UBC Museum of Anthropology in Vancouver: Why You Should Go!

The Museum of Anthropology at the University of British Columbia (UBC) is the must-see museum in my hometown of Vancouver.

While I was on an Alaskan cruise a few years back, several visitors asked me what they should see during their one day in Vancouver. I always said the anthropology museum and always received a blank stare.

An image collage promoting the UBC Museum of Anthropology in Vancouver, featuring totem poles and bold text reading “Why You Should Go!” with “artsytraveler.com” at the bottom.

Regrettably, this world-class museum is not as well known as it deserves to be. Usually, when people talk about what tourists should see in Vancouver, they say the Capilano Suspension Bridge (crowded and way over-priced), the Vancouver Art Gallery (okay), and Stanley Park (a definite yes).

But a trip out to UBC to tour the Museum of Anthropology (MOA) is an absolute must. MOA houses an unparalleled collection of northwest coast Indigenous art and artifacts, along with exquisite exhibits of objects from cultures all over the world.

Overview

In this post, I share my recommendations for enjoying your visit to the UBC Museum of Anthropology in Vancouver, BC. I’ve also included practical information, such as hours, admission fees, and how to get there. Finally, check out what else you can see at the University of British Columbia and my suggested hotels in downtown Vancouver.

Where is the Museum of Anthropology (MOA)?

Designed by famed Canadian architect Arthur Erickson, the Museum of Anthropology (also known as MOA) is located on the campus of the University of British Columbia at the very tip of Point Grey, a peninsula that juts into the Strait of Georgia west of Vancouver’s downtown core. See #1 on the map below.

After being closed for a few years for seismic upgrading, MOA is again welcoming visitors.

Here’s the view of mountains and ocean that greets you from the rose garden on a hill above the museum.

A view of the rose garden at the University of British Columbia and the view of mountains and ocean beyond. The roses planted in the garden are in bloom.

The map below shows the location of the Museum of Anthropology (#1) along with other worthwhile sites at the University of British Columbia and recommended hotels in Vancouver.

Trip map created with Wanderlog, a trip planner on iOS and Android

Arriving at MOA

After parking in the lot conveniently located just off NW Marine Drive and adjacent to the museum, you pass the MOA sign and a rock with a message in two languages reminding you that you are on the ancestral homeland of the Musqueam people.

I grew up close to this area and regrettably learned very little about the people who first lived here. In recent years, great strides are being made to redress the imbalances.

One such development is the increasing use of Indigenous names for landmarks that for 150 years were known by their “settler” names. 

Entering the Museum of Anthropology

Enter the spacious lobby and buy your ticket. If you have a backpack or bag, you’ll need to store it in the lockers provided (they even give you a quarter to open a locker!).

And now get ready to be blown away! Your first stop? Walk down a shallow ramp past exhibits of local First Nations art and into the Great Hall.

On your way, read the many informative plaques to learn about the displays. Their purpose is to educate visitors about why each object or artifact is significant to the culture and heritage of the First Nations people.

A vibrant woven blanket with intricate geometric patterns hanging in a museum exhibit, next to a wooden carving. These are featured on the way into the Great Hall at the Museum of Anthropology in Vancouver, Canada.

Here’s the description of the contemporary woven blanket displayed to your right as you walk down the ramp:

We dedicate this blanket to our mother Helen, our elders, and those who have gone before us. We look at this blanket as part of the tradition of education that was in place in our community for generations and is now being revived. Our ancestors speak through this weaving, through all of our weavings. In this way, they continue to share their knowledge with us.

The Great Hall

I’ve visited the Museum of Anthropology at UBC many times. But every time I walk into the Great Hall filled with one of the world’s most extensive collections of Indigenous art from the northwest coast, I feel an overwhelming sense of awe.

MOA does an excellent job of explaining the significance of each of the displays, with much of the information contributed by Indigenous artists who are carving totems and creating art today.

Stroll around this large space to get a feel for the awesomeness of the art and take time to read the explanatory plaques. 

Here are some of the many totem poles carved from cedar by west coast First Nations people. Tilt your head back and marvel at the intricacy and beauty of the poles soaring to the rafters in this incredible space.

Totem poles in the great hall at the Museum of Anthropology at the University of British Columbia in BC
Tall Indigenous totem poles displayed in the Great Hall at the Museum of Anthropology museum with floor-to-ceiling glass windows and natural light.

Sea-Lion House

It’s difficult to single out any one piece for more elaboration because every piece is accompanied by a fascinating story. The Sea-Lion House (Indigenous name Klix’Ken Gukwdzi) is particularly noteworthy.

According to the information provided, this house was built in 1906 in defiance of the assimilation pressures imposed through the federal Indian Act.

This house was the last old-style dwelling erected in the village as a home for an extended family. It’s probably one of the last examples of traditional northwest coast architecture in the entire Pacific Northwest.

A large Indigenous wood carving featuring a figure with painted facial details, supported by two figures holding a wooden beam.

Colonialism and Indigenous People

The dramatic beauty of traditional northwest coast art on display at MOA is all the more remarkable considering that for decades, many of the cultural traditions of the First Nations people in British Columbia were banned.

Potlaches were outlawed, people were not permitted to wear their masks or dance or sing their traditional songs, and their languages were systematically wiped out.

In recent decades, the devastation wrought by these draconian laws is slowly being overcome. MOA’s curators and historians are doing an amazing job of putting together thoughtful and beautiful displays that celebrate the First Nations culture and do not shy away from painful truths about the colonial past.

Sculptures created by artists in the pacific Northwest on display at the Museum of Anthropology in Vancouver.

After marveling at the totems and other displays in the Great Hall, return to the entrance and head to the right to tour the Koerner Collection of European ceramics.

The feeling here is completely different but no less interesting. This extensive collection features ceramics displayed in a darkened room that every time I’ve visited has been virtually empty.

Cases of ceramics, mostly plates and dinnerware in the ceramics room at the Museum of Anthropology in Vancouver.

I enjoyed learning something about the history of ceramics and was fascinated by so many incredible examples of ceramic art, some dating back millennia.

These little guys are particularly adorable. They were made in the 18th century at the Holič factory in Hungary.

Brightly colored ceramic sculptures created in Hungary and on display in the ceramics room at the Museum of Anthropology in Vancouver.

Multiversity Galleries

From the ceramics exhibition head back through the main hall and explore the museum’s multiversity galleries. MOA pioneered the use of open storage displays to exhibit their massive collection of objects from around the world.

These message greets you at the entrance to the Multiversity Galleries:

Enter here to meet creative expressions from around the globe. The galleries are laid out like a map of the world, joined by oceans and rivers. Pull open the drawers. Look up more information at the computer stations. Experience how connecting objects and people can bring the collection to life.

Here’s a portion of the South Pacific collection.

One of the entrances into the galleries showing objects from Oceania at the Museum of Anthropology

Northwest Coast First Nations Art and Objects

Don’t miss the collection of Pacific Northwest objects and art created by the area’s First Nations people. It is by far the largest collection in the galleries and features impressive displays of sculptures, masks, baskets, hats, textiles, and much more—some historical, some contemporary.

This massive Raven mask has been passed down for generations and, like all the exhibits in the First Nations collection, holds both artistic and spiritual significance along with precious knowledge for the communities that used it in ceremonies.

Massive raven mask (about six feet long) on display at the Museum of Anthropology

World Cultures

MOA features an impressive collection of thousands of ethnographic objects and artifacts from around the world. You’ll see magnificent objects from the Americas, Africa, Asia, and Oceania along with thoughtful and comprehensive descriptions.

Here are just a few examples of the breadth and astonishing variety of the collection the museum features.

Take your time to really look at these incredible objects. You could easily spend hours. And don’t forget to open the drawers! You never know what you’ll discover.

Works by Bill Reid

Acclaimed Haida artist Bill Reid is renowned for his sculptures and jewelry, several breathtaking examples of which are displayed in the museum.

The centerpiece is Bill Reid’s sculpture called The Raven and the First Men.

The Raven and the First Men sculpture by Haida Artist Bill Reid

This stunning sculpture, made from a 4.5-ton cube of 106 laminated beams, took several years to complete. The museum acquired it in 1980.

Here is the legend of Raven and the First Humans as presented on MOA’s excellent website:

One day after the great flood Raven was walking along the beach at Rose spit in the Queen Charlotte Islands when he heard a sound emanating from a clamshell at his feet. He looked more closely and saw that the shell was full of small humans. He coaxed, cajoled and coerced them to come out and play in the wonderful new world. Some immediately scurried back into the shell, but eventually curiosity overcame caution, and they all clambered out. From these little dwellers came the original Haidas, the first humans.

Walk around the sculpture and be constantly enchanted by how it changes. This piece is a marvel.

Special Exhibitions

In addition to the three areas described in this post, MOA has areas devoted to special exhibitions. These vary throughout the year, so check the website to find out what’s on during your visit.

Tours of MOA

You can choose to take one of the free guided tours the museum offers with one of the new Cultural Interpreters. Learn about the collection from an Indigenous perspective and gain insight from Cultural Interpreters who have a personal connection to the belongings and treasures.

Tours last 45 to 60 minutes and are offered Tuesday to Thursday at 11 am, 1 pm and 3 pm, and Friday to Sunday at 1 pm and 3 pm.

Make sure to check the website to confirm the schedule.

Practical Information

The Museum of Anthropology is open Tuesday to Sunday from 10 am to 5 pm (Thursdays to 9 pm). It’s closed on Christmas Day and New Year’s Day.

Museum admission currently costs $25 for adults, $22 for seniors (65+) and students, and $10 for youth. Children under 5, Indigenous people, UBC students, staff and faculty, and MOA members are admitted free. The website has the latest rates.

Museum Gift Shop

The museum’s small gift shop features with some pretty nice stuff, including plenty of examples of Indigenous art, jewelry and crafts, along with books and souvenirs.

Accessing the Museum of Anthropology from Downtown Vancouver

The Museum of Anthropology is located on the University of British Columbia campus, about 20 minutes from downtown Vancouver (#2 in the map at the beginning of this post). Here are some options for getting there from downtown Vancouver:

By Public Transit: Take the #4 UBC Bus from various downtown locations to the UBC Exchange or take the #99 B-Line bus to the UBC bus loop. From there, it’s about a ten-minute walk to MOA. Check the Translink website for routes, fares, and schedules.

