Carol Cram at Pratto del Valle in Prato

A Week in Fascinating Little Padua Reveals Hidden Treasures

Fascinating Padua in northern Italy is just a quick train ride from Venice, and can keep the Artsy Traveler well entertained for several days. I recently spent a week there and found lots to do — from staring awestruck at the Giotto frescoes in the Scrovegni Chapel, to exploring the fascinating anatomical theater at one of Europe’s oldest universities, to hanging out in the stunning Pratto della Valle, where you may find a massive market in full swing.

In this post, I share how I spent my week in Padua that included day trips to Venice and Vicenza.

Overview

So why was I in Padua for a week, instead of Venice, its more famous neighbor? First, I’ve visited and stayed in Venice several times and felt it was time to explore more of the Veneto. Second, my husband Gregg (who is an artist) had an exhibition in Padua.

We’d heard Padua was worth visiting in its own right and so looked forward to exploring this new-to-us town. We visited in November–a chilly time in northern Italy (take a good, warm coat!).

On the upside, late November is also the time of the Chocolate Festival where dozens of booths groaning with all kinds of chocolate confections lined the piazzas in the center of Padua. Needless to say, we sampled our fair share.

A plateful of chocolate truffles purchased at the chocolate fair in Padua, Italy
Truffles from the Chocolate Fair in Padua

Give Padua At Least Two Days

In your travel planning, don’t make Padua and Venice an either/or option. Instead, build time in your itinerary to visit both. You can easily see Padua’s main sites and enjoy the laid-back ambiance in a relaxed three-night stay, or keep yourself busy for a week like we did.

If you only have an afternoon to spare for Padua, then squeeze in a flying visit to Padua’s main Artsy Traveler highlight–the Scrovegni Chapel. Just make sure you’ve booked well in advance of your visit (more on that in a minute).

But Padua is worth more than an afternoon. I suggest you slow down, book a place in the historic center of Padua, and stay awhile. Padua yields up its treasures with a measured delight.

Map of Padua

The map below includes all of the sites mentioned in this post in addition to the location of the wonderful apartment we rented, about a 15-minute walk from the center of town.

  1. Scrovegni Chapel
  2. Musei Civici Eremitani
  3. Anatomical Theatre of Padua in the Palazzo Po
  4. University of Padua Botanical Garden
  5. Prato dell Valle
  6. Padua Cathedral
  7. Recommended Apartment on the Via dell Palme

Map thanks to Wanderlog, a trip planner app on iOS and Android

Powered by GetYourGuide

Scrovegni Chapel

I’ll start with the heaviest hitter of them all, sightseeing-wise–the Giotto frescoes in the Scrovegni Chapel. We visited on Day 7 of our stay in Padua, which made for a stunning finale to our week, and indeed to our nine-week 2023 sojourn in Europe. When we left the next day to fly home from Milan, visions of Giotto’s exquisitely rendered figures still danced in our heads.

Buy Tickets for the Scrovegni Chapel in Advance

As soon as you know the date you plan to be in Padua, buy your tickets for the Scrovegni Chapel, the earlier the better. Don’t wait until the last minute! The chapel was sold out weeks in advance of our November visit. Same-day tickets are not available.

Here’s the link to purchase tickets from the official site.

Once you’ve booked your tickets, just show up at your appointed time and prepare to be blown away.

Starting Your Scrovegni Chapel Visit

Your visit starts with a walk through beautifully landscaped gardens from the visitor center to the chapel. Since everyone who visits the chapel must book in advance, you pretty much have the place to yourself apart from the thirty or so people who will be in your viewing group.

Exterior of the Scrovegni Chapel in Padua
Approaching the Scrovengi Chapel

You arrive outside the hermetically sealed doors that separate you from a specially built anteroom adjacent to the chapel. Make sure you arrive a good ten minutes early. The visits are timed very precisely with no provisions made for latecomers.

