doesn’t get much better than visiting the mosaics in Ravenna.
Sumptuous mosaic in Ravenna, Italy
Here are some options for touring Ravenna with Get Your Guide.
If you’re an artsy traveler with a love of the medieval, you just need to look out the window in Italy. Okay, that’s not quite true, but if you stay in any hill town, you’ll be surrounded by buildings that date from the 1300s, if not earlier.
These are some of my favorite medieval artworks I seek out when sightseeing in Italy.
Frescoes by Ambrogio Lorenzetti and Simone Martini in the Palazzo Pubblico (#9) in Siena
The Maestà altarpiece by Duccio di Buoninsegna in the museum at the Siena Cathedral (#10)
“The Annunciation” by Simone Martini in the Uffizi (#11) in Florence
Frescoes by Giotto in the Basilica of Saint Francis of Assisi (#12)
Frescoes by Giotto at the Scrovegni Chapel in Padua (#13)
Frescoes by Memmo di Filippuccio in the Camera del Podestà in the Palazzo Comunale in San Gimignano (#14) showing domestic scenes including a couple taking a bath and getting into bed
And before I leave medieval art, I must put in a plug for San Gimignano 1300 (#15). This scale model of what San Gimignano looked like in 1300 is located near the Palazzo Comunale and the Torre Grosso in the center of San Gimignano. The display is free and well worth seeing to give you an idea of how the city of towers looked with 72 towers instead of its current 17.
The Renaissance was born in Florence with an explosion of amazing art by artists such as Michelangelo, Botticelli, and Leonardo da Vinci. You’ll see a fair whack of the best stuff at the Uffizi.
TIP: If you go to the Uffizi, you must buy your tickets ahead of time, preferably a few days or weeks before you arrive, especially if traveling in peak season. Here’s a link to buy your tickets to the Uffizi and skip the line.
Here are some of my favorite Renaissance pieces (it’s just a partial list–I could go on and on!):
Primavera and Birth of Venus by Sandro Botticelli in the Uffizi in Florence
David statue by Michelangelo at the Academia (#16) in Florence
David statue by Donatello at the Bargello (#17) museum in Florence
Expulsion from the Garden of Eden by Masaccio at the Brancacci chapel (#18) in Florence
The Medici chapels in Florence
Sistine Chapel frescoes by Michelangelo at the Vatican (#19) in Rome
Paintings by Sofonisba Anguissola, one of the few female painters from the period, in Siena and at the Uffizi in Florence.
For more artsy sightseeing in Florence, here are suggested tours and skip-the-line ticket options.
Baroque Era – Artsy Sightseeing Options
Of all the art periods, the Baroque (roughly the 17th century) is my least favorite. I find the style too florid. However, the Baroque style is everywhere in Italy, from churches to museums. You can’t escape it.
Big names in Baroque art include Caravaggio, Tiepolo, Titian, Bernini, and Artemisia Gentileschi. Although Baroque art isn’t my cup of tea, I do love Artemisia’s work.
You can see her masterpiece, Judith Slaying Holofernes, completed in 1610, in the Uffizi Gallery in Florence.
Modern Art in Italy
Italy has produced several noted modern artists including Giacometti, Modigliani, and Futurists such as Severini, Marinetti, and Balla. Following are three places to see wonderful modern art in Italy (and again, there are many more).
Peggy
Guggenheim Museum
Located right smack on the Grand Canal in the Dorsoduro district of magical Venice between Santa Maria della Salute and the Gallerie dell’Accademia, the Peggy Guggenheim Museum (#20) just makes me smile. I can’t visit it often enough!
The museum houses Peggy Guggenheim’s personal collection of 20th- century art including masterpieces of cubism, surrealism and abstract expressionism. Artists in the permanent collection include Picasso, Kandinsky, Miró, Braque, Giacometti, Klee, Magritte, Dali, Pollock, de Chirico, Brancusi, Braque, Duchamp, and Mondrian. It is an embarrassment of 20th-century riches.
