Exterior of the National Gallery in London

London’s National Gallery: The Best of the Best

I love the National Gallery in London! It’s small enough to enjoy in a few hours without getting exhausted (unlike the Louvre), and yet big enough to include an astonishing collection of masterpieces from the Middle Ages to the Impressionists.

Also, it’s free, which is amazing considering that every other major art museum in Europe charges at least 20 to 30 Euros.

I dropped by the National Gallery fairly late in the day and so only had an hour to spend before it closed. An hour is not enough, but if it’s all you have, you won’t be disappointed.

I wandered in a trance from room to room, eyes tearing up as every turn brought so many favorites before me. An impressive number of biggies are included in the sumptuous rooms.

I hadn’t visited London’s National Gallery for several years, and so was doubly excited to greet so many old friends and to discover several new pieces to admire.

In this post, I showcase some of the highlights.

Note that the images are downloaded from the National Gallery’s website, which allows display of its images for personal use, including blogs. I was glad to discover this because my own photographs are sometimes a bit crooked and ill-lit! Thank you, National Gallery.

Pieces by most of the major painters, including Giotto, Duccio, Lorenzetti, and Lippi, are included in the National Gallery’s medieval collection. One of the reasons why I love medieval Italian painting is because of how the artists depicted buildings. While perspective is generally lacking, the artists of this period captured the essence of medieval towns as a hodgepodge of arches and towers built at varying angles and heights. The arrangements communicate the feeling of a medieval town, rather than just a realistic representation, that still rings true today when you visit places like Siena and San Gimignano in Tuscany.

The Healing of the Man Born Blind by Duccio

I chose this painting because of how Duccio di Buoninsegna depicted the buildings behind the people. I love how the pastel colors of the buildings in the background contrast with the more vibrant robes of the central figures.

This painting is a small panel–one of 54 minutely detailed narrative scenes that was included in Duccio’s Maestà. A massive work, Maestà is considered one of the most ambitious altarpieces ever created. Most of the rest of the altarpiece is on display in the Museo dell’opera del Duomo in Siena. Read about it in my post about top cathedrals in Europe in which I include Siena Cathedral adjacent to the Museo. If you’re in Siena, the Museo dell’opera del Duomo (the museum of the cathedral) is a must-see.

When the Maestà was completed in 1311, it was carried through the streets of Siena. One of the characters in my novel The Towers of Tuscany reminiscences about seeing the procession when she was a young girl.

Duccio The Healing of the Man born Blind 1307/8-11 Egg tempera on wood, 45.1 x 46.7 cm National Gallery in London
Duccio The Healing of the Man born Blind 1307/8-11 Egg tempera on wood, 45.1 x 46.7 cm Bought, 1883 NG1140 https://www.nationalgallery.org.uk/paintings/NG1140

A Group of Four Poor Clares by Ambrogio Lorenzetti

Lorenzetti was active in Siena during the 1300s and likely died of the plague that hit Siena in 1348. I really like his work and so was delighted to discover this piece in the National Gallery. It’s a fragment of a fresco that was discovered under whitewash in 1855. I love the realism of the faces and their pensive expressions.

Ambrogio Lorenzetti A Group of Four Poor Clares possibly about 1336-40 Fresco with areas of secco, 70.4 × 63.4 cm at the National Gallery in London
Ambrogio Lorenzetti A Group of Four Poor Clares possibly about 1336-40 Fresco with areas of secco, 70.4 × 63.4 cm Bought, 1878 NG1147 https://www.nationalgallery.org.uk/paintings/NG1147

Italian Renaissance at the National Gallery

So many masterpieces, so little time! I was rushed by the time I got to the rooms containing some of my favorite artists from the Italian Renaissance, most notably Leonardo da Vinci and Botticelli, so I was unable to linger as long as I would have liked. Still, I managed to soak up the Renaissance vibe.

The Burlington House Cartoon by Leonardo da Vinci

I remember the first time I saw this piece when I was student at Reading University in the 1970s. Reading was only 40 minutes by train from London so I often went up to enjoy the art museums.

The Burlington House Cartoon is a large drawing made in preparation for a painting and is the only surviving large-scale drawing done by da Vinci. I like the contrast of rough and finished in the drawing. Some parts, such as the face of Mary, are beautifully detailed and evocative while others, such as the hand of Saint Anne (Mary’s mother) pointing heavenward, are barely sketched in.

Exhibited in a small, dimly lit room, the piece just glows.