At your appointed time–not a second too soon or too late–the automatic doors swish open. You glimpse the party who visited the chapel before you leaving from another door as you file into the anteroom and take a seat. Here you will watch a fascinating video (English subtitles) about Giotto’s world-famous frescoes.

I am a bit of a Giotto fan girl and so I thoroughly enjoyed the description of the fresco cycle. The work is considered one of Giotto’s greatest masterpieces (which is saying something) and is a wonderful example of the artistic revolution that Giotto brought to Western art. Giotto completed the frescoes in just two years, between 1303 and 1305. They cover the entire interior of the Chapel and narrate the History of Salvation.

Entering the Chapel

After the film, you are invited to stand. Seconds later, another automatic door swishes open and finally, you file into the chapel itself. Gasps of wonder fill the air as each individual quietly takes in the awe-inspiring frescoes. Guides are prohibited so the only sounds are whispers and the muted blips of cell phones and cameras (no flashes allowed, of course) making futile attempts to capture the majesty of the space. It’s impossible. Pictures don’t do it justice, but here are a few of mine, to give you an idea of what you’ll see.

Fresco by Giotto in the Scrovegni Chapel in Padua
This panel shows the first kiss depicted in Western art — Judas kissing Jesus before betraying him
Fresco by Giotto in the Scrovegni Chapel in Padua
Mary at the tomb of Jesus – the expressions on the faces are so human
Fresco by Giotto in the Scrovegni Chapel in Padua
This panel shows the Scrovegni Chapel

Why Giotto?

The big deal about Giotto is the naturalism of his figures–a major departure from the stiff, 2D figures common at the time. Giotto’s figures look like real people wearing clothes that drape naturally over real bodies.

You get precisely 15 minutes to enjoy the chapel before the automatic doors again swish open and you file out. On your way, you see the next group preparing to enter, and envy them their first glimpse of the chapel interior. All you have now are your pictures and your memories.

Musei Civici Eremitani

After visiting the Chapel, you can visit the Musei Civici Eremitani, which contains the Archaeological Museum of Padua and the Museum of Medieval and Modern Art. Both are worth checking out.

Archaeological Museum of Padua

Padua is one of the oldest cities in Italy, which becomes abundantly clear when you visit the Archaeological Museum. Here, you’ll find a fascinating collection from the pre-Roman era (8th-3rd century BC), decorated vases from the third Atestine period (6th-5th century BC), Paleo-Venetian steles, votive objects, Etruscan, Italic and Paleo-Venetian bronzes, Egyptian art, and an extensive Roman section. If you like ancient artifacts, this museum is definitely worth a visit.

Museum of Medieval and Modern Art

The museum contains around 3000 paintings from the 14th to the 19th centuries, including works by such luminaries as Giorgione, Tiziano Vecellio, Giotto, Tintoretto, Veronese, Canova, Tiepolo, and Bellini, among many others.

Anatomical Theater in the Palazzo Bo at the University of Padua

My cousin, who is a physician, advised me to visit the anatomical theater at the University of Padua, and I’m very glad I did. It’s accessible only via an entertaining guided tour given in English by a Padua University student. In addition to visiting the famous anatomical theater, you’ll view some of the ornately decorated public rooms in the Palazzo Bo, which is part of one of Europe’s oldest universities.

Tour of the Palazzo Po

Two story colonnade at the Palazzo Po at the University of Padua
Attractive colonnades at the Palazzo Bo

I very much enjoyed the tour of the Palazzo Bo that included these striking murals of some of the university’s most illustrious students over the centuries.

Paintings of students in medieval garb who attended the University of Padua

Anatomical Theater

Inaugurated in 1595, the anatomical theater at the University of Padua is the world’s first permanent anatomical theater. According to Fabio Zampieri, an associate professor at the University of Padua, “To build a permanent theater for anatomy was in some sense revolutionary because it meant to place anatomy as the foundation of medical studies.” At the time, the Church wasn’t keen on dissecting bodies, so having a purpose-built anatomical theater was kind of a big deal in the evolution of medical knowledge.

