Carol Cram at Pratto del Valle in Prato

A Week in Fascinating Little Padua Reveals Hidden Treasures

Thinking of visiting Padua. Called Padova in Itatlian, this historic city in northern Italy is just a quick train ride from Venice.

With plenty of things to do and see, Padua will keep the Artsy Traveler well entertained for several days.

In this post, I share how I spent my week in Padua that included day trips to Venice and Vicenza.

 A travel graphic featuring the scenic Prato della Valle and the courtyard of Palazzo Bo, highlighting hidden treasures in Padua. Ideal for trip planning inspiration.

Padua Highlights at a Glance

Overview

So why was I in Padua for a week, instead of Venice, its more famous neighbor? First, I’ve visited and stayed in Venice several times and felt it was time to explore more of the Veneto. Second, my husband Gregg Simpson (who is an artist) had an exhibition in Padua.

I’d heard Padua was worth visiting in its own right and so looked forward to exploring this new-to-us town. I visited in November–a chilly time in northern Italy (take a good, warm coat!).

On the upside, late November is also the time of the Chocolate Festival where dozens of booths groaning with all kinds of chocolate confections lined the piazzas in the center of Padua. Needless to say, we sampled our fair share.

A plate of assorted chocolates and truffles, showcasing a delicious treat to enjoy while exploring Padua. Perfect for foodies visiting the city.

Give Padua At Least Two Days

In your travel planning, don’t make Padua and Venice an either/or option. Instead, build time in your itinerary to visit both.

You can easily see Padua’s main attractions and enjoy the laid-back ambiance in a relaxed three-night stay, or keep yourself busy for a week like I did.

If you only have time to make a short stop in the city of Padua, then squeeze in a flying visit to Padua’s main Artsy Traveler highlight–the Giotto frescsoes in the Scrovegni Chapel. Just make sure you’ve booked well in advance of your visit (more on that in a minute).

But a day in Padua is not enough. I suggest you slow down, book a place in Padua’s historic city center, and stay awhile. There are plenty of things to do in Padua, which yields up its treasures with a measured delight.

Map of Padua

The map below includes all of the sites mentioned in this post in addition to the location of the wonderful apartment I rented, about a 15-minute walk from the center of town.

  1. Scrovegni Chapel
  2. Musei Civici Eremitani
  3. Anatomical Theatre of Padua in the Palazzo Po
  4. University of Padua Botanical Garden
  5. Prato dell Valle
  6. Padua Cathedral
  7. Recommended Apartment on the Via dell Palme
  8. Piazza dei Signori
  9. Piazza della Erbe
  10. Palazzo della Ragione

Map thanks to Wanderlog, a trip planner app on iOS and Android

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Scrovegni Chapel

I’ll start with the heaviest hitter of them all, sightseeing-wise–the Giotto frescoes in the Scrovegni Chapel known in Italian as the Cappella degli Scrovegni. On any Padua itinerary, the Scrovegni Chapel deserves the top spot.

I visited on Day 7 of my stay in Padua, which made for a stunning finale to our week.

When I left the next day to fly home from Milan, visions of Giotto’s exquisitely rendered figures still danced in my head.

Buy Tickets for the Scrovegni Chapel in Advance

As soon as you know the date you plan to be in Padua, buy your tickets for the Scrovegni Chapel, the earlier the better.

Don’t wait until the last minute! The chapel was sold out weeks in advance of my November visit. Same-day tickets are not available.

Here’s the link to purchase tickets from the official site. If tickets are sold out on the official site you may be able to get a ticket by signing up for a tour through GetYourGuide. Here’s an option:

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Once you’ve booked your ticket, just show up at your appointed time and prepare to be blown away.

Starting Your Scrovegni Chapel Visit

Your visit starts with a walk through beautifully landscaped gardens from the visitor center to the chapel. Since everyone who visits the chapel must book in advance, you pretty much have the place to yourself apart from the thirty or so people who will be in your viewing group.

 The exterior of the Scrovegni Chapel in Padua, surrounded by lush greenery and clear blue skies. An iconic landmark and a treasure trove of Renaissance art.
Approaching the Scrovengi Chapel

You arrive outside the hermetically sealed doors that separate you from a specially built anteroom adjacent to the chapel.

