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Myth-Making & Travel: Three Magical Moments with Trees in Dartmoor, England by Guest Poster Tina Overbury

Artsy Sightseeing, England, Get Inspired carolcram Leave a Comment on Myth-Making & Travel: Three Magical Moments with Trees in Dartmoor, England by Guest Poster Tina Overbury

Last updated on October 8th, 2024 at 02:50 am

An Artsy Traveler is always on the look-out for those magical moments that make traveling so, well, magical. And if you’re also a storyteller (like me and our guest poster), you can be extra vigilant in your search for those magical moments that lead to or affirm story.

Guest poster, writer, storyteller, performer (and fellow Bowen Islander!) Tina Overbury shares her experience finding magical moments with trees while participating in a writing program in Dartmoor, England (one of my favorite places!).

Myth-Making, Storytelling, & Magical Moments

‘Stories don’t enchant, they break spells’ – Dr. Martin Shaw, Storyteller and Mythologist, West Country School of Myth

I’m fresh back from a week-long summer school program called Tent of the Seven Doors from The West Country School of Myth. Led by storyteller and mythologist Dr. Martin Shaw, the program was located in Dartmoor in the southwest corner of England. 

The story room at night, at West Country’s School of Myth Summer School: The Tent of the Seven Doors with Dr. Martin Shaw.
The story room at night, at West Country’s School of Myth Summer School: The Tent of the Seven Doors with Dr. Martin Shaw.

I had just completed a two-week story pilgrimage in Ireland and decided that since I’m so close, I should really hop over to England and tick a story-box I’ve been carrying for a long time. 

Who is Dr. Martin Shaw?

I came across Dr. Martin Shaw’s work seven years ago when my writing partner, Meribeth Deen, sent me an article from Emergence Magazine: Mud and Antler Bone. I swear I listened to that interview fifty times. I used to run to it and then stop it mid-stride, catch my breath and slap my head with: What? What did he say…?

OMGGGGGG – There’s a language for what I see in my head? Other people talk like this?

I didn’t understand then that the way my instrument as an artist works is through ‘thinking’ and ‘hearing’ in mythological terms. 

What this looks like for my friends is that I have a rather obnoxious habit (to some) of explaining everything in metaphor. This isn’t because I think I’m all that and a bag of chips, or because I’m trying to hide from being clear about anything. It’s because to me, using symbols and imagery that are thick with textured meaning ARE the closest way I know to speak succinctly.

Communicating Truth

How else can you communicate the complexity of the truth? Or so says me! And thankfully I discovered this summer during my travels that a gaggle of other story people say so too. 

Let me tell you about three magic moments I had with trees in beautiful, mystical Dartmoor.  

Magical Moment 1: Finding the Ashes

Tangles of branches spotted while on a medicine walk in Dartmoor National Park as part of the Summer School, Tent of the Seven Doors.
Tangles of branches spotted while on a medicine walk in Dartmoor National Park as part of the Summer School, Tent of the Seven Doors.

To provide a context for the magical moments with trees I experienced while walking on Dartmoor, I first need to go back two years to when I wrote a piece called OMYGOD about the women we burned, the babies we buried and the Gods we have worshiped.

As the name sounds, it was a tough piece to write. I didn’t choose to write it, it chose me, and to top it all off, I decided to perform it as a live storytelling piece. However, due to the pandemic, we filmed it instead. All this to say, I had to memorize the damn thing–all 60 pages and 93 minutes of it.

The ‘women we burned’ part – the story that named six Irish women who were burned at the stake for witchcraft – was proving impossible to memorize. I just couldn’t get the words of those women into my body. I tried everything. I walked, I prayed, I asked… I did everything.

The Magical Power of Dreams

Eventually, I engaged in a dreaming session with a healer friend of mine. In the dream I saw myself as a birthing aid of sorts. I was in a hut smoothing clay like mud across a dying woman’s chest. She was taking her last breaths post-childbirth and I was placing lavender on her throat. Best as I could make sense, I was helping her transition to the other side. Because of this, the clergy and the officials of the town took me, and I was burned alongside a number of other women for witchcraft.