From Vancouver International Airport (#3), take the Canada Line Skytrain to the Olympic Village station and then transfer to the #84 bus to UBC.

By Car: The museum is located at 6393 Northwest Marine Drive on the UBC campus. Ample parking is available at the museum, and parking fees are typically in line with campus parking rates.

Walking or Cycling: If you’re staying nearby, you can reach the museum on foot or by bicycle.

Other Attractions Near the Museum of Anthropology

If you have time to explore further, there are several other interesting attractions nearby.

Beaty Biodiversity Museum

Located a short walk from MOA, the Beaty Biodiversity Museum (#4) on the UBC campus is another excellent museum with exhibits showcasing the incredible biodiversity of our planet. Here are some pictures I took on a visit there.

You could spend hours browsing the extensive displays. With its wonderful collection of taxidermy animals, it’s a great place to take children.

UBC Botanical Garden

Another nearby gem is the UBC Botanical Garden (#5). Here, you can explore themed gardens, hiking trails, and a diverse collection of plant species from around the world. Established in 1916, the garden is Canada’s oldest university botanic garden.

I love going in the late spring and summer. Take your walking shoes; there’s a lot to see and it’s big!

Pacific Spirit Regional Park

For nature lovers, Pacific Spirit Regional Park (#6) offers extensive walking and hiking trails through lush forest, providing a peaceful retreat from the city. It’s a great spot for a post-museum stroll.

Nitobe Gardens

I adore Nitobe Gardens (#7) and pop in almost every time I visit the campus of the University of British Columbia. The gardens are a short walk from MOA so you can easily include it in your visit.

Considered one of the most authentic Japanese gardens outside of Japan, Nitobe Gardens is just gorgeous no matter what time of year you visit. But the best times are in spring when the cherry blossoms are in full bloom and again in the fall when the maple leaves are bright red.

Here are two photos taken in late spring.

Where to Stay in Vancouver

Vancouver is a major tourist destination for Canada-bound travelers, and as such has plenty of excellent hotels. Your best bet is to stay in a hotel downtown, preferably one with a view of the magnificent North Shore mountains and the ocean.

Here are my three favorite hotels in Vancouver:

  • Granville Island Hotel – located on Granville Island about a ten-minute bus ride from downtown Vancouver, this hotel is a great choice if you’re looking something a little bit different. You can stroll the Granville Island Market and other shops, take in a performance at nearby Bard on the Beach or the Arts Club Theatre, and listen to the seagulls as you drift off to sleep.
  • Pan Pacific Vancouver – one of Vancouver’s most iconic hotels with sweeping views of the cruise ships and freighters in Burrard Inlet and the North Shore mountains, this Pan Pacific is upscale, expensive, and right in the center of the action. It’s a great choice if you’re staying overnight in Vancouver before taking an Alaskan cruise.
  • The Westin Bayshore – I love this hotel and often stay here if I’m taking a “town” break from my home on nearby Bowen Island. The Bayshore’s location right next to Stanley Park is a huge selling point. Rent a bike and ride around the park, then return to the hotel and enjoy a drink overlooking Vancouver’s stunning harbor.

Vancouver Tours

GetYourGuide offers a variety of tours of Vancouver and the surrounding areas. If you have a full day to spare, then I recommend you head up to Whistler. On this tour, you’ll ride the Sea to Sky Gondola in Squamish, explore Whistler Village (don’t miss the Audain Art Museum), and visit stunning Shannon Falls on the world-famous Sea-to-Sky Highway.

Powered by GetYourGuide

After visiting MOA, you may feel inspired by the various Indigenous portrayals of the Orcas that swim in the local waters. Treat yourself to a whale watching experience.

Powered by GetYourGuide

Conclusion

The Museum of Anthropology in Vancouver is a cultural and artistic treasure well worth a visit. You’ll learn so much about the Indigenous cultures of the Pacific Northwest and marvel at the the objects on display from around the world.

The ingenuity of people never ceases to amaze me, which is why I love museums like this.

Have you visited the Museum of Anthropology? What were your favorite exhibits? Share your recommendations and observations in the Comments below.

Here are some more posts about museums I’ve visited and heartily recommend:

Novels Set in Spain Perfect for the Artsy Traveler

Read novels set in Spain to get you excited about your trip or, even better, to read while you’re there. Lots of authors have been inspired to set novels in Spain, many of which revolve around art.

Each of the novels listed in this post relates in some way to the arts–from flamenco to Cervantes to Spanish Baroque art and more.


The Return by Victoria Hislop

In the heart of Granada, a family witnesses the worst horrors of the Spanish Civil War. Divided by politics and tragedy, everyone must choose a side, fighting a personal battle as Spain tears itself apart. With wonderful scenes featuring flamenco, this novel is a must-read for Spain bound travelers.

Book cover of The Return by Victoria Hislop. A black-and-white image of a young woman with a red flower in her hair standing in the foreground, while a man in historical clothing walks in the background. The title is written in red cursive letters.

Dulcinea by Ana Veciana-Suarez

Dulcinea is a feminist reimagining of Cervantes’s Dolça, the fictional muse behind Don Quixote. The daughter of a wealthy merchant, young Dolça Llull Prat is besotted with the dashing, bootstrapping Miguel Cervantes from their first meeting. When Miguel renders her as the lowly Dulcinea in his great Quixote, revealing their association, he commits an unforgivable offense, and their decades-long affinity is severed—until he reaches out to her one last time.

 Book cover of Dulcinea by Ana Veciana-Suarez. An easel with a painting of a windmill and a field of flowers sits in a lush garden archway. In the background, a windmill stands against a soft golden sky. The title appears in white cursive text.

The Master of the Prado by Javier Sierra

Presented as a fictionalized autobiography, The Master of the Prado begins in Madrid in 1990, when Sierra encounters a mysterious stranger named Luis Fovel within the halls of the Prado. Fovel takes him on a whirlwind tour and promises to uncover startling secrets hidden in the museum’s masterpieces—secrets that open up a whole new world to Sierra.

Book cover of The Master of the Prado by Javier Sierra. The title is displayed in large distressed lettering filled with classic artwork details. The cover has a parchment background with visible tape and folds, and a tagline mentioning "mysteries, conspiracies, and prophecies."

The Lady with the Dark Hair by Erin Bartels

This a dual-time novel about artists and identity. Esther Markstrom and her artist mother have always been proud of their ancestor, painter Francisco Vella. They even run a small museum and gallery dedicated to raising awareness of his scandalously underappreciated work. But when Esther reconnects with her former art history professor, she finds her once-solid family history on shaky ground as questions arise about Vella’s greatest work–a portrait entitled The Lady with the Dark Hair.

Book cover of The Lady with the Dark Hair by Erin Bartels. A portrait of a woman with dark hair gazing into the distance, set against a vibrant, textured background resembling an abstract painting. The title is in white serif text framed by decorative gold lines.

Attribution by Linda Moore

When art historian Cate Adamson discovers a hidden painting, possibly a Baroque masterpiece, she risks her career, financial disaster, and further alienation from her family and flees to Spain with the painting to consult art experts.

Book cover of Attribution by Linda Moore. A rich red curtain partially reveals a figure lying down with a pale, bare back. Tassels hang from the curtain, and the title appears in white serif text.

The Girl from Oto by Amy Maroney

Following her birth 1500, Renaissance-era artist Mira is raised in a Pyrenees convent believing she is an orphan until she learns the terrible truth about her true origins, and must determine whether she possesses the strength to face those who would wish her harm.

 Book cover of The Girl from Oto by Amy Maroney. A twilight scene of rolling hills under a starry sky, with a golden scallop shell symbol at the bottom. The tagline reads, "How far would you go to unveil a secret kept for 500 years?"

The Lines Between Us by Rebecca D’Harlingue

Listed in the Literature category on Art In Fiction, The Lines Between Us is a dual-time book that takes place in Madrid in 1661 and Missouri in 1992. The connection between the two eras leads Rachel in 1992 to try healing the wounds caused by her mother’s lifelong reticence. 

Book cover of The Lines Between Us by Rebecca D’Harlingue. A shadowed profile of a woman against a textured, weathered parchment background. The title is written in flowing blue script.

The Spanish Bow by Andromeda Romano-Lax

The bequest of a cello bow sets Feliu on the path to becoming a musician, an unlikely destiny given his beginnings in a dusty Catalonian village. When he is forced to flee to anarchist Barcelona, his education in music, life, and politics begins. 

Book cover of The Spanish Bow by Andromeda Romano-Lax. A rich red background featuring the scroll and pegs of a stringed instrument, with ornate patterns and gold lettering for the title.

The Shadow of the Wind by Carlos Ruiz Zafón

Barcelona, 1945: A city slowly heals in the aftermath of the Spanish Civil War, and Daniel, an antiquarian book dealer’s son who mourns his mother’s death, finds comfort in a mysterious book entitled The Shadow of the Wind, by one Julián Carax. But when he sets out to find the author’s other works, he makes a shocking discovery: someone has been systematically destroying every copy of every book Carax has written. 

Book cover of The Shadow of the Wind by Carlos Ruiz Zafón. An open book forms the backdrop of a foggy, old street scene. A figure in a dark coat walks beneath a streetlamp. The title is displayed in red and black serif text.

Want more novels set in Spain? You’ll find many more on Art In Fiction, the website I created to showcase novels inspired by the arts.

Guidebooks About Spain

My favorite travel writer, Rick Steves, of course has produced an excellent guidebook on Spain. Rick’s suggestions are pretty much always on the mark. I also enjoy Lonely Planet books for their comprehensive accommodation guides, particularly for budget places.


Conclusion

Have you read a novel set in Spain, particularly an arts-inspired one? Do you have a favorite guidebook? Share your recommendations with other Artsy Travelers in the Comments below.

Check out these posts that provide suggestions for what to read in other European countries:

Novels Set in Netherlands Perfect for the Artsy Traveler

Read novels set in the Netherlands both to help get you in the mood for traveling and to enjoy when you’re there.

Each of the novels listed in this post relates in some way to the arts–from Rembrandt to Vermeer to the depiction of tulips in Golden Age Holland. Reading any one of these novels will help set the scene for your travels in one of my favorite European countries!