If you’re in Venice, take a break from the Renaissance and cross the canal to visit the Peggy Guggenheim Museum. Wander the cool halls of her renovated palazzo to view the paintings and sculptures and then descend the steps to the edge of the canal and watch the boats go by.
Also included in Top Ten Modern Art Museums in Europe is Rome’s National Museum of Modern Art (Galleria Nazionale d’Arte Moderna (#21). The museum is conveniently located on the edge of the Villa Borghese so you can see it before or after you visit the Galleria Borghese
The museum features an excellent collection of 20th-century Italian painters including Giorgio de Chirico, Amedeo Modigliani, Antonio Canova, Giacomo Balla, and Giorgio Morandi, along with works by Rodin, Degas, van Gogh, Monet, Duchamp, Man Ray, and Pollock.
Unlike the Vatican and the other Renaissance and Ancient Roman attractions of Rome, the museum is sparsely attended and, therefore, extremely pleasant.
Tarot Garden: Sculptures by Niki de Saint Phalle
Located near the coast in the province of Grosseto in Tuscany, the Tarot Garden (Il Giardino dei Tarocchi – #21) is a collection of sculptures created by the French artist Niki de Saint Phalle.
If you’re traveling through Italy by car, carve out time to visit this wonderful place. For a great, although long, day trip from Rome, catch the train from Rome Termini to Orbetello Stazione (about 90 minutes) and from there take a taxi or a bus.
For a detailed description of how to get from Rome to Il Giardino dei Tarocchi, check out this post on The Spotted Cloth website.
Pictures of Il Giardino dei Tarocchi don’t do the sculptures justice. If you love quirky, whimsical modern art, you have to go and see the sculptures for yourself. You can walk around them, touch them, even go inside some of them.
Sitting on a sculpture at the Il Giardino dei Tarocchi
Il Giardino dei Tarocchi is far enough off the beaten path to be uncrowded and totally delightful.
The garden is open every afternoon from 2:30 pm to 7:30 pm from April 1 to October 15. In November, December, January and March, the garden is open on the first Saturday of the month from 9 am to 1 pm. If the Saturday falls on a public holiday, the park opens the following Saturday.
Sculpture of lovers in the Il Giardino dei Tarocchi
Quirky foundation in the Il Giardino dei Tarocchi
Check the website for more information and directions.
My favorite regions in Italy range from Milan and the Dolomites in the north to Naples in the south. Unless you have several months to spare, you can’t really “do” all of Italy in one trip.
You’ll spend far too much time traveling and far too little time enjoying. Pick one or two regions and spent a week or two in each.
As Rick Steves says, “travel like you plan to return.”
Map of Favorite Regions in Italy
The map below shows approximate locations of the main regions in Italy that I recommend you explore. I’ve visited all of them except for Sicily (coming soon!).
I’m going to start in the north and move south because we often drive to Italy, so that’s the direction we enter the country from.
Here are the five regions of Italy I suggest you explore:
Northern Italy: Turin, Lake Como, Milan, Dolomites
Venice and Ravenna
Tuscany and Umbria
Rome
Compania: Naples, Pompeii, Amalfi Coast
In this post, I give a brief overview of these areas and provide links to more in-depth posts.
Northern Italy
You could spend at least a week traveling through the regions of northern Italy.
Milan Cathedral
From east to west, I recommend Turin, Lake Como, Milan, and the Dolomites. Spend at least a week in the north (not counting Venice which deserves at least three days on its own). You won’t run out of things to do!
Highlights of Northern Italy
Here are some of my favorite artsy highlights (a by no means an exhaustive list) in northern Italy:
Turin: The Egyptian Museum – Museo Egizio is first-rate. It houses one of the oldest collections of Ancient Egyptian artifacts in the world. Even if you’re only moderately interested in ancient Egypt, put it on your list.