Leonardo da Vinci The Burlington House Cartoon about 1499-1500 Charcoal (and wash?) heightened with white chalk on paper, mounted on canvas, 141.5 x 104.6 cm at the    National Gallery in London
Leonardo da Vinci The Burlington House Cartoon about 1499-1500 Charcoal (and wash?) heightened with white chalk on paper, mounted on canvas, 141.5 x 104.6 cm Purchased with a special grant and contributions from the Art Fund, The Pilgrim Trust, and through a public appeal organised by the Art Fund, 1962 NG6337 https://www.nationalgallery.org.uk/paintings/NG6337

Venus and Mars by Sandro Botticelli

I’ve been a fan of Botticelli’s work since discovering it while taking a first-year History of Art course in 1974. I’d forgotten that Venus and Mars–one of Botticelli’s most famous paintings–is in the National Gallery, and gasped out loud when I entered the roomful of Botticellis. Fortunately, no one noticed.

There’s so much to love about this painting! The look on Venus’s face as she coolly regards the blissed- out Mars is priceless. She’s clearly not all that impressed! And then there are the four mischievious nymphs trying to wake up Mars. One of them is even wearing his helmet.

Sandro Botticelli Venus and Mars about 1485 Tempera and oil on poplar, 69.2 x 173 at the National Gallery in London
Sandro Botticelli Venus and Mars about 1485 Tempera and oil on poplar, 69.2 x 173.4 cm Bought, 1874 NG915 https://www.nationalgallery.org.uk/paintings/NG915

Flemish Masterpieces at the National Gallery

The National Gallery is particularly well endowed with masterpieces from the northern Renaissance. You’ll find several pieces by Rembrandt, two gems by Vermeer, and a famous van Dyck, among many others.

The Arnolfini Portrait by Jan van Eyck

This is one of the most famous paintings in the National Gallery, and is considered one of the most famous and intriguing paintings in the world. There are so many details to examine, and all have significance. For more information about the painting (which was completed in 1434) and why it’s considered so great, check out this analysis on YouTube.

Jan van Eyck The Arnolfini Portrait 1434 Oil on oak, 82.2 x 60 cm at the National Gallery in London
Jan van Eyck The Arnolfini Portrait 1434 Oil on oak, 82.2 x 60 cm Bought, 1842 NG186 https://www.nationalgallery.org.uk/paintings/NG186

A Woman Bathing in a Stream by Rembrandt

This is such a tender, beautiful painting by Rembrandt, and a bit of a change from his many portraits and self-portraits. The woman may be Hendrickje Stoffels, who came into Rembrandt’s household to look after his infant son after his first wife, Saskia, died. Hendrickje and Rembrandt became lovers but were unable to marry. There is a universality about the intimate moment caught in the painting that resonates with anyone who has ever taken off their shoes on a hot day to wade in a cool stream.

Rembrandt A Woman bathing in a Stream (Hendrickje Stoffels?) at the National Gallery in London
Rembrandt A Woman bathing in a Stream (Hendrickje Stoffels?) 1654 Oil on oak, 61.8 x 47 cm Holwell Carr Bequest, 1831 NG54 https://www.nationalgallery.org.uk/paintings/NG54

A Young Woman Seated at a Virginal by Johannes Vermeer

The word exquisite always come to mind when I look at a painting by Vermeer. Detailed and delicate, this painting shows us a moment in time. The young girl is just about to play, but someone or something has distracted her. Whatever it is, she doesn’t look too thrilled.

One of the ways to appreciate just why Vermeer is considered so great is to look at paintings by his contemporaries. Most depict similar subjects, but you can tell right away that there’s something different about the Vermeers. The brushwork is finer, the light more skillfully depicted, the backgrounds more perfectly rendered. Vermeer didn’t paint many pieces during his lifetime, but what he did paint was pretty amazing.

hannes Vermeer A Young Woman seated at a Virginal about 1670-2 Oil on canvas, 51.5 x 45.5 cm at the National Gallery in London
Johannes Vermeer A Young Woman seated at a Virginal about 1670-2 Oil on canvas, 51.5 x 45.5 cm Salting Bequest, 1910 NG2568 https://www.nationalgallery.org.uk/paintings/NG2568

A Boy and A Girl with a Cat and an Eel by Judith Leyster

I was super excited to come across this painting by Judith Leyster, who has been getting more recognition in recent years. The boy and the girl are definitely up to no good!

Judith Leyster A Boy and a Girl with a Cat and an Eel about 1635 Oil on oak, 59.4 × 48.8 cm at the National Gallery in London
Judith Leyster A Boy and a Girl with a Cat and an Eel about 1635 Oil on oak, 59.4 × 48.8 cm Bequeathed by C.F. Leach, 1943 NG5417 https://www.nationalgallery.org.uk/paintings/NG5417

The Four Elements: Air, Earth, Fire, Water by Joachim Beuckelaer

I had never seen these paintings before. They are not particularly famous, but they are interesting. I couldn’t stop looking at them.