The Anatomy Lesson by Nina Siegal

The Anatomy Lesson takes readers through a single day in Golden Age Amsterdam when the city is preparing for the Winter Festival: executions, followed by a public dissection, and then a feast and torch parade through the city.

Book cover of The Anatomy Lesson by Nina Siegal. The title is displayed in large white serif letters across a dark textured background. A partial face of a 17th-century man is visible on the lower half, overlapped by two red tulips and a small circular image of hands in a dissection pose. The author's name, "Nina Siegal," appears in white letters on a black nameplate below the title. The upper section shows blurred figures in a classic painting style.

Girl with a Pearl Earring by Tracy Chevalier

History and fiction merge seamlessly in a novel about artistic vision and sensual awakening set in 1664 in Delft. Young Griet goes to work in the household of the great painter Johannes Vermeer and is immortalized in canvas and paint.

Book cover of Girl with a Pearl Earring by Tracy Chevalier. The cover features the famous painting of a young girl wearing a blue and yellow headscarf and a large pearl earring, looking over her shoulder. The background is black, and the title and author's name are displayed in white letters on a blue banner at the bottom. The top banner mentions "Deluxe Edition" and "Including 9 Full-Color Vermeer Paintings."

A Light of Her Own by Carrie Callaghan

This historical biographical novel tells the story of Judith Leyster, a Dutch painter from the 17th century whose work was lost to history until 1893. The novel richly weaves the journey of a woman of ambition set against the backdrop of Rembrandt and an uncompromising religion.

 Book cover of A Light of Her Own by Carrie Callaghan. The cover design features a collage of triangular segments showing parts of a 17th-century painting, including a woman’s face, a hand holding a paintbrush, and dark clothing details. The triangles are arranged in red, orange, and yellow hues. The title appears in white serif font in the center, with the author's name, "Carrie Callaghan," at the bottom.

The Rembrandt Secret by Alex Connor

Inspired by real events in the artist’s life, The Rembrandt Secret is an historical thriller that follows a deadly serial killer who is wreaking havoc across London and New York.

Book cover of The Rembrandt Secret by Alex Connor. A silhouette of a man walks through a grand, golden-lit building with ornate decorations. The title appears in large gold letters, and the tagline reads, "If you know the truth, you will be silenced…".

The Vermeer Deception by Jennifer S. Alderson

Book 4 in Jennifer S. Alderson’s Zelda Richardson Mystery series revolves around the discovery of a missing portrait by Johannes Vermeer that results in a dangerous game of cat-and-mouse with unethical art collectors, unscrupulous dealers, and an all-too-real killer.

Book cover of The Vermeer Deception by Jennifer S. Alderson. A woman’s silhouette is superimposed over a framed painting of a European cityscape with a river, bridge, and historic buildings. The title and subtitle “An Art Mystery” appear in white serif text.

Tulip Fever by Deborah Moggach

Seventeenth-century Amsterdam is a city in the grip of tulip fever. To celebrate growing wealthy from this exotic new flower, a merchant commissions a gifted young artist to paint him with his beautiful bride. But as the portrait grows, so does the passion between his wife and the painter; and ambitions, desires, and dreams breed an intricate deception and a reckless gamble.

Book cover of Tulip Fever by Deborah Moggach. A close-up of a vibrant red and white tulip with green leaves dominates the cover. A quote in white text praises the novel’s vivid depiction of 17th-century Amsterdam.

The Lost Diaries of Frans Hals by Michael Kernan

When ancient notebooks surface in a Long Island garage, Peter Van Overloop, a Columbia grad student, sets about translating them, and finds himself immersed in the life and times of the Dutch painter Frans Hals. The notebooks appear to be Hal’s diaries, and they paint a gripping portrait of a man living in the age of Rembrandt and Descartes, and bursting with a lust for the world surrounding him.

Book cover of The Lost Diaries of Frans Hals by Michael Kernan. A historical painting of men in 17th-century attire is featured above the title. Below the title, there is an image of the New York City skyline with the Twin Towers.

The Winter Dress by Lauren Chater

Textiles historian Jo Baaker returns to the Dutch island where she was born, to investigate the provenance of a valuable 17th-century silk dress retrieved from a sunken shipwreck. Her research leads her to Anna Tesseltje, a poor Amsterdam laundress who served on the fringes of the Dutch court. But how did Anna come to possess such a precious dress?

Book cover of The Winter Dress by Lauren Chater. A woman in a 17th-century gown adorned with pearls poses against a background of lush flowers, including roses and tulips. The title is in bold, golden letters.

The Map Colorist by Rebecca D’Harlingue

In 1660, Amsterdam is the trading and map-printing capital of the world. Anneke van Brug is one of the colorists paid to enhance black-and-white maps for a growing number of collectors. But Anneke is not content to simply embellish the work of others; she longs to create maps of her own.  

Book cover of The Map Colorist by Rebecca D'Harlingue. A detailed illustration of a 17th-century harbor town with ships and historic buildings is set against a background of an old map with compass roses. The title appears in bold, dark letters.

Still Life by Dodie Bishop

In this 17th-century historical romance, gifted artist Clara Peeters has to make sacrifices and risk everything to pursue her craft. Together with fellow pupil Nico, the two find themselves surrounded by dangerous secrets and powerful enemies. But in the face of so much past pain, can something as fragile as love survive?

Book cover of Still Life by Dodie Bishop. The top half displays the title in large cream letters against a deep green background with decorative flourishes. The lower half shows a 17th-century painting of a woman seated at a table adorned with gold objects, coins, an ornate goblet, flowers, and a hand mirror. The woman wears fine jewelry, a lace collar, and a jeweled headband.

Want more novels set in the Netherlands? You’ll find many more on Art In Fiction, the website I created to showcase novels inspired by the arts.

Guidebooks About the Netherlands

My favorite travel writer, Rick Steves, of course has produced an excellent guidebook on the Netherlands. Rick’s suggestions are pretty much always on the mark. I also enjoy Lonely Planet books for their comprehensive accommodation guides, particularly for budget places.


Conclusion

Have you read a novel set in the Netherlands, particularly an arts-inspired one? Do you have a favorite guidebook? Share your recommendations with other Artsy Travelers in the Comments below.

Check out these posts that provide suggestions for what to read in other European countries:

Novels Set in England Perfect for the Artsy Traveler

Read novels set in England to get you excited about your trip or, even better, to read while you’re there. Numerous authors have been inspired to set novels in England, particularly novels inspired by England’s rich literary heritage from Shakespeare to Jane Austen to Oscar Wilde to Agatha Christie.

And yes, one of the novels set in England is mine! The Muse of Fire is my third novel, and it’s set in early 19th Century London and inspired by real events.

Graphic for Pinterest showing the text "Compelling Novels Set in England Perfect for the Artsy Traveler" over a picture of a red double-decker bus crossing a bridge in front of London's Big Ben.

The Wildes by Louis Bayard

Oscar Wilde’s wife and two sons come out from the shadows of history in this emotional journey of a family moving from the Italian countryside to the trenches of WWI as they grapple with their famous father’s legacy.  


From the Ground Up by Katherine J. Scott

Listed in the Architecture category on Art In Fiction, From the Ground Up takes place in Elizabethan England and is Katherine J. Scott’s first Robert Smythson Mystery.
 
 


A Change of Location by Margaret Porter

In this contemporary romance, Hanna Ballard is a film location manager involved in pre-production for a film set in the Somerset countryside when she becomes involved with the local landowner.

 


The British Booksellers by Kristy Cambron

From deep in the trenches of the Great War to the storied English countryside and the devastating Coventry Blitz of World War II, The British Booksellers explores the unbreakable bonds that unite us through love, loss, and the enduring solace that can be found between the pages of a book.


The Ghost Theatre by Mat Osman

This wild and hallucinatory reimagining of Elizabethan London is listed in the Theater category on Art In Fiction and is a fever-dream full of prophecy and anarchy, gutter rats and bird gods that takes the reader on a wild ride from the rooftops of Elizabethan London to its dark underbelly.     


Bloomsbury Girls by Natalie Jenner

This compelling and heartwarming story is set in post-war London and revolves around three women working at Bloomsbury Books, an old-fashioned new and rare bookstore that has persisted and resisted change for a hundred years. As the women interact with various literary figures of the time–Daphne Du Maurier, Ellen Doubleday, Sonia Blair (widow of George Orwell), Samuel Beckett, Peggy Guggenheim, and others–they plot out a future that is richer and more rewarding than anything society will allow.


The Queens of Crime by Marie Benedict

Set in London in 1930, the five greatest women crime writers have banded together to form a secret society with a single goal: to show they are no longer willing to be treated as second class citizens by their male counterparts in the legendary Detection Club. Led by the formidable Dorothy L. Sayers, the group includes Agatha Christie, Ngaio Marsh, Margery Allingham and Baroness Emma Orczy–the Queens of Crime.


The Last Heir to Blackwood Library by Hester Fox

Set in the 1920s, The Last Heir to Blackwood Library is described as a love letter to books. It’s a compelling rags-to-riches tale laced with betrayal and intrigue with a magnificent library and an enigmatic manuscript at its center. 


The Muse of Fire by Carol M. Cram

Set in London in 1808-09, The Muse of Fire takes readers behind the scenes at Covent Garden theater where the intrigue, romance, and betrayal offstage rivals the drama in the plays performed onstage.


Hamnet & Judith by Maggie O’Farrell

This telling of the little-known story behind Shakespeare’s most enigmatic play is a luminous portrait of a marriage and the devastating loss of a beloved child.


Want more novels set in England? You’ll find many more on Art In Fiction, the website I created to showcase novels inspired by the arts.

Guidebooks About England

My favorite travel writer, Rick Steves, of course has produced an excellent guidebook on England. Rick’s suggestions are pretty much always on the mark. I also enjoy Lonely Planet books for their comprehensive accommodation guides, particularly for budget places.


Conclusion

Have you read any arts-inspired novels set in England? Do you have a favorite guidebook? Share your recommendations with other Artsy Travelers in the Comments below.