Milan: The Duomo, Da Vinci’s Last Supper, and La Scala just for starters. There’s lots to see in Milan and it has a very different vibe (calmer in my opinion) than Rome.
Italian Lake District: Spend several days exploring the many small towns and the various lakes; gorgeous views, great food, lots of history.
The Dolomites: Drive as far up as you can and then take a chairlift or gondola even higher. The alpine culture is very different from the rest of Italy.
Don’t stint on the time you allocate to visiting Venice. The city is worth at least three days (preferably longer). You could choose to spend a week in the area–three or four nights in Venice, a night in the Veneto to visit Vicenza and Padua, and then head south to spend two nights in glorious Ravenna (more on Ravenna in a minute).
Rialto bridge in stunning Venice
You don’t need a car in Venice and you can reach the other towns in the area by train.
Ravenna is a delightful small city south of Venice, most famous for the mosaics in the eight Christian monuments on the UNESCO World Heritage list.
While many of these sites, particularly the most famous mosaics in the Church of San Vitale, attract the tour busses, the rest of Ravenna is wonderfully non-touristy. Relax in the main square and watch the world go by. Ravenna has a subtle charm that made me want to write a novel set there just so I could go and stay for a good long while.
Piazza del Popolo in the evening, Ravenna, Emilia-Romagna, Italy
While we were in Ravenna, we watched a bride and groom emerge from a church and get into a red Ferrari, stopped into an art opening and drank white wine with the two Italian artists who were exhibiting their paintings, and enjoyed one of the best meals we’ve ever had in Italy at Ristorante Alexander. Check out the website and make a reservation! The food was to die for and the prices very reasonable.
TIP: When dining in Italy, make use of review apps and websites to find good restaurants. Every time we’ve taken the time to search out well-rated restaurants and to make reservations, we’ve been amply rewarded by fabulous meals.
Highlights of Ravenna: Touring the UNESCO World Heritage Sites
The mosaics in the early Christian monuments are the big draw in Ravenna, as noted earlier.
TIP: Buy your combination ticket for the six UNESCO sites in central Ravenna at any of these locations: the Basilica San Vitale, Mausoleum of Galla Placidia, Basilica of Sant’Apollinare Nuovo, Neonian Baptistery, and the Archbishop’s Chapel.
The sixth site–the Arian Baptistery–is free and worth a visit to view the well-preserved domed mosaic, dating from the early 6th century AD, that shows Christ being baptized by John the Baptist.
At just €9.50 for entrance to all these sites, the Ravenna Mosaics combo ticket has to be one of Europe’s best artsy bargains. In addition to the six sites in central Ravenna, don’t miss the remaining two UNESCO sites. The mausoleum of Theodoric is a short walk from the town center, and the Church of Sant’Apollinare in Classe is an 8-kilometer drive towards the Adriatic coast.
Mosaic in Ravenna featuring the Empress Theodora
Staying in Ravenna
We were driving when we visited Ravenna, and so, as usual, we stayed in a hotel on the outskirts. We then took taxis into the city and from there walked to seven of the eight UNESCO sites in the center of Ravenna. On our last morning in Ravenna, we drove to the Basilica of Sant’Apollinare in Classe.
Toscana! The very name evokes warmth and good living and beauty while at the same time associated with a deliciously turbulent history.
All those towers and walls and fortifications in towns such as San Gimignano and Siena and Lucca were not built back in the Middle Ages because life was easy. The architecture of Tuscan hill towns screams strife.
The Fortress of Montalcino, a hill town in Tuscany
At the same time, the museums and churches of Tuscany burst at the seams with art–much of it created between 1300 and 1600, from the Middle Ages to the Renaissance.
We’ve been visiting Tuscany for years and plan to return. We’ve only recently “discovered” Umbria and were taken with its less touristy, more authentic atmosphere. While I love Tuscany, it can get overrun with visitors, particularly in Florence.