The theater is surprisingly tiny and cramped. Back in the day, up to 250 students and professors would crowd into the tiered space to look down at the dissection of a human cadaver far below. Most were either executed criminals or deceased hospital patients. With its six elliptical rings circling skyward, the theater seems to mimic the shape of an eye or telescope. Under the main entrance to the theater, a 16th-century Latin inscription reads, “This is a place where the dead are pleased to help the living.” Cheerful stuff.

Interior of the anatomical theater in the Palazzo Bo in Padua
View from the bottom of the anatomical theater

As part of the tour, we ducked under a low door to enter the bottom of the theater where the cadaver would be laid out for the professor to dissect. It was exceedingly creepy to stand in the narrow space and look up at the six tiers where the spectators would stand. According to the guide, the railing encircling each tier was just high enough to prevent an observer from toppling forward when they fainted. Apparently, people frequently fainted in the confined–and likely very smelly–space. I shuddered and was happy to move on to the rest of the tour.

Scale model of the anatomical theater in the Palazzo Bo in Padua
Scale model of the anatomical theater showing the six tiers around which up to 250 spectators would gather and look down

First Woman to Earn a Degree

A highlight at the end of the tour was the statue of Elena Lucrezia Cornora, the first woman in the world to receive a university degree. The daughter of a wealthy Venetian family, she originally wanted to receive a degree in Theology. The bishop of Padua wouldn’t allow that, but did allow her to get a degree in Philosophy in 1678.

Pratto delle Valle

The Pratto delle Valle has to be one of Europe’s most attractive public spaces. It’s an oval-shaped island encircled by a canal in the center of a grand piazza. On a brilliantly sunny day in November, it was a delightful place to wander around. Here are two views of the Pratto dell Valle, mercifully uncrowded in mid-morning.

Pratto delle Valle view in Padua
Pratto delle Valle in Padua
Pratto delle Valle view in Padua

We visited twice–once when it was empty and the second time when it was packed with one of the largest outdoor markets I’ve seen in Europe. You could buy just about anything you wanted–from clothing to gloves to food to flowers to Christmas decorations. We picked up gloves to ward off the November chill and I treated myself to yet another new purse. Italy is such a great place to buy purses!

Botanical Gardens

Created in 1545, the botanical garden (Orto Botanico) in Padua is the world’s first botanical garden and is a surprising highlight, even in November. The garden still preserves its original layout – a circular central plot, symbolizing the world, surrounded by a ring of water. Most of the plants were dormant, but a few trees were still decked out in their autumnal glory.

Tree with red leaves in the botanical gardens in Padua

We particularly enjoyed the new exhibition center (inaugurated in February 2023) that is part of the gardens. A series of well laid out displays–many of them interactive (English and Italian)–showcase the history of the botanical garden, its plants, and the people who collected them.

Exhibition space at the botanical gardens in Padua
Exhibition space at the Botanical Gardens

Day Trip to Vicenza

Many years ago when I was student studying for a master’s degree in Drama at the University of Toronto, I had a professor who waxed lyrical about the Teatro Olimpico. She described how she arrived at the building housing the 16th-century theater just before closing and was denied entry. Apparently, she burst into tears, so intent was she to see this masterpiece of Palladian and theatrical architecture. Fortunately, the guard took pity on her and let her in.

Ever since then, I’ve longed to visit the Teatro Olimpico in Vicenza. This pretty town is a short train ride from Padua, and so we set off on a blue sky day to check it out.

Visit to the Teatro Olimpico

Located in the Piazza Matteotti, a brief taxi ride from the train station, the Teatro Olimpico is the world’s first indoor theater constructed with interiors made of wood, stucco and plaster. The great architect Andrea Palladio built the theater between 1580 and 1585. It is now a UNESCO World Heritage Site.

The design of the theater is inspired by ancient Roman theaters and features an elliptical terraced auditorium, framed by a colonnade, and a frieze topped by statues.