Check out these posts containing suggestions for what to read in other European countries:

Novels Set in Germany Perfect for the Artsy Traveler

Read novels set in Germany to get you excited about your trip or, even better, to read while you’re there. Numerous authors have been inspired to set novels in Germany–and not all of them are World War II novels set in Germany (although some are).

Each of the novels listed in this post relates in some way to the arts–from glassblowing to a lost Bach manuscript to a medieval cathedral, and more.

And if you can’t find what you’re looking for here, go to my sister site Art In Fiction and search for Germany or a related subject, and see what comes up.

A graphic for Pinterest containing the text "Compelling Novels Set in Germany Perfect for the Artsy Traveler" and including two pictures of buildings in Berlin.

The Glassblower by Petra Durst-Benning

This wonderful novel is the first in Petra Durst-Benning’s Glassblower Trilogy. It tells the story of three sisters in 19th century Germany who must learn the art of glass-blowing that has traditionally been done only by men so they can take care of themselves in a harsh world.

Cover of the book The Glassblower by Petra Durst-Benning, translated by Samuel Willcocks. The design features an ornate glass ornament with etched floral patterns, glowing softly in blue and gold hues. The title is written in elegant red script on a warm golden background.

And After the Fire by Lauren Belfer

This dual-time novel spans over two hundred years from Berlin in the 18th century through the Holocaust to New York in contemporary times to tell the story of a lost Bach manuscript with a disturbing message. The novel is inspired by historical events.

Cover of the book And After the Fire by Lauren Belfer. It features a woman seated at a desk, resting her chin on her hand, with an open book in front of her and a vase of flowers nearby. The background includes sheet music lines, and the title appears in large serif font. A quote praises the novel, calling it “impossible to put down.”

The Porcelain Maker by Sarah Freethy

This dual-time debut novel by Sarah Freethy is inspired by an actual porcelain factory in Dachau. In Germany in 1929, two young artists begin a whirlwind romance until Max is arrested and sent to Dachau. Desperate to save her lover, Bettina risks everything to rescue him and escape Germany. 


The Novelist from Berlin by V. S. Alexander

The Novelist from Berlin is inspired by the mysterious true story of Irmgard Keun, a novelist who defied all the rules. In 1920s Germany, even a woman as resourceful and intelligent as Niki Rittenhaus needs alliances in order to survive. She publishes her first novel, The Berlin Woman under a pseudonym to great success. But anonymity cannot last and soon she is in great danger.


Cathedral by Ben Hopkins

This immersive read is a remarkable feat of imagination. At the heart of the novel is the Cathedral and the story of its design and construction in the 13th and 14th centuries in the Rhineland town of Hagenburg unites a vast array of memorable characters whose fortunes are intertwined with the shifting political factions and economic interests vying for supremacy.


The Wild Girl by Kate Forsyth

One of six sisters, Dortchen Wild lives in the small German kingdom of Hesse-Cassel in the early 19th century. She finds herself irresistibly attracted to the boy next door, the handsome but very poor fairy tale scholar Wilhelm Grimm. As Dortchen tells Wilhelm some of the most powerful and compelling stories which will one day become his and Jacob’s renowned fairy tale collection, their love grows.


The Magician by Colm Tóibín

In The Magician (2021), Colm Tóibín captures the profound personal conflict of the very public life of German novelist Thomas Mann.
When the Great War breaks out in 1914 Thomas Mann, like so many of his fellow countrymen, is fired up with patriotism. But his flawed vision will form the beginning of a dark and complex relationship with his homeland, and see the start of great conflict within his own brilliant and troubled family.  


The Weather in Berlin by Ward Just

This is a novel of Americans abroad. When a renowned Hollywood director travels to post-Wall Germany to spark his genius, he is unexpectedly reunited with an actress who mysteriously disappeared from the set of his movie thirty years earlier. Masterly and atmospheric, The Weather in Berlin explores the subtleties of artistic inspiration, the nature of memory, and the pull of the past.


Marlene by C. W. Gortner

Raised in genteel poverty after the World War I, Maria Magdalena Dietrich dreams of a career on the stage. This historical biographical novels follows the beautiful, desirous Marlene from Germany to America and back to Germany.


Want more novels set in Germany ? You’ll find many more on Art In Fiction, the website I created to showcase novels inspired by the arts.

Guidebooks About Germany

My favorite travel writer, Rick Steves, of course has produced an excellent guidebook on Austria. Rick’s suggestions are pretty much always on the mark. I also enjoy Lonely Planet books for their comprehensive accommodation guides, particularly for budget places.


Conclusion

Have you read a novel set in Germany, particularly an arts-inspired one? Do you have a favorite guidebook? Share your recommendations with other Artsy Travelers in the Comments below.

Check out these posts that provide suggestions for what to read in other European countries:

Artist in his studio

Experiential Travel: How to Connect With Local Artists

Connecting with local artists when you travel provides exciting new perspectives on a destination, sparks fascinating conversations, and gives you an opportunity to support local small businesses.

It’s a win-win for sure!

In this post, I delve deep into ways in which you can meaningfully connect with local artists when you travel. This process is often called “experiential travel”.

What is Experiential Travel?

The term “experiential travel” is also sometimes referred to as “immersion travel”. Experiential travel helps people connect directly with the culture and people of the places they visit. Instead of merely ticking off sites, the experiential traveler seeks out meaningful ways to connect with locals by engaging in authentic cultural experiences.

And what better way to connect with locals than to seek out artists?

Read on for my suggestions for how to connect with local artists and, by so doing, immeasurably enrich your travel experience.

Connect Directly with Local Artists

If you’re an art lover, why not set aside some time during your trip to connect directly with one or two artists? Perhaps you already know and admire the work of an artist who lives in an area you’re traveling to. Reach out and connect! Chances are, you’ll get a positive response, and what do you have to lose?

If you don’t already know a local artist, do a Google search to find artists who create the kind of art you like and who may be open to meeting with you and telling you about their work. Not all artists will be interested, but some will!

Connecting with Artists Through Social Media

Another source to find artists is travel and art groups on social media. My husband, Gregg Simpson, who is a painter, has made many connections with local artists through Facebook. Often during our travels, we visit artists and enjoy the opportunity to “talk art”.

If possible, connect with artists with whom you share an interest either in the style of artwork they do or in some other aspect of their background, such as places they’ve traveled, acquaintances or friends you have in common, or organizations you’re both connected with. For example, you may find an artist who has exhibited their work in your home town or is a member of an organization to which you also belong.

Here’s Gregg with Rik Lina, a Dutch artist who lives in Amsterdam and who has become Gregg’s collaborator and friend.

Visiting an Artist

Once an artist has agreed to meet with you and talk about their work, keep your visit quite short. Artists want to be creating art, and while many enjoy talking about their work, they also usually want to get back to work. There also may be the expectation that you’re interested in purchasing a piece of artwork, so keep that in mind.

Purchasing Artwork from a Local Artist

To be honest, this is a bit tricky, which I know from experience, being married to an artist! While many artists love talking about their work, they also need to make a living just like the rest of us. If possible, purchase something during your visit to an artist’s studio–whether on a solo visit or with a group. If a piece of their original art is out of your budget, buy a greeting card or a print as a thank-you for their time. Also, leave your email so you can join their mailing list.

Showing respect for the artist and their time is the right thing to do.

My Meeting with Silvia Salvadori in Arezzo, Italy

One of the most meaningful connections I had with a local artist was when I visited Silvia Salvadori in the charming Tuscan town of Arezzo. Silvia runs the Bottega d’Arte Toscana where she works and sells her art. Located on a tiny side street steps from the Piazza Grande in Arezzo, her studio is a must-visit for the artsy traveler.

Silvia Salvadori, an artist in Arezzo with author Carol Cram
Silvia Salvadori and me at the Bottega d’Arte Toscana in Arrezo

Silvia creates stunning works inspired by medieval art and using medieval techniques. Her mission is to preserve these typically Tuscan techniques from the Middle Ages and pass them on to future generations. Read more about my visit with Silvia, and check out the small painting I purchased from her.

Attend Art Openings to Connect with Local Artists

Art openings are always free to whoever is walking by and wants to drop in. Don’t be shy! If you’re wandering around an area and spy an art opening, go check it out. Not only will you likely get a free glass of wine, but you’ll also be able to chat with the artist and connect with other locals. You’ll get to admire the artwork and maybe even find the perfect piece to take home.

The vast majority of people attending an art opening will be locals rather than tourists. Over the years, Gregg and I have met so many interesting people at art openings.

Art gallery opening showing people mingling and looking at art
At the opening of Gregg Simpson’s recent exhibition in Madrid

I fondly remember the time the Gregg and I were walking past a gallery in Ravenna that was hosting an art opening. We paused to peer through the window, and moments later, the artist himself bounded out to the sidewalk and invited us in.

Despite our knowing very little Italian, we managed to have several interesting conversations both with the artist and the other attendees. Everyone was so friendly to the Canadese, thanks to our shared interest in art.

A Note About Language

Don’t let the language barrier stop you from dropping into an art opening. Chances are a few people will speak English, and for those who don’t, use a handy translator device (or the Google Translate app on your phone). Here’s the translator I carry with me when I’m traveling.

Go to Multiple Art Openings on “Opening” Nights

In some cities, several galleries in a neighborhood will open late one night a week (often a Thursday or Friday) so that art lovers can hop from opening to opening for a major art fix. Check local listings to find out when galleries open late and when vernissages (French for “openings”) are being held.

Fun Fact: The term vernissage means varnishing and refers to the practice of varnishing a painting just before exhibiting it. Openings are still called vernissages in Paris and many other places in Europe.

Take a Workshop or Class to Connect with Local Artists

Feel like brushing up on your glass-making skills or throwing a pot or two or maybe doing some flower painting? Whatever your interests, you’ll likely find a workshop or class that intrigues you in some of the destinations you’re visiting.

While most of your fellow participants will likely be visitors like you, the teacher will be a local. In addition to teaching you a new skill, they’ll probably tell you about the local art scene, give recommendations about local museums and galleries to visit, and share lots of other information not found in the guidebooks.

If time is limited, choose a half-day or full-day class.

Read my interview with Tanvi Pathare about the flower painting classes she taught at the stunning Villa Lena in Tuscany.

Finding Workshops and Classes

To find local workshops and classes, check with the local arts councils or tourism offices, or do an online search. Some tour companies such as GetYourGuide and Tiqets.com may also offer art workshops. Here are a few options.