TIP: I recommend allocating at least a week to exploring Tuscany and another week for Umbria. Spend a few days in Florence to see the highlights and then if you have a car, find a house or an agriturismo property to rent for several days or a week in or near one of the medieval towns in Tuscany. Take day trips to other towns, bearing in mind that driving in Tuscany can be slow going on the twisty, narrow roads.
In a typical week, reserve a few days for just staying put and enjoying bella Toscana.
If you don’t have a car, you can still stay in the country, but choose a place that provides some assistance with transportation. You can join local tours such as wine tours (highly recommended!). Some properties offer cooking classes and painting classes.
After your week in Tuscany, spend a week in Umbria. The areas around Perugia or Assisi are good choices.
You won’t run out of things to see. I guarantee it!
The Eternal City takes hold of your psyche with the weight of its 2,000-plus-year history and the central role it has played in the development of western culture.
Rome will not be denied.
Piazza Navona in Rome in the morning
I’ve visited Rome several times since my first trip there with my parents in 1974. During our most recent trip, Gregg and I spent ten days enjoying the city during Gregg’s exhibition of his paintings at a gallery near the Vatican. We lived like locals in an apartment in the same area and set aside time every day to explore new areas of Rome.
Here are additional suggestions for what to see in Rome, including tours.
Naples and the Compania
Naples is kind of crazy–or at least it was when I visited a few years ago. We keep meaning to get down there again to see how or if it’s changed. I rather hoped it hasn’t.
I have a vivid memory of being driven in a taxi through downtown Naples and noticing how the driver barely slowed down at stop signs caked with dirt. Apparently, obeying them was optional. The driver pulled up in front of the National Archeological Museum in Naples, reputed to be one of the best museums in Italy for Roman antiquities. He then turned around and announced chiuso. Closed.
Oh. Those were the days before the Internet took the guesswork out of travel planning. Our only day in Naples was also the only day of the week when the museum was always closed.
That mistake wouldn’t happen nowadays which is a good thing although sometimes I miss the serendipity of the “olden” days when plans could so easily be derailed.
View of the Bay of Naples, the city of Naples, and Vesuvius in the distance
First, the landscape is varied and stunning. From the rolling hills of Tuscany to the rugged cliffs of the Amalfi coast and the dreamy canals of Venice, Italy has so much to offer travelers. We are constantly discovering new regions to explore. Our latest favorite is Umbria after spending two weeks there in 2018 during an exhibition of Gregg’s paintings in the charming town of Galdo Tardino.
Stunning Umbrian landscape
When I’m not admiring the landscape of Italy, I’m immersed in its history. Between the Etruscans and the Romans, Italy is brimming with ancient sites. Every town and village traces its roots to at least Roman times and all have a central medieval core. The Middle Ages is my preferred historical period, and Italy brings both the medieval and the Renaissance periods to life every day, sometimes literally.
I don’t think I’ve ever visited Italy and not seen people dressed in medieval garb at one of the many festivals and demonstrations of medieval life.
Costumed reveler at the Venice Carnival
Food is another big draw in Italy. Tuck into steaming plates of pasta swimming in amazing sauces, eat your plate-sized paper-thin pizza with a knife and fork like the locals do, enjoy exquisitely prepared main courses, and finish off with desserts to die for. Italy is a gastronomic paradise.
And finally, there’s the art. From the Etruscans to the moderns, art is everywhere in Italy. Some of the most beautiful artworks in the western world were created in Italy and are still there to be admired, which is excellent news for the Artsy Traveler.
For more about what to see in Italy art-wise, check out these posts:
So many authors (including myself!) have set novels in Italy–and no wonder! With its rich history, gorgeous landscape, and fascinating cultures, Italy never fails to be inspiring.
In this post, I feature a selection of novels that are not only set in Italy, but also relate in some way to the arts.