As dreams can do, I was able to step in and out of places in the story. I didn’t watch myself or the other women burn. Instead, I time jumped to the place where they were all ashes and I was on the outside.

I stood in front of the line of pyres in front of me, and I cried and cried and cried, saying over and over again…

’What happened to the ashes of these women? Who collected their ashes? Who laid them to rest?’

Finding the Story in a Tree

And then I stepped wayyyyyy out and started picking up pieces of wood and laying them in a circle, like a sacred line of acknowledgement of their life, and to mark their death.

A twisted tree on a lonely moor in Dartmoor, England, encountered by the author whle wjile on the medicine walk in Dartmoor National Park. 
I see flesh on her – this tree with ravens for limbs. I encountered her while on the medicine walk in Dartmoor National Park. 

Magical Moment #2: Exploring the Landscape of Place

The Tent of the Seven Doors program at The West Country School of Myth certainly wasn’t like any other writing class I’d taken. To be fair, it wasn’t a writing class. In fact, I’m not even sure it was a ‘class’, but rather an initiation into the realm of mythical storytelling. 

We didn’t learn through cognitive lesson plans with hand-outs or PowerPoints. We didn’t learn through experiences and examples unpacked through journaling or reflections. The truth is, I’m still trying to figure out how we learned, but if I had to guess, I’d have to say that we learned through invitation. 

  • We were invited to step from one world into another. 
  • We were invited through the landscape of place.
  • We were invited through the imagining that happened with each story. 

Each day we would experience a story, and each afternoon or evening we would experience the land. 

Connecting with a Lush and Luxuriant Oak

On one such afternoon, I came across this beautiful tree.

A magnificent oak tree in Dartmoor, England
An oak tree in Dartmoor

She’s a gorgeous oak and unlike most of the scarred and barren trees of the moor, she is lush and radiant and there is more limb and branch to her than trunk. She has been reaching toward the sun for a very long time. 

I spent some time with her and found myself collecting sticks. I was finishing a story that started with a dream a number of months ago. I acknowledged more women, and I collected more ashes. I placed a circle of sticks around her. 

A line of sticks laid out in front of the truck of an enormous oak tree in Dartmoor, England.
Encircling the oak with sticks

And then that dreamscape story of OMYGOD felt complete. I don’t have much more to say about that other than I knew it was done. 

But then…

Magical Moment #3: The Cork Tree Walks with Me

Have you ever seen a cork oak tree? Because I sure hadn’t. 

There is a HUGE cork oak by the enormous fire pit at the back of the property where we gathered to close our summer school experience. Seeing that tree made me think that I had just stepped into The Shire from The Lord of the Rings. I had to talk myself out of believing it could walk.

You know when you’re walking down the street and a dog starts to follow you and if you look back he’ll keep following so you have to discipline yourself TO NOT LOOK BACK?  Well, that was me. 

I mean, how was it going to make it into the house with me? Okay, I know this tree can’t actually walk. But jeeeeeeeeeeez… I swear, this tree was magnificent. 

It transported me to a place I have only ever made fun of: the land of affirmation people, the ones who only see the world through the lens of sunshine, rainbows and lollipops. 

But there it was. 

If Snow White was a real person, she would step out of a little apple-red door with the seven dwarfs following behind, singing Heigh Ho, Heigh Ho… 

Check this out (you’ll even hear the cows!) :

The Magic of a Cork Tree

And to touch the bark? I mean the cork… I mean the bark. It is light, like the false front of a western town film set, except this isn’t a facade. It’s a whole damn tree and it has to be hundreds of years old. 

She was the antithesis and antidote to all the gloom, grief and burning that had been my journey of mythic trees thus far. 

I fully expected unicorns and fairies to pour out of its bark like a clown car filled with magic instead of red-shoed men.

Who knew? 

Holding the Light and the Dark

As an artist, I’m comfortable in the darker shades of story. I easily walk the bottom of the ocean while holding hands with the harder emotions. I write pieces to look for hope. I write to discover the color that lives in the shadowy blend of things, but this time, I didn’t have to.

This gorgeous cork oak tree did all the heavy lifting for me. 