Powered by GetYourGuide

Attend an Artist Residency

You can also sign up for a multi-day course and really immerse yourself in being creative. Or, if you’re an artist already, apply for an artist residency.

Imagine spending a week or two or even longer in a beautiful location with like-minded people all engaged in creative work! To me, it sounds like heaven, which is why I’m always on the lookout for artist residencies that both Gregg and I can enjoy—he to paint and me to write.

You’ll find several artist residencies in Europe, some in beautiful castles and châteaux. Some allow anyone to apply; others have a competitive application process and offer funding support for successful applicants. Here are links to a few options in Europe:

  • Château d’Orquevaux in Orquevaux, France, provides several options for artists and writers in residence. Orquevaux is located in the Haute-Marne department in the Grand Est region in Northeastern France.
  • The Bellagio Center Residency Program in Bellagio, Italy, brings together academics, artists, and practitioners from around the world and provides them with a space to unlock their creativity and advance groundbreaking work.
  • The Künstlerhaus Bethanien in Berlin, Germany, offers an international studio program for emerging artists from around the world.

Artist studio at the Châteaux d’Orquevaux in Orquevaux, France

My Experience at an Artist Residency

A few years ago, Gregg and I spent two months at Rouges en Vert, an artist residency in the little town of Soligny La Trappe deep in the Normandy countryside. The place was still under construction and a bit rough, and we were the only occupants, but we had a productive time! And at the end of the residency, the newly completed art gallery attached to the studios hosted an exhibition of the work Gregg had completed.

The very reasonable cost of the residency included accommodation and the use of a studio for Gregg and an office for me.

If you’re looking for an in-depth artist experience, I highly recommend finding an artist residency in the area you want to visit. It’s experiential travel at its most intense!

Check Out Studio Tours

Many tourist offices in areas where the arts are celebrated maintain lists of artist studios you can visit. Sometimes, you’ll be lucky to arrive in a place at a time when a tour of several studios has been organized.

Where I live on Bowen Island near Vancouver in British Columbia, Canada, the annual Bowen Art Tour takes place in May (May 24-25, 2025). People come from all over the region to visit artists in their studios. We are not the only small community to organize studio tours. With the rise of interest in experiential travel, more and more visitors are interested in organized studio art tours which easily connect them with local artists –and local communities are responding.

Check the tourism websites in the areas you’re visiting to find out the dates of organized studio tours, exhibitions and other special art events. A quick search for “art studios in [location]” is likely to yield useful results.

And be on the lookout for special art events. We’ve frequently come across exhibitions set up in parks and other public areas and involving several artists. Strolling from booth to booth to connect with local artists is a very artsy traveler way to spend an afternoon!

Book a Multi-day Art Tour

An easy way to connect with local artists is to take an art tour led by professional artists and art historians. Depending on your interests, you can find programs suitable for both practicing artists and art lovers.

A good bet is taking a tour offered by Walk the Arts. They offer a range of tours that are suitable for “artists at all levels, art lovers, lifelong learners, and independent travelers seeking unique cultural experiences”. Their mission is to promote the arts and culture through art courses that emphasize content, creativity, and experiential learning.

Sign Up for an Art Walking Tour

A great source for walking tours hosted by locals is Airbnb Experiences. Some of the tours are arts-related, such as this tour by an artist in Hoxton, London, who takes visitors on a walk along art-lined streets to visit local galleries, independent shops, and other hidden gems.

Also check out GuruWalk. Quite a few of their tours are related to art, such as the Afternoon tour of old Parisian galleries in central Paris that is led by a “proactive pensioner” involved in many cultural and social projects in Paris.

You can even find tours that will take you to exhibition openings. When Gregg had an exhibition in Venice a few years ago, a guide showed up with a small group to see the show. It was great to chat with them and see their reaction to the exhibition.

Conclusion

Experiential travel with a focus on the arts has so many benefits. You get to step well off the beaten track to meet local artists and learn about their work. Depending on the experience you choose, you may even get your hands dirty creating your own artwork.

There are lots of possibilities for arts-inspired experiential travel.

When you’re planning your next trip, find opportunities to enrich your experience by connecting with local artists:

  • Check out the art opening you come across on your way to dinner
  • Learn new skills in an art workshop
  • Sign up for a walking tour of local galleries
  • Make a detour to check out a local art event
  • Get a list of artist studios from the local tourism office and make a day of touring them.

Have you connected with local artists during your travels? Share your stories and recommendations in the Comments below.

Here are links to posts about some of my favorite small art museums in Europe:

Facade of the National Archeological Museum in Athens

What to See at the National Archaeological Museum in Athens

The National Archaeological Museum in Athens is the largest archaeological museum in Greece and a must-see while visiting Athens.

As one of the world’s most important museums devoted to ancient Greek art, the National Archaeological Museum in Athens showcases centuries of ancient Greek history.

You’ll find artifacts from the earliest inhabitants to the Romans displayed in several large rooms. Information about each exhibit is provided in both English and Greek.

Orientation to the National Archaeological Museum in Athens

The National Archeological Museum (#1 on the map below) is about a twenty-minute walk or a short taxi ride from the center of Athens where you’ll likely be spending most of your time. Here’s a map showing the location of the museum along with other Athens landmarks.

Trip map courtesy of Wanderlog, a road trip planner on iOS and Android

Don’t be tempted to skip the National Archaeological Museum in favor of the more modern Acropolis Museum. Both museums offer different takes on the ancient world and both are well worth your time. If possible, schedule your visits on different days so you don’t get over-loaded!

In this post, I feature my favorite pieces from the Prehistoric Antiquities and Sculpture collections. Take your time wandering through the Archaeological Museum. It’s large, but not overwhelming. Many of the rooms are quite spacious and, at least when I was there in September, not crowded.

Prehistoric Antiquities at the National Archaeological Museum in Athens

Your first stop after entering the museum is the area featuring unique works of art from the major civilizations that flourished in Greece and the Aegean Sea area from the 7th millennium (that’s a long time ago) to around 1050 BC.

Discover works from the Neolithic period and the Bronze Age. Some of the most significant artifacts come from the royal tombs of Mycenae. You’ll also view evocative Cycladic marble figurines and the astonishingly well-preserved wall paintings from Thera (aka Santorini).

Mycenean Collection

Two of the many show-stoppers in the Mycenean collection are gold masks dating from the 16th century BC. The mask on the left is known as the mask of Agamemnon.

Having already visited Mycenae (see my post on the two days I spent in Nafplio during which I took a semi-private tour to Mycenae), I enjoyed seeing even more of the artifacts from that period. The Mycenaean civilization flourished between 1600 and 1100 BC, and was a wealthy and very influential culture. The beauty and intricacy of the objects, many rendered in gold, is astonishing.

Cycladic Antiquities

I’m glad I chose to visit the Archaeological Museum of Athens at the end of my trip around Greece. I had more context for understanding what I was looking at. During my visit to the Cyclades (Santorini and Naxos), I visited several small museums featuring Cycladic art and already knew a little bit about it.

I especially loved the almost alien-looking marble sculptures with their smooth surfaces and blank eyes. This little guy is playing a double flute and dates from 2800 to 2300 BC.

Cycladic figure at the National Archeological Museum in Athens

Antiquities of Thera

Thera is the proper name for Santorini, which was the first stop on my trip to Greece. While there, I visited the archaeological site at Akrotiri (check out my post on Santorini) where many of the artifacts in the National Archeological Museum come from.

Before it was destroyed in a volcanic eruption, Akrotiri included public spaces and three-story houses decorated with wall paintings, many of which have survived in remarkably good condition. Here are two of them. The stylization, color combinations, and sheer delicate beauty of the paintings took my breath away.

Painting from Thera at the National Archeological Museum in Athens
Painting from Thera at the National Archeological Museum in Athens

Also featured in the collection at the National Archaeological Museum are some amazing pots, my favorites being these two. It’s hard to believe that these were painted in the 16th century BC. They look so modern!

Sculpture Collection at the National Archaeological Museum in Athens

The sculpture collection occupies several rooms at the museum and presents the evolution of ancient Greek sculpture from 700 BC to the 5th century AD. The collection includes over 16,000 sculptures from archaeological sites all over Greece, not all of which are on display. Four periods are represented: Archaic, Classical, Hellenistic, and Roman.

Archaic Sculptures

My faves are the sculptures from the Archaic Period. While I appreciate the much more realistic sculptures from later periods, there’s something about the stiff, upright, far-seeing Kouros statues that just gets to me. They are over life-size and not realistic, but then they don’t pretend to be. This one is made of Naxian marble and was a votive offering to Poseidon.

Statue of a kourus from ancient Greece

Classical Sculptures

The sculptures from the classical period date from the 5th century BC. Democracy had been established in Athens and various military victories at the battles of Marathon and Plataea had resulted in an era of intellectual creativity, material prosperity, and democratic consolidation. Artists flocked to the city, and by the peak of the century, sculptors were drawing their inspiration from the idealized human body.

You’ll find a great many wonderful sculptures from the classical period to check out. One of the most famous is the statue of Poseidon. He dominates one of the rooms with his great set of abs and one arm poised to throw his trident into the waves. This imposing statue was found at the bottom of the sea in 460 BC.

Statue of Poseidon

Hellenistic Sculptures

The Hellenistic period runs from the late 4th to the early 1st century BC. Figures were rendered realistically, rather than in the idealized way they tended to be in the Classical period.

I was drawn to the theater masks made from marble. This one dates from the 2nd century BC and is modeled after masks used in comedy.

Theater mask at the National Archeological Museum in Athens

This grouping from 340 BC is pretty amazing, and one of several similar sculptures that were created as grave reliefs. Look at the details in the hair and beard, and the expressions on the faces!

Group of sculptured figures at the National Archeological Museum in Athens

Roman Sculptures

I got the impression while traveling around Greece that the Greeks are still none too happy that the Romans invaded their country back in the day. Occasionally, a guide would disparagingly note that a particular ruin was Roman, and they didn’t mean it as a compliment. From the 2nd century BC onwards, Greece was gradually conquered by the Romans until their eventual dominance in 31 BC.