Artemisia Gentileschi was one of the most talented painters of the Baroque era and one of the most famous female painters of all time. Her story is riveting.
One woman’s journey of self-discovery and personal empowerment inspired by the great art masterpieces of Milan, Venice, Ravenna, Florence, Siena, Rome, and Paris.
A fascinating glimpse inside the source of Vivaldi’s musical legacy, combined with the captivating story of an exceptional young woman’s coming of age in a deliciously reminiscent place and time.
Stephanie Storey brings early 16th-century Florence alive, entering with extraordinary empathy into the minds and souls of two Renaissance masters–Michelangelo and da Vinci to create a stunning art history thriller.
A gleeful mashup of Shakespeare’s The Merchant of Venice and Othello: Greed, revenge, deception, lust, and a giant (but lovable) sea monster combine to create another hilarious and bawdy tale from modern comic genius, Christopher Moore.
A story of memories lost and found that explores the mysteries of the mind, the truth behind lore, and the miracle of inspiration.
Have you read a novel set in Italy, particularly an arts-inspired one? Do you have a favorite guidebook? Share your recommendations with other Artsy Travelers in the Comments below.
Here are some more posts to enjoy as you plan your adventures in Italy:
The walnut tree is the reason the Church of Santa Maria del Popolo was built.
Every Roman citizen knew about the tree and the large number of black crows–an unnatural number–that clung to its branches every day. And it was common knowledge that the tree had everything to do with the Emperor Nero.
In the Renaissance, people wondered why the crows always flocked to that particular tree. It was unnerving, especially to the merchants and officials who used the Flaminia roadway which led north out of Rome. They had to pass right by the tree because the city’s walled gate was next to it.
They were convinced that the shiny, black, rustling tree caused bad luck. Mishaps on their various journeys only confirmed this. They became so fearful of the evil that inhabited the area that they finally demanded the Church fathers do something about it.
Every Roman citizen knew about the tree and the large number of black crows–an unnatural number–that clung to its branches every day. And it was common knowledge that the tree had everything to do with the Emperor Nero.
In the Renaissance, people wondered why the crows always flocked to that particular tree. It was unnerving, especially to the merchants and officials who used the Flaminia roadway which led north out of Rome. They had to pass right by the tree because the city’s walled gate was next to it. They were convinced that the shiny, black, rustling tree caused bad luck. Mishaps on their various journeys only confirmed this. They became so fearful of the evil that inhabited the area that they finally demanded the Church fathers do something about it.
Origins of Santa Maria del Popolo
There are many reasons why the churches in Rome were built and many reasons for their chosen locations. The church of Santa Maria del Popolo is located on the site of the walnut tree that grew over the very spot where the despised Nero’s body had been unceremoniously buried some 1500 years earlier. Nero obviously now haunted the place; people had seen him there. Only a church built on that spot would calm the populace. And it needed to be made important. If the Pope recognized the church, it would become a Basilica.
The order eventually came down from Pope Paschal II. The situation had become a social scandal, and this was his official solution. Important artists must be commissioned to decorate its side chapels and ceiling. The artistic works created for it would need to spring from such important themes that even God would notice it.
For the project, the Church recruited renowned artists Caravaggio, Raphael, and Bernini, who all enjoyed fame during their lifetimes. (Well, Caravaggio was definitely known, but not necessarily for his art.) If you’re unfamiliar with these gentlemen artists of the 16th century, I must tell you that they are very famous in the art world. Legendary, even.
What’s Special about Santa Maria del Popolo
In situ is Latin for “in place” and is the term given for paintings, mosaics, frescoes, and sculptures that are still in the exact spot for which they were commissioned, for where they were designed to be. It is always special when one views something in situ, especially a major work.