Make sure you arrive a good ten minutes early. The visits are timed very precisely with no provisions made for latecomers.

At your appointed time–not a second too early or too late–the automatic doors swish open. You glimpse the party who visited the chapel before you leaving from another door as you file into the anteroom and take a seat.

Here you will watch a fascinating video (English subtitles) about Giotto’s world-famous frescoes.

I’m partial to 14th Century Italian art and as such, I’m a bit of a Giotto fan girl. I thoroughly enjoyed the description of the fresco cycle. The work is considered one of Giotto’s greatest masterpieces, and is a wonderful example of the artistic revolution that Giotto brought to Western art. 

Giotto completed the frescoes in just two years, between 1303 and 1305. The frescoes cover the entire interior of the Chapel and narrate the History of Salvation.

Entering the Chapel

After the film, you are invited to stand. Seconds later, another automatic door swishes open and finally, you file into the chapel itself. Gasps of wonder fill the air as each individual quietly takes in the awe-inspiring frescoes.

Guides are prohibited so the only sounds are whispers and the muted blips of cell phones and cameras (no flashes allowed, of course) making futile attempts to capture the majesty of the space.

It’s impossible. Pictures don’t do it justice, but here are a few of mine, to give you an idea of what you’ll see.

Giotto's depiction of the arrest of Christ, featuring dramatic expressions and intricate details in the Scrovegni Chapel. A highlight of Padua's artistic heritage.
This panel shows the first kiss depicted in Western art — Judas kissing Jesus before betraying him
A fresco by Giotto in the Scrovegni Chapel, depicting the lamentation of Christ with vivid expressions and rich colors. A must-see for art lovers in Padua.
Mary at the tomb of Jesus – the expressions on the faces are so human
A detailed fresco by Giotto in Padua, depicting biblical scenes with vivid colors and lifelike expressions. A masterpiece to admire while exploring Padua’s cultural treasures.
This panel shows the Scrovegni Chapel

Why Giotto?

The big deal about Giotto is the naturalism of his figures–a major departure from the stiff, 2D figures common at the time. Giotto’s figures look like real people wearing clothes that drape naturally over real bodies.

You get precisely 15 minutes to enjoy the chapel before the automatic doors again swish open and you file out.

On your way, you see the next group preparing to enter, and envy them their first glimpse of the chapel interior. All you have now are your pictures and your memories.

Musei Civici Eremitani

After visiting the Chapel, you can visit the Musei Civici Eremitani, which contains the Archaeological Museum of Padua and the Museum of Medieval and Modern Art. Both are worth checking out.

Archaeological Museum of Padua

Padua is one of the oldest cities in Italy, which becomes abundantly clear when you visit the Archaeological Museum.

Here, you’ll find a fascinating collection from the pre-Roman era (8th-3rd century BC), decorated vases from the third Atestine period (6th-5th century BC), Paleo-Venetian steles, votive objects, Etruscan, Italic and Paleo-Venetian bronzes, Egyptian art, and an extensive Roman section.

If you like ancient artifacts, this museum is definitely worth a visit.

Museum of Medieval and Modern Art

The museum contains around 3000 paintings from the 14th to the 19th centuries, including works by such luminaries as Giorgione, Tiziano Vecellio, Giotto, Tintoretto, Veronese, Canova, Tiepolo, and Bellini, among many others.

Anatomical Theater in the Palazzo Bo 

My cousin, who is a physician, advised me to visit the anatomical theater at the University of Padua, and I’m very glad I did.

It’s accessible only via an entertaining guided tour given in English by a student. In addition to visiting the famous anatomical theater, you’ll view some of the ornately decorated public rooms in the Palazzo Bo, which is part of one of Europe’s oldest universities.

You’ll also learn that Galileo Galilei was a professor at the University of Padua from 1592 to 1610.

Tour of the Palazzo Po

The grand courtyard of Palazzo Bo in Padua, featuring elegant arches and classical architecture. A significant historical site in the heart of Padua.
Attractive colonnades at the Palazzo Bo

I very much enjoyed the tour of the Palazzo Bo that included these striking murals of some of the university’s most illustrious students over the centuries.

The historic Palazzo Bo in Padua, a hub of academic excellence and home to the University of Padua. A recommended stop for learning about the city’s intellectual heritage.