Many of the artistic treasures of Greece were taken to Rome, which probably didn’t go over too well with the locals. Eventually, new local workshops were established to satisfy the demand for copies of Classical and Hellenistic works and by the 2nd century AD, Athens was again an artistic center.

Here are two of the many Roman sculptures in the museum. On the left is an intriguing bronze portrait statue of the empress Julia Aquilia Severa (AD 220). She doesn’t look particularly happy. On the right is a rather fine statue of the goddess Hygieia dating from AD 200 that was found at the sanctuary of Asklepios at Epidauros which we visited while staying in Nafplion.

The Jockey

One of the most famous pieces in the National Archaeological Museum in Athens is known as The Artemision Jockey. This bronze statue of a horse and jockey dates from around 140 BC, and was retrieved in pieces between 1928 and 1937 from the sea floor off Cape Artemision. Check out the boy’s expression. He’s so focused on handling his massive steed. This huge piece takes pride of place in the museum and no wonder. It’s truly remarkable.

Marble Roman sculpture at the National Archeological Museum in Athens

Other Collections at the Archaeological Museum in Athens

The museum also includes a wonderful collection of metalwork, with its Bronze collection reputed to be one of the finest in the world. In addition, you’ll find an extensive collection of vases, many with the distinctive black and gold coloring.

I never get tired of studying these ancient vases with their intricately drawn scenes. If I ever decide to write a novel set in ancient Greece, I can see myself spending a lot of time studying the imagery on the vases to learn what people wore and how they lived.

Check out this vase depicting a man placing a child on a swing. Sweet or what?

Greek vase at the National Archeological Museum in Athens

And just in case you haven’t yet slaked your appetite for looking at antiquities, check out the Egyptian and Cypriot collections, both world renowned.

Practical Information

From November 1 to March 31, the National Archaeological Museum in Athens is open from Wednesday to Monday from 8:30 am to 3:30 pm and on Tuesdays from 1:00 pm to 8:00 pm. From April 1 to October 31, the museum is open from Wednesday to Monday from 8:30 am to 8:00 pm and on Tuesdays from 1:00 pm to 8:00 pm. The museum is closed on December 25 – 26, January 1,  March 25, May 1 and Orthodox Easter Sunday. Admission costs 12€ from April 1 to October 31 and 6€ from November 1 to March 31.

Where to Stay in Athens

On our recent trip to Athens, we stayed in two places: a holiday apartment for two nights and a hotel for one night. I highly recommend both, which are in neighborhoods convenient for sightseeing in Athens.

Karma Apartments

Steps from the lively Plaka district on a quiet side street, Karma Apartments is a real find in Athens. The one-bedroom apartment on the top floor of a building containing other holiday lets includes a large terrace with a peekaboo view of the Acropolis.

Hotel Lozenge

On our last night in Greece, we stayed at the Hotel Lozenge in the upscale Kolonaki neighbourhood. This is a great choice for a business-style hotel with comfortable rooms, an attached restaurant, and very helpful staff.

Tours of Athens

Here are some tours of Athens from GetYourGuide.

Powered by GetYourGuide

Conclusion

Athens is more than its antiquities, but wow, they sure do have incredible antiquities! Take the time to wander through the rooms at the National Archaeological Museum to marvel at the some of the most beautiful sculptures and other objects ever made by human hands. And then when you’re done, go enjoy a tasty Greek meal (every meal I had was tasty!) and relax.

You’re in Athens and life is good. Here are more posts about travels in Greece:

Have you visited the National Archaeological Museum in Athens? Share your comments and recommendations in the Comments below.

The Design Museum in London

Things to See at the Design Museum in London

London’s new-to-me Design Museum is indeed quite new. Founded in 1989, it moved in 2016 to its spacious digs in South Kensington adjacent to Holland Park from a former 1940s banana warehouse on the South Bank.

Now the Design Museum hosts millions of visitors each year.

And no wonder! The Design Museum’s vision is “A world in which design enables this planet and its inhabitants to thrive.” Innovative exhibitions, partnerships, research and learning programs celebrate design in all its forms.

I highly recommend a visit to the Design Museum in London. Unlike many museums that are full of objects we can admire but never use, the Design Museum features objects we all use every day—from teaspoons to computers to cars. It’s fascinating to see the integral role design has played in shaping our modern world. Read on to learn what there is to see and do at the Design Museum in London!

Things to See in the Design Museum in London

Located on Kensington High Street near Holland Park, the Design Museum’s newly renovated building is spacious, airy, and chock full of interesting things to look at.

Admission to the permanent collection at the Design Museum (1) is free, just like so many of London’s major museums including the Victoria and Albert Museum (2), the National Gallery (3), and the British Museum (4).

Trip map created with Wanderlog, a trip planner on iOS and Android

In addition to the marvelous permanent collection called Designer Maker User, the Design Museum houses several special exhibitions which do require tickets.

Check the Design Museum’s website to see if any of the special exhibitions interest you, buy your ticket online in advance, and then make sure you save some energy to tour the permanent collection. Tickets for popular exhibitions, such as Barbie: The Exhibition that I saw in September 2024 and the current Tim Burton Exhibition that runs to April 21, 2025, sell out quickly.

Barbie: The Exhibition at the Design Museum in London

If you’re visiting London this fall or winter, then run, don’t walk to see Barbie: The Exhibition before it closes on February 23, 2025. The story of the iconic doll’s evolution from a design and marketing perspective is fascinating.

The bright, colorful (and VERY pink) Barbie exhibition at the Design Museum in London showcases Barbie’s development from her creation in 1959 to her hundreds of iterations today and includes a nod to the 2024 Barbie movie.

Portion of the Barbie exhibition at the Design Museum in London
Part of the very colorful Barbie Exhibition at the Design Museum in London

My First Barbie

I got my first Barbie when I was eight years old, and I remember loving  her. I also remember my older brother trying to put my Barbie through the wringer washer. Fortunately, she survived surprisingly intact. That plastic was made to last!

My mom sewed clothes for my Barbie, a monumental achievement considering the teeny tiny size of Barbie clothes. At the time, I took her incredible skill for granted. As I gazed down at the Barbie clothes on display in the Barbie exhibition, I was astonished anew by my mother’s abilities and achievements.

For obvious reasons, I particularly liked the displays of the early Barbies. I remember coveting the high-priced Barbie Dreamhouse and Barbie cars, but they were out of reach for my family. I did know a few very wealthy girls at school who had them and were the envy of us all. Here is a selection of cars from Barbie’s early years.

Barbie Cars at the Design Museum in London

Barbie’s Success Story

Barbie sure is a design success story. The doll has evolved over the years, and while still essentially a stick-thin glamor girl, she has had some iterations that bring her closer to real life. There are different body shapes, different ethnicities and different head shapes.

I’m particularly impressed by all the ways in which Barbie is shown to participate in the world—from Firefighter Barbie to Astronaut Barbie to President Barbie.

Barbie Dolls at the Design Museum in London

Barbie has become a much healthier role model for young girls than she was back in the 1960s. My first dolls were baby dolls in keeping with the emphasis in the 1950s on preparing girls for motherhood. Having a doll that looked glamorous, had long hair that I could brush, and that wore pretty clothes was a revelation. But the concept of a Firefighter Barbie or an Astronaut Barbie or even a Management Consultant Barbie was foreign territory indeed.

So yeah, we’ve come a long way since 1959 when Barbie first hit the market!

I’m Just Ken!

Barbie: The Exhibition does not neglect good ‘ole Ken. I snapped this photo of a collection of Kens standing tall and proud in a case of their own.

Collection of Ken dolls at the Design Museum in London

Exploring the Permanent Collection at the Design Museum in London

After touring Barbie: The Exhibition, I ascended to the third floor to tour the permanent collection of the Design Museum and admire the museum’s interior space.

That to See in the Designer Maker User Collection

The permanent collection at the Design Museum is called Designer Maker User and it’s a stunner! The curators have done an excellent job of explaining various design concepts through the display of everyday objects, from spoons to chairs to computers.

The exhibit features over 1000 objects divided into three segments: Designer, Maker, and User .

Designer at the Design Museum

The objects in the Designer section are displayed in ways that invite the visitor to contemplate the thought process of the designer who must envision how the designed object will be used. I like the quote on one of the information plaques: “The role of the designer stretches from the spoon to the city.”

In this section are displayed objects such as a traffic light, the Anglepoise lamp, and a Tube carriage.

Maker at the Design Museum

The Maker section presents objects in relation to the evolution of manufacturing. Included are café chairs, a Model T Ford, robotic arms, and 3D printers. Objects such as tennis balls and the London 2012 Olympic Torch are presented at different stages of production.

As I wandered through the exhibits, I was constantly amazed by the ingenuity of the human mind. Take tennis, for instance.  First, someone had to want a ball they could bounce and hit with a racket. Then, someone else had to figure out how to make a prototype of the ball. Finally, a whole team of brainiacs had to figure out how to manufacture thousands of balls so that anyone who wanted to could play tennis. Mind-boggling!

User at the Design Museum

The User section explores the interaction between people and brands that define the modern world. As a computer user for many decades, I was especially taken by the display of electronics, from the clunky Apple computers of the 1980s to the sleek Macs of today. The red Sony laptop in the picture below is identical to one I had a good twenty years ago. I really liked that computer!

Computers at the Design Museum in London

Crowdsourced Wall at the Design Museum

Outside the Designer User Maker exhibit is the Crowdsourced Wall. Here are displayed more than 200 objects that people from 25 countries nominated as their most important objects. The diverse selection of objects is meant to “demonstrate the intimate relationships we have with the everyday objects that shape our lives.”

Items on display include a red bucket, an Underground sign, a bicycle, a green plastic stool, a sewing machine, a drill, a mop, a pair of jeans, and a lot more. The fascinating selection is so much fun to look at since these are objects that we all know and use.

The Crowdsourced Wall of everyday objects at the Design Museum in London

Checking Out the Rods at the Design Museum

I am arrested by a display of…rods! I didn’t know rods were a thing in the UK, but they certainly were a cherished part of my early school years. For those who don’t know, rods are various colored plastic rectangles used to teach children arithmetic.