And that is why I love Santa Maria del Popolo. It lays claim to two Caravaggio paintings, sculptures by Bernini, and a mosaic ceiling designed by Raphael. These creations have remained undisturbed in their precise positions. They could have easily been moved to some world-class museum or other, to bolster their daily visitation numbers and be celebrated at members-only cocktail events that the press would cover with uneducated glee. But something even more amazing happened: the works stayed where they were and as a result are almost unknown.
Location of Santa Maria del Popolo on the Piazza del Popolo
Located a bit out of the way at the north end of Piazza del Popolo, Santa Maria del Popolo sits quietly, without banners or signs. One would never know that it displays mind-boggling, priceless art. The masterpieces are not featured in any special way. You must actually go looking for them.
In the Chigi Chapel, you’ll find products of the genius of both Raphael and Bernini. Raphael obviously based his mosaic ceiling on the most important theme he could think of, The Creation of the World. It is so incredible that even as you are staring at it, your eyes tell you that it’s a painting, not a mosaic.
Raphael, CC0, via Wikimedia Commons
Statues by Bernini
All the amazing statues in this chapel are by Bernini. If you’re not familiar with Bernini, you’ll want to check out more of his beautiful statues, mostly notably those in the Borghese Gallery in the lovely Borghese Gardens in Rome.
In the Cherasi chapel, you’ll find the two astounding canvas paintings by Caravaggio positioned directly opposite one another—the sensual Conversion on the Way to Damascus and the gut-wrenching Crucifixion of Saint Peter.
Conversion on the Way to Damascus, Caravaggio, Public domain, via Wikimedia Commons
The theme of Peter (as in the apostle Peter of Vatican fame) being crucified upside down in Rome as the Bible describes is not a theme that many artists favor. Perhaps that’s because it is simply too horrific. Caravaggio was not afraid of much, it appears, and clearly threw caution to the wind.
Crucifixion of Saint Peter, Caravaggio, Public domain, via Wikimedia Commons
Visiting Santa Maria del Popolo
You’ll be surprised at the lack of visitors inside the Basilica; you may well be the only one. The reason is simply that most people don’t know about the place or what makes it special, even after being featured in Dan Brown’s Angels and Demons.
The Church of Santa Maria del Popolo is located at 12 Piazza del Popolo, next to the north stone gate and is free to enter. It’s open daily with sporadic hours; check their website for the days of your visit: rome.net/santa-maria-del-popolo. Avoid visiting on a Sunday during Holy Mass because you won’t be allowed to freely wander. Phone: Intl. calling: (011) 39-06-631-0836 / Local calling: 06-631-0836
Happy travels,
Andie Easton
Read about Andie Easton and her wonderful series of books!
The Campania region of southern Italy is packed with so many interesting things to see and do that a week might not be enough.
But given the choice between a week in the Campania and two days, I recommend a week. I’ve explored the region both ways, and a week is better!
In this post, a present a suggested itinerary that includes three nights in Naples, two nights in Sorrento, and two nights in Positano on the Amalfi coast.
If you have more time or you’re driving I recommend skipping the Amalfi coast and heading straight for Paestum.
Getting Around Campania
Driving in this area is not for the faint-hearted and not the best idea unless you’re coming from another region of Italy and already have a car.
My suggested itinerary includes a combination of public transit and small group tours.
Another option is to spend the entire week in Sorrento, which is located between Naples and the Amalfi coast, and take day trips from there. You’ll spend more time commuting, but you could save money on restaurant meals by renting an apartment for the week. Plus, there’s something to be said for coming back every evening to the charming ambiance of one of southern Italy’s most beguiling towns.
Looking over the Mediterranean from Sorrento
Highlights of your week include visits to Vesuvius, Pompeii and Herculaneum, the Isle of Capri and the Blue Grotto, and the towns of Sorrento, Positano, and Amalfi on the stunning Amalfi Coast.
Day 1: Arrive in Naples
Naples is kind of crazy, which is part of its charm.
Take the train directly from Rome and then take a taxi from the Naples train station to your hotel. I recommend staying in the Plebiscito area and splurging on a hotel that includes a sweeping view of the Bay of Naples with Vesuvius steaming gently in the distance.