Auditorium at the Teatro Olimpico in Vicenza, Italy
The elliptical auditorium where we sat facing the stage

The rectangular stage is bound by a massive proscenium with two orders of architecture and consisting of three arcades that are divided by half-columns. As you sit in the steeply tiered auditorium, you peer into the arcades to see shadowy streets curving into darkness.

Teatro Olimpico in Vicenza, Italy

Sound and Light Show at the Teatro Olimpico

At regular intervals, visitors to the Teatro Olimpico are treated to a rousing sound and light show where a myriad of colored spotlights plays across the proscenium to the accompaniment of stirring music. It’s pretty over-the-top and yet a fitting tribute to the breathtaking beauty of Palladio’s structure.

Here are some glimpses through the archways into a masterpiece of perspective.

Looking through an archway at the Teatro Olimpico in Vicenza, Italy
A street in the Teatro Olimpico in Vicenza, Italy

Even if theater history isn’t your thing, a visit to the Teatre Olimpico is a must.

After visiting the theater, we spent a few hours wandering around Vicenza, which we found to be a charming northern Italian town that’s worth an afternoon of your time.

Day Trip to Venice

Venice is only about 30 minutes by train from Padua and so it seemed foolish to not spend a day there. As mentioned, I’ve visited Venice several times (and will visit again in 2024), but Venice never disappoints. The minute we stepped off the train and walked to the edge of the Grand Canal, Venice again worked its magic on us.

Side canal in Venice
Views such as this of quiet side canals never get old in beautiful Venice

We spent the day–a gloriously sunny one–walking and walking and walking. We decided not to take a trip on the vaporetto, opting instead to stroll through the Carneggio district to Piazza San Marco, then crossing the Grand Canal on the Accademia Bridge and walking back through the labyrinthine and over peaceful side canals streets to the train station.

Carol Cram and Gregg Simpson in the Piazza San Marco in Venice
Carol and Gregg in St. Mark’s Square on a sunny day in November

Visit to Saint Mark’s Basilica in Venice

Even in November, Venice was crowded, but a lot less crowded than I’ve seen it at warmer times of the year. For the first time ever, the line-up to get into Saint Mark’s Basilica was short enough to be worth the wait, so finally we got to see inside.

Wow! The interior of Saint Mark’s Basilica is one giant glitterfest with sparkling golden mosaics covering every available surface. You’ll get a sore neck looking up, but it’s worth it. We took it all in with awestruck wonder before returning to the Piazzo San Marco to spend an hour or so sitting in the sun and watching the world go by.

Interior of Saint Mark's Basilica in Venice
Mosaics cover every available surface in Venice’s

An Exhibition, a Cathedral, and a Quiet Canal

During our week in Padua, we also attended the opening of Gregg’s exhibition at the Queen Art Gallery, had a quick look inside the impressive cathedral, and enjoyed many walks alongside peaceful canals slumbering in the autumn sunshine.

While Padua has several worthy tourist sites, it’s not a particularly touristy town. The vast majority of people out on the streets are locals, and many are students from the university which gives the town a youthful, vibrant feel. It’s an easy town to walk around with plenty to look at along the way.

Gregg Simpson at the opening of his exhibition at Queen Art Gallery in Venice
Gregg Simpson at the opening of his exhibition in Padua

Cathedral in Padua
The Cathedral in Padua

Home Away From Home in Padua

We stayed in a two-bedroom apartment not far from the train station in Padua. While the neighborhood was, admittedly, a bit nondescript, we were close to plenty of food shops, fast-food joints, and restaurants, and within walking distance of the center of Padua. Here’s a shot of a typical canal side scene that we’d pass on our way from the apartment into Padua’s old town.

Peaceful side canal in Padua

We chose the apartment for its location near the edge of Padua because we were driving and did not want to try navigating the medieval streets of old Padua. The apartment came with a parking place, which turned out to be accessible via a car elevator. Here’s a shot of us retrieving our car at the end of our eight-night stay.