A white rod represents one and is one-tenth the size of an orange rod that represents ten. In between are red for two, green for three, and so on. When I was in Grades 1 and 2, the highlight of a day was when you finished your work early and the teacher let you go to the back of the room to “play rods.” I spent many a happy hour solving arithmetic problems with the tactile aid of those plastic rectangles that felt so smooth and were so pleasingly colored. Rods are still in use to this day, although my daughter doesn’t remember having them when she was at school in the 1990s.

What a shame for her! I credit rods with giving me a lifelong penchant for arithmetic. Mathematics? Not so much, but I’m a dab hand at addition, subtraction, multiplication and division without a calculator! Thank you, rods.

A box of rods used to solve arithmetic problems at the Design Museum in London
A display of rods used to teach children arithmetic

The box of rods on display at the Design Museum isn’t the only object that catapults me down memory lane. The entire museum is one big time-travel experience.

If you use household objects (and who doesn’t?), then check out the Design Museum. You’re bound to find at least a few displays that trigger happy memories.

The Design Museum Shop

After you’ve toured the exhibits, check out the stylish gift shop. You’ll find all sorts of cool design items there.

Practical Information about the Design Museum in London

The Design Museum is located at 224–238 Kensington High Street and is open Monday to Thursday from 10:00 to 17:00, and Friday to Sunday from 10:00 to 18:00. Some ticketed exhibitions may remain open later on weekends. The Design Museum is closed on Christmas Eve, Christmas Day and Boxing Day. Admission to the permanent collection is free. Check the website for more information.

Touring London

London is full of intriguing museums and experiences, some very much off-the-beaten path. GetYourGuide has plenty of options to choose from. Here are a few:

Powered by GetYourGuide

Staying in London

London is not an inexpensive city, but nevertheless, I’ve discovered some excellent places to stay that, while not bargain basement, are good value and centrally located.

On a recent trip to London, I stayed at the Park Plaza Victoria London Hotel. Located right across the street from Victoria Station, the Park Plaza Victoria (5 on the map at the beginning of this post) is a remarkably good deal for a modern, four-star hotel in the heart of London. My room for two was spacious and even had a view over London.

The Wilde ApartHotel (6) in central London is also a wonderful choice. I loved its central location within walking distance of Trafalgar Square and most of the West End theaters. Check out my post about the Wilde ApartHotel.

Conclusion

Have you visited the Design Museum? What were your favorite exhibits? Did you see a special exhibition? Share your experiences and recommendations in the Comments below.

Here are links to posts about three of my favorite London galleries and museums:

Carol Cram at the V & A Museum in London

How to Get the Most Out of Your Visit to the Victoria & Albert Museum in London

The Victoria and Albert Museum is one of the world’s most amazing repositories of, well, beautiful stuff. It’s a collector’s dream come true with astonishing examples of the decorative arts and the applied arts. You’ll find everything from costumes to metal gates to furniture to bracelets and everything in between.

There is so much to see at London’s Victoria and Albert museum that you need to pace yourself and have a plan. Think of an object and the V&A probably has an example of a version made with exquisite skill by someone somewhere in the world.

You can’t really define the V&A because it’s just so eclectic. It’s a sensual feast for the eyes and a testament to the ingenuity of human beings and their commitment to fashioning objects that are not only functional but gorgeous.

There are so many things to see that you could spend days exploring—it’s HUGE! In this post, I share my recommendations for seeing the best of the V&A.

Overview of the Victoria and Albert Museum

The V&A museum is high on my list of favorite museums. Almost every time I go to London, I pop into the V&A. No matter how often I visit, I still discover new things to look at.

The only problem with the this incredible museum is that it’s impossible to see and appreciate all of it in one visit, or two, or ten. I’ve visited at least five times over the years, and I feel like I haven’t even scratched the surface. The museum lives up to its reputation as the world’s largest museum of art and design.

The V&A was established in 1852 with collections from the Great Exhibition of 1851, and was originally called the Museum of Manufactures and then the South Kensington Museum. Queen Victoria laid the foundation stone of the current location in 1899 and changed the name to the Victoria and Albert Museum to include her late husband Prince Albert.

Location of the Victoria and Albert Museum in London

The V&A is located near the South Kensington underground station and alongside several of London’s largest South Kensington museums. If you love museums, make a day of it. Visit the V&A (1), and then hop on over to the Natural History Museum and the Science Museum (2 & 3 on the map). Both are excellent places to visit with children.

Better still, spread the visits over two days. Museum-hopping can be exhausting. Go at your own pace and take time to explore nearby Hyde Park (4) and Kensington Gardens (5) for a nature break.

Map courtesy of Wanderlog, a trip planner on iOS and Android

Visiting the Victoria and Albert Museum in London

Yes, the V&A is huge and yes, there’s a ton to see, but you have to start somewhere. Your best bet when first visiting is to select five or six galleries to explore, occasionally veering into exhibitions rooms en route when something catches your eye.

List of Galleries

  • Architecture
  • Britain (1500 – 1760)
  • Britain (1760 – 1900)
  • Buddhism
  • Cast Courts
  • Ceramics
  • China
  • Contemporary Glass
  • Design (1900 – Now)
  • Europe (1600 – 1815)
  • Fashion
  • Furniture
  • Glass
  • Gold, Silver & Mosaics
  • Himalayas & Southeast Asia
  • Ironwork
  • Islamic Middle East
  • Japan
  • Jewelry
  • Korea
  • Leighton
  • Medieval & Renaissance (300 – 1600)
  • Metalware
  • Paintings
  • Photography Centre
  • Portrait Miniatures
  • Prints & Drawings
  • The Raphael Cartoons
  • Sacred Silver & Stained Glass
  • Sculpture
  • Sculpture (1300 – 1600)
  • Silver
  • South Asia
  • South Asian Sculpture
  • Tapestries
  • Theatre & Performance

Daunting? You betcha! Note that some galleries may be closed. Start your visit by checking at the information desk to find out what’s open. For example, the Theatre & Performance gallery was not open when I visited in September, 2024.

So where to start?

Exterior of the Victoria and Albert Museum in London
Exterior of the Victoria and Albert Museum on Cromwell Road in Kensington

Arriving at the Victoria and Albert Museum

First, walk up the steps and enter the museum’s massive atrium. Straight ahead is a large information area—your first stop.

Put your wallet away (unless you’re planning to see the special exhibition) because admission to the permanent collection is FREE. I know. Amazing! You can make a donation (I always do), but you don’t have to. The attendants at the information booth will give you a map and may also suggest you purchase the guidebook. For £5, it’s a bargain because it gives you an overview of the highlights of each gallery.

Special Exhibitions

You can choose to buy a ticket to the special exhibition. A few weeks before you visit the V&A, check what’s on and make reservations. Popular exhibitions often sell out quickly.

Getting Started

Once you’ve purchased your guidebook, or even just armed with the free map, walk straight through the gift shop (you can come back later!) and out into the courtyard. Buy something to drink from the kiosk and settle down at one of the tables (weather permitting) to check the map and/or guidebook.

Courtyard at the Victoria and Albert Museum in London
Courtyard at the V&A

While sipping your beverage of choice, figure out which areas you want to focus on and where they are in the museum. You want to avoid backtracking. The beauty of the V&A is that even if you’ve decided to tour only six galleries, you’ll see plenty more as you walk through the museum from chosen gallery to chosen gallery. Don’t be surprised if you’re tempted to veer off to check out a gallery you hadn’t intended to visit. Give in to these impulses.

The V&A truly is a treasure trove!

Now you’re ready to start your tour. Go slowly and pace yourself. Beauty overload is a thing! Here are just some of the hundreds (thousands?) of things to see at the V&A.

Things to See at the Victoria and Albert Museum

I’m focusing here on six galleries: Fashion, Asian (which includes several areas), Furniture, Cast Court, Glass, and Jewelry.

I always drop into the fashion collection, located in the central area of the main floor. Here, you’ll find a unique collection of European clothing and textiles spanning from 1750 to the present. I particularly enjoy the 18th- and 19th-century dresses. Can you imagine wearing so many hoops and corsets? Here’s an elaborate dress from the 1760s.

Dress from the 1760s displayed in the Victoria and Albert Museum in London

Asian Art and Objects at the Victoria and Albert Museum

This is a broad category that includes art and objects from several regions: Japan, Korea, China, South Asia and Himalayas, and Southeast Asia. Take a stroll through the galleries to enjoy an amazing collection of articles. Highlights for me are the Samurai armor collection in the Japan section, a golden Buddha, jade objects from China, delicate porcelain, and so many more treasures.

An interesting—if rather gruesome—piece is Tipu’s Tiger in the South Asia and Himalayas section. This wooden sculpture was made for Tipu Sultan, ruler of Mysore in South India. When the handle on the side of the tiger is turned, the ghastly noises produced imitate the wails of agony of the British soldier lying underneath the tiger. Apparently, this exhibit was one of the most popular in the East India Company’s museum.

Tipu’s Tiger displayed in the Victoria and Albert Museum in London

And although not part of the Asian galleries, take a quick detour to check out the Ardabil carpet, which is the world’s oldest dated carpet. Although it’s exact origins are unknown, the carpet was made sometime during the 16th century. It’s a stunner.

Examples of furniture are scattered throughout many of the galleries in the V&A. In addition, the Dr. Susan Weber Gallery of Furniture showcases how furniture has been made and decorated for over 600 years. Included are items from the Renaissance to the present.

One of the most interesting pieces of furniture is in the Britain 1500 – 1760 gallery. Definitely make a detour to check out the Great Bed of Ware, so famous in its day that it was mentioned by Shakespeare. The famous bed is three meters wide and apparently able to comfortably accommodate four couples (as least!). It was constructed around 1590 as a tourist attraction for an inn in Ware, Hertfordshire, which was a day’s journey from London and a convenient overnight stop for travelers bound for Cambridge and points north. The initials that visitors carved into the bed posts and the headboard are still visible today.

The Great Bed of Ware displayed in the Victoria and Albert Museum in London

Cast Courts 

The massive sculptures in the Cast Courts are the showstopping, must-see areas of the V&A. You’ll be able to view the two huge, connected courts from many angles as you make your way up through the four levels of the museum.

Look down from one of the walkways on the third or fourth level and find yourself faced with a bewildering hodge podge of iconic statues, altarpieces, and even columns. Why go to Florence when you can visit the cast courts at the V&A instead?