Stunning view over the Bay of Naples
On your first afternoon, take a taxi to the Museo Archeologico Nazionale (the National Archeological Museum) which contains one of the world’s finest collections of Greco-Roman artifacts.
A Naples Art Card offers discounted entry into the Museo Archeologico Nazionale and several other major museums in Naples.
Other sites in Naples include the opulent Palazzo Reale located in the Piazza del Plebiscito and the nearby Castel Nuovo. From the top of the castle ramparts, you’ll enjoy stunning views of Naples and the harbor.
In the evening, stroll through the atmospheric Santa Lucia district–a labyrinth of narrow cobbled streets winding from just west of the Piazza del Plebiscito down to the sea.
And eat pizza! You’re in the birthplace of pizza, and Neapolitan pizza is the best of the best.
Pizza for lunch in Naples: thin, crispy, delicious
Safety in Naples
Are you safe in Naples? The city has a reputation for petty crime, but how dangerous is it for the tourist? This article gives you the lowdown, but the short answer is yes, you’re safe in Naples.
You could probably “do” Vesuvius, Pompeii, and Herculaneum in a day, but I don’t recommend it. Instead, consider two separate day tours–one that takes in Vesuvius and another that covers Herculaneum and Pompeii or whatever combination of the three sites works. For example, find small group tours to Vesuvius and Pompeii, or Pompeii and Herculaneum, or Herculaneum and Vesuvius.
The key is to save yourself stress by taking guided tours to these incredible sites. It’s possible to see them via public transit, but unless your budget is really tight, I suggest you give your day over to an experienced guide and then sit back and soak up the landscape and the history.
Here are a few tour and skip-the-line ticket options for the area:
Vesuvius
I first scaled Vesuvius in a chair lift on a bitterly cold December day. The views were spectacular as was the proximity to the smoking crater. Nowadays, you’ll have to hike uphill for a steep 30 minutes to reach the summit. From there, circumnavigate the crater’s lip to enjoy jaw-dropping views of Naples, the aqua Mediterranean, and Pompeii.
Mount Vesuvius looming behind the ruins of the Forum in Pompeii
In 79 AD, Vesuvius blew up and buried the cities of Pompeii and Herculaneum. For eighteen hours, the mountain spewed ash, dust and rocks twelve miles into the sky. The poor folks in Pompeii and Herculaneum didn’t have a chance.
Visit Vesuvius and Pompeii with Rick Steves in this article.
Pompeii
The most poignant thing about Pompeii is its frozen-in-time quality. Volcanic ash has preserved the bodies of people and animals twisted in the final throes of death.
Plaster cast of Pompeii victims
You also get a remarkable look at everyday life. You’ll see electoral propaganda messages painted on walls, elegant villas, modest houses, peasant dwellings, and even squalid brothels. Walk through narrow lanes to see the remains of workshops complete with furniture, tools, lamps, and foodstuffs. One of my favorite things was seeing the ruts cut into the stone roads by chariot wheels.
Amazing frescoes decorate the walls of Casa della Fontana Piccola in Pompeii.
You need to spend at least an afternoon, preferably an entire day, in Pompeii. If you’re a big fan of Roman ruins, choose a day tour that gives you plenty of time to wander around the excavated areas and the museum.
Herculaneum
Allow yourself time to visit Herculaneum. Although smaller than Pompeii, Herculaneum is richer, with larger houses, more impressive mosaics, and better-preserved ruins.
More complete houses remain because the ash from Vesuvius destroyed Herculaneum in a different way than it did Pompeii. In Pompeii, falling ash collapsed many of the roofs, whereas the ash fell more slowly over Herculaneum, covering and preserving wood and other organic objects.
Herculaneum is less crowded than Pompeii and much smaller, with better frescoes and mosaics. However, much of the city is yet to be excavated.