Learning Community

“In troubled times we can create a culture of resistance and delight. The learning community that is the School of Myth believes that myth has something vital to say about the condition of both our lives and the earth. That certain stories we need right now arrived, perfectly on time, about five thousand years ago. Central to this is the notion that culture and wildness have experienced an artificial separation, and that both initiation and myth can create what Shaw calls a Culture of Wildness.” – West Country School of Myth.

Martin also says: ‘When the center is in crisis, it is only from the edge that the genius comes’. I believe him.

So while these days, there IS a lot to be troubled about…for sure, there is also much to be hopeful for.

Group shot of the participants in summer 2022 in the Tent of the Seven Doors experience at the West Country School of Myth. 
This is the group of us from the Summer 2022 Tent of the Seven Doors experience at the West Country School of Myth. 

Please meet this community of Bards, Storytellers, Eco-Romantics, land-as-church visionaries, fire-dwellers, academics, nurturers and fools.

There is a movement afoot.

And it’s coming from multiple directions.

These are mythic times.

Read about Tina Overbury on the Artsy Traveler Guest Posters page. Here are some other contributions from Tina and other guest posters to help you get the most of your artsy traveling.

Top Ten Artsy Novels to Read in Europe

Destinations, England, France, Germany, Get Inspired, Italy, Netherlands, Spain carolcram 3 Comments on Top Ten Artsy Novels to Read in Europe

Last updated on October 17th, 2024 at 12:48 am

Do you enjoy reading novels set in the places you are traveling to? I know I do. I love curling up at the end of a long day of sightseeing and reading a novel that helps me revisit the places I’ve seen. My preference is historical novels because I love history, which is one of the many reasons that I’m drawn to traveling in Europe. I enjoy wandering cobbled back alleys and imagining myself swishing my long skirts through the dust. No doubt the reality was a lot less romantic and much smellier, but imagination can be a wonderful thing!

I’ve chosen my top ten novels based on two criteria. First, the novel needs to evoke a sense of the place in which it was set, and second, it needs to relate in some way to the arts. You’re sure to find some new-to-you reads to take along on your next trip, or even to stay at home with.

England

Entertaining Mr Pepys by Deborah Swift

Entertaining Mr Pepys is the third novel in Deborah Swift’s “Women of Pepys’ Diary” series. All three novels are worth taking along if you are spending time in London and want a fascinating glimpse of what life was like in the 1660s. Famed diarist Samuel Pepys is at the center of this and the first two novels (Pleasing Mr Pepys and A Plague on Mr Pepys), each following a different woman who knew Samuel and was mentioned in his diary. In Entertaining Mr Pepys, the actress Elizabeth (Bird) Carpenter takes center stage as she navigates the world of the theater when women were finally allowed on stage as actresses. If you enjoy impeccably researched historical novels with plenty of intrigue, then the “Women of Pepys’ Diary” series is for you.

The Lost Book of the Grail by Charlie Lovett

While traveling in England, plan on touring some of its awesome cathedrals (don’t miss York Minster, Salisbury Cathedral, and Durham Cathedral to name just three of my faves!) and then settle down with The Lost Book of the Grail. The setting is an ancient cathedral in the fictional town of Barchester. Flashback chapters open with succinct descriptions of cathedral areas such as cloisters, the nave, chapels, and more that I found fascinating. Through a series of clever flashbacks, you navigate the history of the cathedral from its founding by a martyred saint through the Norman invasion, Reformation, Civil War, Victorian era, World War II, and modern times. The plot’s twists and turns provide enough mystery to make the denouement both surprising and satisfying.

France

Drawing Lessons by Patricia Sands

Are you taking a trip to Provence? Then pack or download a copy of Drawing Lessons, a delicious novel set in Arles that follows a woman’s quest to redefine herself after the death of her husband. Patricia Sands evokes the sensuous delights of Provence so beautifully that you’ll feel like you are there. And if, indeed, you are there, you’ll have the sights and smells that surround you confirmed in the story.