Each painting depicts food according to its relationship to one of the four elements. In the Air painting, birds are being plucked and sold. Some impressive-looking vegetables are on display in the Earth painting. The Fire painting depicts game being butchered and roasted, and finally many different varieties of fish are ready for market in the Water painting.

The expressions on the faces of the people in the paintings are blank and dour. No one looks like they are enjoying themselves! But the colors and textures of the foods are so incredibly real. They almost look like they are about to spill out of the paintings onto the floor of the gallery.

Joachim Beuckelaer The Four Elements: Air 1570 Oil on canvas, 158 × 216 cm  at the National Gallery in London
Joachim Beuckelaer The Four Elements: Air 1570 Oil on canvas, 158 × 216 cm Bought, 2001 NG6587 https://www.nationalgallery.org.uk/paintings/NG6587
Joachim Beuckelaer The Four Elements: Earth 1569 Oil on canvas, 158 × 215.4 cm  at the National Gallery in London
Joachim Beuckelaer The Four Elements: Earth 1569 Oil on canvas, 158 × 215.4 cm Bought, 2001 NG6585 https://www.nationalgallery.org.uk/paintings/NG6585
Joachim Beuckelaer The Four Elements: Fire 1570 Oil on canvas  at the National Gallery in London
Joachim Beuckelaer The Four Elements: Fire 1570 Oil on canvas, 158.2 × 215.4 cm Bought, 2001 NG6588 https://www.nationalgallery.org.uk/paintings/NG6588
Joachim Beuckelaer The Four Elements: Water 1569 Oil on canvas, 158.1 × 214.9 cm  at the National Gallery in London
Joachim Beuckelaer The Four Elements: Water 1569 Oil on canvas, 158.1 × 214.9 cm Bought, 2001 NG6586 https://www.nationalgallery.org.uk/paintings/NG6586

Baroque Paintings at the National Gallery

Boy Bitten by a Lizard by Caravaggio

In a room full of great paintings, I was instantly drawn to this small painting by Caravaggio of a boy being bitten by a lizard. The expression on his face is so real and so relatable. The painting was completed in Rome in the mid-1590s and was considered innovative for the time. Apparently, it was unusual for a late-16th-century painting to show such a moment of action. Caravaggio, however, wasn’t worried about following artistic conventions. He painted directly on the canvas from live models

 Michelangelo Merisi da Caravaggio Boy bitten by a Lizard about 1594-5 Oil on canvas, 66 x 49.5 cm at the National Gallery in London
Michelangelo Merisi da Caravaggio Boy bitten by a Lizard about 1594-5 Oil on canvas, 66 x 49.5 cm Bought with the aid of a contribution from the J. Paul Getty Jr Endowment Fund, 1986 NG6504 https://www.nationalgallery.org.uk/paintings/NG6504

British Painting at the National Gallery

The Fighting Temeraire by William Turner

My father bought a print of this painting when he first visited London in the 1960s. It was probably the first real painting I’d ever seen, and I remember loving to look at it when I was a child. When I saw it again in the National Gallery, I couldn’t help feeling emotional since my father has been gone for several years now and my mother passed quite recently.

Turner’s painting shows the final journey of the Temeraire, a warship that had played a distinguished role in the Battle of Trafalgar in 1805, but by 1838 was ready for the scrap heap. It’s a poignant scene in its depiction of the age of sail giving way to the age of steam. Turner, of course, was most famous for his depiction of light, which is on full display in the magnificent sunset depicted in the painting.

The painting is one of Turner’s most famous and duly celebrated, but for me it will always remind me of my childhood home.

Joseph Mallord William Turner The Fighting Temeraire 1839 Oil on canvas, 90.7 x 121.6 cm at the National Gallery in London
Joseph Mallord William Turner The Fighting Temeraire 1839 Oil on canvas, 90.7 x 121.6 cm Turner Bequest, 1856 NG524 https://www.nationalgallery.org.uk/paintings/NG524

Impressionists and Post-Impressionists at the National Gallery

The rooms displaying paintings by the Impressionists and post-Impressionists are generally mobbed at the National Gallery. So many famous pieces are included! Stand in the middle of one of the rooms and rotate slowly. If you’re a fan of this era and style of art, you’ll likely recognize just about every piece in the room, from the iconic Sunflowers by van Gogh to the massive painting of The Bathers by Seurat and the sublime waterlilies by Monet.

I’d forgotten just how rich the National Gallery’s collection of Impressionists is and spent my first few minutes in the rooms exclaiming (to myself), they have that? and that one? oh, my, and that one too? This is incredible!