Days 4 & 5: Sorrento
Getting to Sorrento
Take the train to the charming town of Sorrento or catch the ferry from Naples.
We took a taxi from our hotel in Naples and got into trouble when the driver demanded payment upon our arrival at the hotel in Sorrento. I’d already paid the manager of the hotel in Naples for the taxi. Unfortunately, we’d mistakenly taken the wrong taxi at the Naples hotel.
The driver spoke only Italian and was very angry with the stupid tourists who didn’t want to pay twice for the ride. Fortunately, the manager of the hotel in Sorrento called the Naples manager, and, after much yelling and gesticulating, during which time I was sure blows would be traded, everything was sorted out. The taxi driver grudgingly shook our hands and presumably drove back to Naples to get his money.
I haven’t taken the ferry to Sorrento, but it seems like a great option. The ride is scenic and takes only 45 minutes. Purchase tickets here.
Hanging Out in Sorrento
Lemon trees and palm trees, houses clinging to cliffs, the turquoise Mediterranean–this area of southern Italy is postcard-perfect.
And Sorrento makes the perfect home base to explore the area.
Sorrento on the Amalfi Coast
The whole point of Sorrento is to slow down and relax. Amble along the small streets and enjoy la dolce vita. If you’re into shopping, Sorrento is the place to buy inlaid wooden boxes. I still have the wooden music box I bought on my first trip to Sorrento in the 1970s.
Sorrento is also a good place to buy cameos. Unfortunately, I lost the pink cameo I bought there. I still miss that cameo.
In the early evening, join the locals for the passeggiata. Families and couples dress up and stroll the shady streets, talking and laughing, gelatos in hand. The bars are full, and everything seems right with the world.
Visiting Capri
If the weather is fine, book a boat tour to the fabled Isle of Capri and its Blue Grotto. Yes, Capri can get crowded, but it’s drop-dead gorgeous, with its white limestone cliffs, azure ocean views, and tumbling gardens. Catch an early hydrofoil from Sorrento to avoid the cruise-ship crowds that clog the streets by midday.
A visit to Capri’s Blue Grotto is worth the time and effort required to get there, even if you’re only in the grotto soaking up the blue for a few minutes. The Blue Grotto is a sea cave famous for its luminous blue light and shimmering waters accessible only in a tiny dinghy through a narrow entranceway.
Duck!
A boat you catch on Capri stops at the grotto and waits while you board the dinghy and are rowed into the grotto. If you’re prone to seasickness, pop a Gravol before leaving the dock in Capri.
Blue Grotto, Capri, Italy
Scrambling into the little dingy from the larger boat can be either entertaining or terrifying, depending on your fitness level and tolerance for danger. I didn’t ask the guide how many people fall into the water every year. I suspect he wouldn’t have wanted to tell me.
The Blue Grotto is open year round, weather permitting. I visited on a sunny day in late December.
Days 6 & 7: Positano
Continue home-basing in Sorrento and take a day trip down the Amalfi coast, or pull stakes and make Positano your home for two nights. I suggest the latter to give you a more intimate feel for this charming town that tumbles down the cliff to the Mediterranean. Devote a day to visiting the town of Amalfi to view its colorful houses and stroll the beach.
Positano and romance go hand in hand. Did you ever see Only You with Marisa Tomei? The scenes shot in Positano are some of the movie’s most beautiful. If you have a lot of money, stay at the Sirenuse Hotel where scenes from the movie were shot.
Visit Positano to steep yourself in beauty. Wander the tiny streets, gaze out at the views, snap hundreds of photos, eat great food, and just relax.
The beach at Positano
Or Go to Paestum!
If you’re driving, skip Positano and the Amalfi Coast and head farther south to marvelous Paestum. Here, you’ll find some of the best-preserved Greek ruins in the world (including n Greece!). I really enjoyed spending a few days in this lovely area of southern Italy.