It’s like a souvenir store for giants.

These plaster casts of great art and architecture from around the world were collected and displayed for visitors to study. One of the many highlights is Michelangelo’s David. Apparently, Queen Victoria was shocked by the anatomical correctness of the David cast and requested that a suitably proportioned fig leaf be made and hung on the statue when dignitaries visited. My source didn’t specify if regular visitors were allowed to view the full Monty, so to speak.

Michelangelo’s David and other items in the Cast Court at the Victoria and Albert Museum in London

Another highlight is the reproduction of Trajan’s column. The original is too tall to include in a building and so the reproduction is divided into two massive columns. I’ve seen the original in Rome, and because of the column’s height, it’s difficult to see the detail. At the V&A, you can get pretty close to the columns to view the intricate carvings.

Trajan's column in the Cast Court at the Victoria and Albert Museum in London

Up on Level 3 in a corner of the museum that was virtually empty when I last visited is the astounding Glass Gallery. Here, you’ll trace the development of design and technology in glassmaking over 3,500 years. The museum’s glass collection is reputed to be one of the most comprehensive in the world.

I’m always intrigued by glass. How did people figure out that sand heated up could turn transparent? The variety and beauty of the hundreds and hundreds of objects on display is truly remarkable. I could have stayed there for hours.

Here are some highlights—both old and new:

Glass jugs displayed in the Glass Gallery at the Victoria and Albert Museum in London

I’m feeling overwhelmed after looking at some many amazing objects, but I can’t resist a walk through the narrow, dimly lit and quite crowded collection reputed to be among the finest in the world.

More than 3,000 pieces tell the story of western jewelry from ancient times to the present day.

Case after case contain pieces ranging from tiaras, brooches, and earrings to stunning necklaces, bracelets, and rings. All around you, people can be heard oohing and aahing, and no wonder! The ingenuity and skill that was required to make such superb objects is unfathomable.

Two bracelets shaped like snakes in the Jewelry Gallery at the Victoria and Albert Museum in London

Completing Your Visit

Your visit will probably take you three to four hours. But don’t spend all that time touring the exhibits! Here are some ideas for pacing yourself.

Taking a Break at the Café 

A good strategy is to take a break to enjoy something to eat at the V&A café. Not only is the food tasty, but you’ll also benefit from getting off your feet to further study the guidebook and map.

The café can get crowded, so time your visit either before or after the lunch rush. One good strategy to avoid crowds is to arrive at the museum when it opens at 10 am, tour a few galleries, and then enjoy an early lunch in the café before tackling some more.

Checking Out the Gift Shop 

I do love a good gift shop, and the one at the V&A is first-rate. You’ll find relatively affordable textiles, jewelry, books, fashion items, gift items, cool stuff for kids, and much more. I bought some lovely tea towels that will be for display only in my kitchen. They are far too nice to use!

Studying at the Victoria and Albert Museum

The V&A is a world-class research center. In addition to displaying over 60,000 objects in the Museum, the museum also maintains a number of study rooms, both on and off-site. Here, you can view over two million objects from the Reference Collections and conduct private research.

When I was researching my novel The Muse of Fire, set in early 19th century London, I booked time at one of the study centers to view original prints of cartoons popular at the time.

In the hushed atmosphere of the offsite study room, I received the box of prints from an attendant who looked straight out of a Dickens novel, and spent several happy hours making notes and taking pictures.

If you have a research project in mind, you may well find useful resources at the V&A. Check the website for more information. Note that you must book well in advance of your visit.

Practical Information

The Victoria and Albert Museum is open seven days a week from 10:00 am to 17:45, except for Fridays when it is open until 22:00. Admission is free. Check the website for more information.

Taking a Tour

On one visit to the V&A, I opted to take a guided tour. Good call! The two-hour tour showed me all sorts of amazing objects I may have missed if touring on my own. You can take a free tour provided by the museum staff or an outside tour.

Here are some tour options with GetYourGuide:

Powered by GetYourGuide

Other Awesome Museums in London

Of course, top of the list is the British Museum, in which you’ll experience objects from cultures all across the globe over two million years. Entry is free, but book your entry ticket in advance. The closest tube stations are Tottenham Court Road, Holborn, and Russell Square.

For art, you can’t beat the Tate Britain, the Tate Modern, the National Gallery of Britain (my favorite), the National Portrait Gallery, and the Courtauld Gallery. 

The Wallace Collection is small but eclectic and worth a visit. And while you’re in South Kensington, check out the Design Museum, which has become one of my new favorite places in London. 

Staying in London

London is not an inexpensive city, but over the years, I’ve discovered some excellent places to stay that, while not bargain basement, are good value and very centrally located. On my latest trip to London, I stayed at the Park Plaza Victoria London Hotel. Located right across the street from Victoria Station, the Park Plaza Victoria (6 on the map at the beginning of this post) is a remarkably good deal for a modern, four-star hotel in the heart of London. My room for two was spacious and even had a view over London.

View from my room at the Park Plaza Victoria Hotel in London

The Wilde ApartHotel (7) in central London is also a wonderful choice. I loved its very central location within walking distance of Trafalgar Square and most of the West End theaters. Check out my post about the Wilde ApartHotel.

Conclusion

Have you visited the Victoria and Albert Museum in London? What were your favorite exhibits? Share your experiences and recommendations in the Comments below.

Here are links to posts about two of my favorite London galleries:

Explore Greek Cuisine in a Savor Nafplio Cooking Class

Have your ever wanted to learn the secrets of Greek cooking? If so, then consider adding a cooking class to your Greek travel itinerary.

When you travel in Greece, you’ll find out very quickly that Greek food is drop-dead amazing and consistently tastier than any food I’ve eaten anywhere.

Sure, I’ve had great meals in France, Italy, Spain, and even North America, but Greece wins hands down when it comes to consistency, taste, and freshness.

A collage of four dishes from a cooking class in Nafplio, including a salad, zucchini roll, lamb with potatoes, and orange pie with ice cream, with a red background and text "Cooking Class in Nafplio."

To learn why Greek food is so great–and more importantly, how to prepare it myself, my daughter Julia and I decide take a cooking class at Savor Nafplio Cooking while staying in lovely little Nafplio.

In the three-hour class, we learn how to prepare Greek dishes and then enjoy a five-course meal complete with wine pairings.

Arrival at Savor Nafplio Cooking Class

We arrive at 5 pm to discover that we are the only two participants. Chef Kostas is a wonderful host and teacher. He keeps us enthralled and engaged throughout the class.

I’ve taken several cooking classes while traveling in Europe, and the class at Savor Nafplio Cooking ranks as one of the best.

The "Savor Experiences" logo on a gray wall, with stylized green and red leaves and the words "Food & Wine" in black text.

Chef Kostas starts the evening by sharing the menu and telling us what to expect. We then dive right into work.

Main Course: Lamb Bogana

The main course of the four-course meal is lamb and potatoes. Since both must cook for at least two hours, we start by preparing the lamb followed by the potatoes. Kostas shows me how to cut slits in the lamb and insert small slivers of garlic, along with sprinklings of salt and pepper. Meanwhile, Julia is put to work making the paste to rub over the lamb.

I also peel potatoes to layer under the lamb. While we work, Kostas provides us with a wealth of useful tips and information about what we are doing—and why.

Appetizer: Beef-Stuffed Zucchini

Once the lamb and potatoes are in the oven, we set to work making the beef-stuffed zucchini. Julia and I learn how to core a zucchini (harder than it looks!), and then we prepare the meat filling. We mix fesh herbs, an egg, plenty of olive oil, and green onions with ground beef and then stuff the mixture into the hollowed-out zucchinis.

Kostas nestles three stuffed zucchinis into a pan half-filled with water. Later, we’ll smother them in a delectable egg and lemon sauce.

Tomato Salad with Cucumber Soup

Kostas teaches us how to prepare cucumbers for pureeing into a refreshing green soup. He uses small cucumbers which he says are less bitter. To ensure the soup is a pleasing color of green, but not too bitter, he instructs me to peel the cucumber in stripes. Cool tip.

Later, he serves the cucumber soup under a mound of cut up Greek salad fixings–tomatoes, onions, olives, capers and some crunchy bread bits all topped with fresh feta cheese. Delicious!

Orange Pie

Traditional Greek orange pie is what I’d call cake—a light, orange-flavored sponge soaked in an orange syrup. Kostas demonstrates how to prepare and measure the many ingredients required for the pie.

One of my jobs is to cut a roll of filo pastry into thin ribbons and then mix them with eggs and fresh orange juice. The filo is a substitute for flour. Its texture will give the pie a lighter texture than it would if made with flour. Interesting idea!

Dining at Savor Nafplio

With all the food prepared, the dining and wine tasting begins. Kostas brings out a small loaf of warm sourdough bread for us to dip in local olive oil flavored with local sea salt. The bread is so good that I eat too much of it and then later have trouble finishing all my dinner.

Kostas pairs five wines with the various courses—from a light white to an after-dinner dessert wine. Kostas explains each wine—its origins in Greece and what to expect while tasting. I thoroughly enjoy tasting the wine and sampling the dinner courses.

Here are pictures of the meal we enjoyed at Savor Nafplio Cooking.

Booking a Class at Savor Nafplio Cooking

Kostas varies the menu depending on the preferences of the guests. We’d specified no fish or shellfish so they weren’t on the menu. He also looks at what’s fresh in the local market and consults his own mood. The menu we enjoyed may not be the menu a guest would enjoy on another night. I am, however, confident that whatever the menu, the cooking experience will be first-rate.

A smiling man in a black chef's jacket labeled "Savor" stands next to a woman in a patterned sleeveless top, both posing in front of a wooden world map on the wall.
Carol Cram with Chef Kostas at Savor Nafplio Cooking Class

If you’re visiting Nafplio, I recommend finding three hours in your schedule to take a cooking class and enjoy a meal and wine pairings at Savor Nafplio Cooking. You get excellent value for the money and learn new cooking tips.

Cooking Classes in Greece

Here are some GetYourGuide cooking classes available in Greece:

Powered by GetYourGuide

Conclusion

Have you taken a cooking class while traveling? Share your recommendations in the Comments below. Here are more posts about cooking classes I’ve taken when traveling.