I had to sit down a few times just to collect myself. I’ve picked out four of my favorites (but it was a tough choice).

Waterlilies by Monet

This luscious painting dominates one entire wall and is hard to get a full-on look at thanks to the throngs of like-minded visitors standing in front of it. This piece is one that was not included in the collection of large waterlily paintings in Musėe de l’Orangerie in Paris (check out my round-up of Nine of the Best Small Museums in Paris for more about the Monets in the Orangerie).

The waterlily paintings in the Orangerie include details of trees and foliage that anchor the viewer and give them a sense of location. But this painting in the National Gallery is completely free-flowing. You have no idea where in the pond you are; you’re immersed in a shimmering world of greens and pinks and purples. No photograph can do it justice; you need to stand in front of the real thing and just drink it in.

Claude Monet Water-Lilies after 1916 Oil on canvas, 200.7 x 426.7 cm at the National Gallery in London
Claude Monet Water-Lilies after 1916 Oil on canvas, 200.7 x 426.7 cm Bought, 1963 NG6343 https://www.nationalgallery.org.uk/paintings/NG6343

Sunflowers by Vincent van Gogh

This cheerful painting of sunflowers exuberantly clumped together in a plain vase signed by “Vincent” is probably the most famous of van Gogh’s works. It appears on a dizzying array of merchandise in the gift shop, from mugs to cards to t-shirts to umbrellas.

Why is this painting so famous? I think because it looks like sunshine on canvas. The varying shades of yellow and gold that van Gogh uses perfectly capture the feeling of a hot day in late summer when some sunflowers are still in bloom, others have just passed their peak and are starting to wilt, and still others have lost their petals completely.

This version of Sunflowers is one of five, the other four being on display in art museums around the world including the Van Gogh Museum in Amsterdam (always worth a visit!). Apparently, van Gogh made the paintings to decorate his house in Arles in preparation for a visit from fellow artist Paul Gauguin.

Vincent van Gogh Sunflowers 1888 Oil on canvas, 92.1 x 73 cm  at the National gallery in London
Vincent van Gogh Sunflowers 1888 Oil on canvas, 92.1 x 73 cm Bought, Courtauld Fund, 1924 NG3863 https://www.nationalgallery.org.uk/paintings/NG3863

Bathers at Asnières by Georges Seurat

The painting depicts regular people enjoying a day off at the river, the factories they work in visible in the distance, their focus on the feel of warm grass and cool water. It’s a snapshot in time. Each person is immersed in his own thoughts; each is alone, the exhaustion of a week at work still heavy on their shoulders even on their day off.

This massive painting is famous for its use of pointillism and was Seurat’s first major composition. He painted it at the age of 24 to make his mark at the official Salon in the spring of 1884. Unfortunately, the painting was rejected!

Georges Seurat Bathers at Asnières 1884 Oil on canvas, 201 × 300 cm at the National Gallery in London
Georges Seurat Bathers at Asnières 1884 Oil on canvas, 201 × 300 cm Bought, Courtauld Fund, 1924 NG3908 https://www.nationalgallery.org.uk/paintings/NG3908

Surprised! by Rousseau

This painting by Rousseau was new to me, and I just loved it! Look at the expression on the tiger’s face! Has he been frightened by the flashes of lightning and the sudden wind blowing the jungle foliage all over the place? Who knows? But it’s such a wonderfully lush moment. Surprised! was the first of about 20 jungle paintings that Rousseau produced. His jungles are entirely imaginary; Rousseau never left France.

He was an amateur artist who faced a fair bit of ridicule from the art establishment, but now Rousseau is considered a pioneer of “naïve art.”

Henri Rousseau Surprised! 1891 Oil on canvas, 129.8 x 161.9 cm at the  National Gallery in London
Henri Rousseau Surprised! 1891 Oil on canvas, 129.8 x 161.9 cm Bought, with the aid of a substantial donation from the Hon. Walter H. Annenberg, 1972 NG6421 https://www.nationalgallery.org.uk/paintings/NG6421

National Gallery Details

The National Gallery is open daily from 10 am to 6 pm and on Fridays until 9 pm. It’s located on Trafalgar Square and entry is free, although donations are welcomed. The nearest Tube stations are Charing Cross and Leicester Square.

Tours of the National Gallery

Every so often, I spring for a guided tour of an art museum and I’m never disappointed. Here are some options for touring the National Gallery.

Conclusion

Have you visited the National Gallery? What are some of your favorites? Share in the Comments below. Want more posts about art museums? Here are some posts about great art museums in Europe that I’ve visited and recommend:

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