Car in a car elevator at the apartment building in Padua

Here’s the link to the apartment. I highly recommend it if you’re looking for comfortable accommodations that won’t break your budget.

The map below shows many other options for hotels and apartments in Padua.



Booking.com

Tours and Tickets in Padua

Here are some options for tours and tickets in Padua from Tiqets.com

Padua Walking Tours

GuruWalk lists pay-what-you-please walking tours that connect tourists with tour guides all around the world. Check out their tours of Padua!

Conclusion

Have you visited Padua? What sites do you recommend? Let other Artsy Travelers know your thoughts in the comments below.

Top Ten Favorites at the Uffizi Gallery in Spectacular Florence

The Uffizi Gallery in Florence is an Artsy Traveler must-see, particularly for artsy travelers who love Renaissance art. I’ve visited Florence six times over the past thirty years, and on most visits, I take the time to visit the Uffizi Gallery.

Few artsy traveler pursuits equal the joy of wandering blissfully through rooms full of many of western Europe’s most iconic masterpieces.

In this post, I highlight ten of my favorite pieces in the Uffizi Gallery.

When to Visit

The very best time to visit the Uffizi Gallery is first thing in the morning, particularly if you are visiting in high season (April to October). You’ll have the vast complex to yourself, at least for a little while, so you can trip wide-eyed from room to room in peace. You may even snag a place in front of one of the two most famous Botticellis without sharing air with dozens of other people.

If you’re visiting Florence between November and March, you’ll find fewer crowds and a more relaxed pace. As a result, you’ll likely be comfortable visiting at any time of day. On my recent visit in November, I chose an afternoon visit. Although the Uffizi was less crowded than I’ve found it at other times of the year, it was hardly empty. I still saw a long line-up of people who hadn’t gotten the memo about buying their tickets in advance, and large groups of art lovers jockeying for position in front of the Botticellis.

Getting Tickets

No matter what time of year you visit, purchase your tickets to the Uffizi Gallery in advance. In high season, purchase them at least a week or more before your visit. You’ll get the entry time that suits your schedule and you won’t need to queue up.

We arrived at the Uffizi about 45 minutes before our 13:15 entry time. The weary ticket collector let us in anyway, probably because it was November. The only delay was getting through security.

Location of the Uffizi Gallery

The map below shows the location of the Uffizi Gallery in Florence. Also shown is the location of the Accademia (#2), the Duomo (aka Cathedral of Santa Maria del Fiore) at #3, the Bargelo (#4), the Museo di Palazzo Davanzati–an awesome small museum showing what life was like for a wealthy person in medieval Florence (#5), and the gorgeous apartment we stayed in on the banks of the Arno during our three-day stay in Florence in November 2023 (#6: see below for more information about the Palazzo Serristori Residence — high recommended).

This map was created with Wanderlog, an itinerary planner on iOS and Android

The Uffizi Gallery is large and brimming with amazing art. Pace yourself. I suggest you focus on enjoying ten to twenty pieces rather than stopping to admire every piece. Doing so will quickly exhaust you.

Crowds of people in a hallway in the Uffizi Gallery in Florence.
Even in November, visitors throng the long corridors in the Uffizi

The Uffizi’s collection is spread across two floors, with the most famous pieces by artists such as Botticelli, Michelangelo, Raphael, and Giotto located on the second floor. I suggest taking the elevator, or climbing the long flights of stairs to Level 2 and then starting with the room of medieval art that contains gorgeous works by Giotti, Lorenzetti, and Martini.

Here are my ten favorite pieces in the Uffizi, presented by artist and in the order in which I encountered them.

Giotto

I’ve become a big Giotto fan over the years. Although he died in 1337, Giotto is considered the first artist of the Renaissance because of his use of realism to depict his subjects. His most famous works are the frescoes in the Scrovegni Chapel in Padua and Assisi.