The Paris Hours by Alex George

This is the novel to read when you’re spending time in Paris. The Paris Hours tells the stories of four “ordinary” people during one day in Paris in 1927. Along the way, they encounter an extraordinary panoply of luminaries including Hemingway, Proust, Picasso, Gertrude Stein, Ravel, Josephine Baker, and even Sylvia Beach, the proprietor of Paris’s most famous English bookstore, Shakespeare & Company. Alex George brings the ambience, and the people, of Paris to life as he takes readers through streets and parks they can still walk through today. Surprises and twists abound in one of the most cleverly plotted and exquisitely written novels I’ve read in a long while.

Germany

And After the Fire by Lauren Belfer

I am a huge fan of the music of Johann Sebastian Bach (check out my visit to the Bach Museum in Leipzig) and so And After the Fire was the novel for me. It tells the fascinating story of a lost Bach manuscript with a disturbing message. The story spans over two hundred years, from Berlin in the 18th century through the Holocaust to New York in contemporary times. Inspired by historical events, the compelling narrative of this deeply researched and evocative novel resonates with emotion and immediacy.

Chasing the Wind by C. C. Humphreys

Heading for Berlin? Take along Chasing the Wind, a rollicking good adventure that mixes a Bruegel masterpiece, a female aviator, espionage, and the 1936 Berlin Olympics. It’s a page-turner, so make sure you’ve finished your sightseeing for the day before reading it, else you may decide to stay in your hotel room and read rather than go out to sample Berlin’s many museums (check out Booming Berlin: Your Artsy Guide for suggestions about what to do during a three-day visit to Berlin).

Italy

Raphael, Painter in Rome by Stephanie Storey

No trip to Rome is complete without experiencing the art of Raphael, Michelangelo and da Vinci. And the perfect novel to accompany you is Raphael, Painter in Rome  by Stephanie Storey, and her other novel Oil and Marble. Both chronicle the lives of three of the most renowned artists in western Europe: Raphael in Raphael, Painter in Rome and Michelangelo and Leonardo da Vinci in Oil and Marble. Even in the 21st century, there are parts of old Rome in which only a small leap of the imagination is needed to be transported back to the Renaissance when intrigue lurked around every corner and the smell of oil paint was heavy in the air. Raphael. Painter in Rome takes you deep into the heart of a Rome that may be long gone but still lingers in the imagination after dark.

Netherlands

Girl with a Pearl Earring by Tracy Chevalier

One of the things I love about touring the Netherlands is how the light often reminds me of an Old Master painting. One of the most famous is Vermeer’s Girl with a Pearl Earring. So, the perfect read for fans of his work is the novel of the same name by Tracy Chevalier. Set in 17th-century Delft, Girl with a Pearl Earring is a richly-imagined portrait of the young woman who inspired the painting. I love how Chevalier seamlessly merges history and fiction in this and many of her other novels set in Europe, including The Lady and the Unicorn (14th-century France), Burning Bright (late 18th-century London), Falling Angels (early 20th-century London), A Single Thread (1930s England), and Remarkable Creatures (early 19th-century England).

Spain

The Return by Victoria Hislop

I picked up a copy of The Return in a second-hand bookstore while wandering the back streets of Antibes seeking shade at the height of the 2019 heat wave (la canicule, as the French called it). It was the perfect novel to read while traveling west into Spain. It takes place both in the present and during the Spanish Civil War, a time in history about which I knew very little.  The story of a flamenco guitar player (a tocadores) and a flamenco dancer (a bailaora) who fall in love in 1930s Granada and are separated during the terrible excesses of the Spanish Civil War will stay with you long after you leave Spain.  

The Miramonde Trilogy by Amy Maroney

For a book lover, few things are more enchanting than enjoying a novel and then discovering that it’s the first in a trilogy. I had that experience after reading The Girl from Oto, the first offering in Amy Maroney’s trilogy about a female artist in Renaissance Spain, the other two novels being Mira’s Way and A Place in the World. I read all three not long after I traveled through the Pyrenees where much of the story takes place. Amy Maroney brings the region to life wonderfully—its wildlife and independent mountain people, the sweeping landscapes and harsh weather, and the turbulent history during the time when King Ferdinand and Queen Isabella were on the throne.

What’s your favorite artsy novel set in Europe? Share your recommendations with other Artsy Travelers in the Comments below.