Madonna and Child Enthroned with Angels and Saints shown below is one of Giotto’s most iconic pieces. It’s truly breathtaking, particularly when you realize that Giotto painted it in 1306 at a time when other artists were still depicting everything on one plane. Check out the Madonna’s knee under the blue drapery of her gown. It’s three-dimensional. This use of perspective set Giotto apart from his contemporaries and heralded the realism that become the hallmark of the Renaissance painters such as Da Vinci and Raphael over 150 years later. This painting was a source of inspiration for Florentine artists for generations.

Madonna and Child Enthroned with Angels and Saints by Giotto in the Uffizi Gallery in Florence.
Madonna and Child Enthroned with Angels and Saints, 1306-10, Giotto

Martini

I have a huge soft spot for Simone Martini, who was active in the mid-14th century. I even include a reference to his Maesta fresco in Siena’s Palazzo Pubblico in my novel The Towers of Tuscany. In The Annunciation with St. Ansansu and St. Maxima, below, I love Martini’s over-the-top use of gold, as well as how he shows the Archangel Gabriel in relationship to Mary.

Martini depicts a fluttering cloak and unfurled wings to suggest that the angel’s appearance is sudden. No wonder Mary looks distressed, turning away and wrapping her cloak around her. The fact that Gabriel is telling her she’s to be the mother of Jesus would have likely added to her confusion and distress. In her hand, Mary holds a book. Martini is likening her to a wealthy Sienese woman–the only women who would be able to afford a book, much less read it. Memmo Lippi is also given credit for the work, although apparently Lorenzetti is considered by art critics to be responsible for the conception and execution of the painting.

Annunciation by Martini in the Uffizi Gallery in Florence.
Annunciation with St. Maxima and St. Ansanus, 1333, Simone Martini and Lippo Memmi

Lorenzetti

Every time I walk into a room of medieval paintings in an art museum, I make a beeline for anything painted by Ambrolgio Lorenzetti. He’s a Siena hometown boy who was a major figure in his day, before succumbing to the plague (so far as we know) in 1348. He painted The Allegory of Good and Bad Government frescoes in Siena’s Palazzo Publicco, one of the palazzo’s many breathtaking highlights.

Lorenzetti painted the four panels from the life of St. Nicholas shown below. I get such a kick out of Lorenzetti’s depictions both of people and life in medieval Siena and the architecture–the graceful archways, exterior staircases, and crenelated rooftops. I’ve spent a lot of time over the years looking at Lorenzetti’s work to help me visualize what Siena looked like in the mid-14th century so that I can accurately write about the period.

St. Nicolas Gives to the Poor

In the top left painting, St. Nicholas is throwing pieces of gold to a poor man to enable him to gather the dowry required to marry off his daughters. The point is that St. Nicholas is carrying out the charitable deed secretly and humbly, without seeking acknowledgment (what a swell guy!).

St. Nicholas Gets Ordained

In the bottom left painting, St. Nicholas is being ordained as a bishop of the city of Myra in Asia Minor. The legend is that the prelates who had gathered to elect the new bishop of Myra heard a voice ordering them to choose the first man named Nicholas who entered the church. And guess who just happened to walk in?

St. Nicholas Raises the Dead

The top right painting depicts a miracle performed by St. Nicholas after his death. He returns to bring a child back to life after the child was killed by the devil disguised as a pilgrim (the figure in black mounting the stairs). There’s a lot to look at in this panel. I particularly like the way the figures are portrayed in the upper and lower rooms.

St. Nicholas Talks to Sailors

In bottom right panel, Nicholas asks sailors to give some of the grain their ships are carrying to the starving people of Myra. When the sailors comply, the ships are miraculously replenished with grain.

Four paintings of the Life of Saint Nicholas by Lorenzetti in the Uffizi Gallery in Florence.

Uccello

This large painting by Paolo Uccello dominated the wall on which it was installed in the Uffizi. Check out all the horses–so much vigor and action. The painting is called The Battle of San Romano and is part of a cycle of three paintings that celebrated the victory of the Florentine forces over the Sienese troops in 1432.

Poor Siena. It had a tough time after being devastated by plague in 1348 and then suffering numerous mercenary raids, famines, and hostile takeovers culminating in its defeat at the hands of the bellicose Florentines in 1432. While I’m firmly on the side of Team Siena since I’m currently writing a novel set there, I have to admire how Uccello depicted the battle in his painting.

The batlle of Romano by Uccello in the Uffizi Gallery in Florence.
The Battle of Romano, 1435-40, Paolo Uccello

Botticelli

Almost everyone who visits the Uffizi is captivated by two of Botticelli’s most famous paintings–Primavera and The Birth of Venus. They are both huge and both fantastic–that is, if you can get close enough to get a good, long look.

The large room in which the paintings are hung is mobbed with visitors, all brandishing cell phones and elbowing for position to get a good shot. I know. I was one of them.

Standing in quiet contemplation is out of the question. But it’s still worth seeing the paintings in the flesh, so to speak, just to confirm that yes, indeed, they deserve their vaunted place in western art history. The figures are ethereal and also realistic, the movement joyous, the themes full of promise and celebration. I don’t think it’s possible to look at Botticelli’s masterpieces and not smile.

Primavera

Here’s what you see while approaching Primavera.

Crowds in front of Primavera by Botticelli in the Uffizi Gallery in Florence.

And here’s the shot I managed to get when it was my turn to step in front of the painting. It truly is a wonderful work. Botticelli had chops, all right. Look at how he depicts the gossamer draperies encasing the three dancing muses and the figure to the right. The central figure in the painting is Venus, goddess of love and beauty. She’s a stunner for sure.

Primavera by Botticelli in the Uffizi Gallery in Florence.
Primavera, 1480, Sandro Botticelli

The Birth of Venus

The Birth of Venus is just as mobbed as Primavera, which comes as no surprise considering versions of this work appears on everything from aprons to mugs to mouse pads in Florence’s gift shops. There is so much movement; you can practically feel the wind in your hair as you contemplate this painting, which depicts Venus, goddess of love and beauty, surfing to land on a clamshell, gently spritzed with sea spray and blown by the winds Zephyr and Aura.

I wasn’t able to get a decent shot of the painting, so the image below is from the Uffizi’s marvelous website.

The Birth of Venus, 1486, Sandro Botticelli

Michelangelo

Florence’s Number One Son is well represented at the Uffizi Gallery and elsewhere in Florence. Thanks to a long and prolific career, Michelangelo’s work is pretty much synonymous with the Italian Renaissance. The Uffizi Gallery has the magnificent, circular Doni Tondo, the only finished panel painting done by Michelangelo that has survived the centuries. It glows.

Doni Tondo by Michelangelo in the Uffizi Gallery in Florence.
Doni Tondo, 1505-1506, Michelangelo

Piero della Francesca

This double portrait by Piero della Francesca positively defines aristocratic haughtiness. Imagine the amount of time the duchess must have had to sit still to have that hairdo done. I’m hoping it wasn’t a daily thing. Look at the background–how it continues through from one side to the next. Showing the two figures in profile is a typical device in 15th century portraits that was a throwback to ancient coins. The artist’s attention to detail is a result of his training in both Florentine and Flemish traditions.

The Duke and Duchess of Urbino Frederico da Montefeltro and Battista Sforza, 1473-75, Piero della Francesca

Leonardo da Vinci

Another big draw to the Uffizi Gallery is the presence of a handful of paintings by Leonardo da Vinci. My favorite is his Annunciation because I love the contrast in styles between da Vinci’s version done in the late 15th century and Martini’s version done in the mid-14th century (see above).

In da Vinci’s Annunication, the figures are rendered extremely realistically and are also quite static. The Virgin is not shrinking away but is is confident and receptive. The trees almost look like fantasy trees, and the distant mountains like something out of Lord of the Rings. The way da Vinci renders the folds of the clothing is remarkable, considering he completed this painting when he was still quite young.

Annunciation by Leonardo da Vinci in the Uffizi Gallery in Florence.
Annunciation, 1472, Leonardo da Vinci

Raphael

I’ve grown to appreciate Raphael’s work over the years. He’s certainly one of the biggies, considered by some to be the greatest painter of them all. There’s a lot of justification for that view. Unlike Michelangelo and da Vinci, who had other pursuits (science for da Vinci and architecture and sculpture for Michelangelo), Raphael only did painting–and an astonishing amount of it considering he died young, while da Vinci and Michelangelo both lived to ripe old ages.

The work by Raphael I most liked in the Uffizi is Madonna of the Goldfinch. The Madonna’s expression is so youthful and serene; unlike many Madonnas, she really does look like a young mum. The trees and landscape in the background are so beautifully rendered. In places they almost look like something Cézanne would have painted 400 years later. And check out the red of the Madonna’s gown–so rich and full and Florentine. It’s a keeper.

Madonna of the Goldfinch by Raphael in the Uffizi Gallery in Florence.
Mary, Christ and the young John the Baptist, known as “Madonna of the Goldfinch“, 1506, Raffaello Sanzio

More Uffizi

After exploring the long galleries on Level 2 of the Uffizi, you can descend to Level 1 to take in even more masterpieces of the 16th, 17th, and 18th centuries. Highlights include several works by Caravaggio. If you have the energy, don’t miss them.

Enjoying Florence

You emerge from the Uffizi into the beautiful piazza della Signoria. Here, you’ll stare up at the Palazzo Vecchio with its iconic tower, check out a statue of Michelangelo’s David (the original is displayed in the Accademia), and marvel at the fountain and statue of Neptune. Here’s a shot of it in the evening.

Neptune's Fountain in the Piazza della Signoria in Florence
Neptune’s Fountain in the Piazza della Signoria in Florence

Resist the urge to stop and have a coffee at one of the cafes in the piazza, These high-rent places cater to tourists and have sky-high prices. Walk a few blocks into the maze of streets leading from the piazza toward the river to find slightly less touristy places, although to be honest, Florence is Tourism Central. And no wonder! It’s crowded, crammed with souvenir shops, and far from undiscovered. But hey, it’s Florence, and there’s no place on Earth quite like it for conjuring the grandeur and pomposity of the Renaissance.

Staying in Florence

On each visit to Florence, I’ve stayed somewhere different–sometimes on the outskirts and sometimes in the middle. My very favorite place was Serristori Palace Residence where we stayed during our trip in November 2023. Although a bit on the pricey side, the Serristori Palace Residence is excellent value because of the size of the one-bedroom apartment, with high ceilings, view of the river, and its stunning location.

Here’s a video I shot from the bedroom window early on a breezy November morning.

You will need to walk a good fifteen minutes to reach the center of Florence. But the walk that takes you along the Arno is just spectacular, particularly at sunset. Compared to a typical hotel room in Florence, the Serristori Palace Residence is almost a bargain, at least for Florence.

Here’s me on the walk into Florence on a brilliantly sunny (but not particularly warm) November day.

Carol Cram on a bridge across the Arno with the Palazzo Vecchio and Ponte Vecchio in the background in Florence.

Tickets and Tours in Florence

You can easily spend several days in Florence, immersing yourself in the great art of the western world. If you’re short on time, consider a guided tour. Here are a few suggestions from Get Your Guide and Tiqets.com. I’ve purchased tours and tickets through both companies and been very satisfied with the prices, the quality of the tours, and the ease of booking

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Walking Tours in Florence

Florence is a great city for a walking tour. It’s relatively small and that is a LOT to see. Check out these tours offered through GuruWalks.

Conclusion

Have you visited the Uffizi? What were some of your favorite pieces? Share your thoughts in the Comments below.