Anatomical Theater at Padua University

Inaugurated in 1595, the anatomical theater at the University of Padua is the world’s first permanent anatomical theater. According to Fabio Zampieri, an associate professor at the university: “To build a permanent theater for anatomy was in some sense revolutionary because it meant to place anatomy as the foundation of medical studies.”

At the time, the Church wasn’t keen on dissecting bodies, so having a purpose-built anatomical theater was kind of a big deal in the evolution of medical knowledge.

The theater is surprisingly tiny and cramped. Back in the day, up to 250 students and professors crowded into the tiered space to look down at the dissection of a human cadaver far below.

Most of the cadavers had belonged either to executed criminals or deceased hospital patients.

With its six elliptical rings circling skyward, the theater seems to mimic the shape of an eye or telescope. Under the main entrance to the theater, a 16th-century Latin inscription reads, “This is a place where the dead are pleased to help the living.”

Cheerful stuff.

A close-up view of the intricate wooden details of the Anatomical Theater of Padua, a marvel of craftsmanship. A must-visit for history and science enthusiasts.
View from the bottom of the anatomical theater

As part of the tour, I ducked under a low door to enter the bottom of the theater where the cadaver would be laid out for the professor to dissect.

It was exceedingly creepy to stand in the narrow space and look up at the six tiers where the spectators would stand. According to the guide, the railing encircling each tier was just high enough to prevent an observer from toppling forward when they fainted.

Apparently, people frequently fainted in the confined–and likely very pungent–space. I shuddered and was happy to move on to the rest of the tour.

 A detailed model of the historical Anatomical Theater of Padua, showcasing its circular design used for medical studies. A fascinating site for those interested in Padua's academic history.
Scale model of the anatomical theater showing the six tiers around which up to 250 spectators would gather and look down

First Woman to Earn a Degree

A highlight at the end of the tour was the statue of Elena Lucrezia Cornora, the first woman in the world to receive a university degree. The daughter of a wealthy Venetian family, she originally wanted to receive a degree in Theology. The bishop of Padua wouldn’t allow that, but did allow her to get a degree in Philosophy in 1678. Big of him.

Palazzo della Ragione

Built in the 13th century, the Palazzo della Ragione is located in the Piazza delle Erbe and resembles a huge upturned ship. Until the fall of the Republic of Venice in 1797, the Palazzo functioned as the town hall and palace of justice.

On the second floor is the Great Hall, believed to be one of the largest medieval halls still existing. A UNESCO World Heritage Site, the walls of the Great Hall are completely frescoed. It’s a pretty impressive place!

Pratto delle Valle

The Pratto delle Valle has to be one of the most beautiful public spaces in Europe. It’s an oval-shaped island encircled by a canal in the center of a grand piazza.

On a brilliantly sunny day in November, it was a delightful place to wander around. Here are two views of the Pratto dell Valle, mercifully uncrowded in mid-morning.

The iconic Prato della Valle in Padua, with its circular canal, white statues, and historic buildings in the background. A central attraction for visitors to Padua.
Pratto delle Valle in Padua
The iconic Prato della Valle in Padua, with its circular canal, white statues, and historic buildings in the background. A central attraction for visitors to Padua.

I visited twice–once when it was empty and the second time when it was packed with one of the largest outdoor markets I’ve seen in Europe.

You could buy just about anything you wanted–from clothing to gloves to food to flowers to Christmas decorations. I picked up gloves to ward off the November chill and I treated myself to yet another new purse.

Italy is such a great place to buy purses!

Botanical Gardens

Created in 1545, the botanical garden (Orto Botanico) in Padua is the world’s first botanical garden and is a surprising highlight, even in November.

The garden still preserves its original layout – a circular central plot, symbolizing the world, surrounded by a ring of water. Most of the plants were dormant, but a few trees were still decked out in their autumnal glory.

Vibrant autumn leaves in Padua, showcasing shades of red and gold against a clear blue sky. A picturesque sight for nature enthusiasts exploring Padua.

I particularly enjoyed the new exhibition center (inaugurated in February 2023) that is part of the gardens. A series of well laid out displays–many of them interactive (English and Italian)–showcase the history of the botanical garden, its plants, and the people who collected them.

The Botanical Museum in Padua, a bright orange building surrounded by lush greenery, perfect for history and plant lovers. A highlight of Padua’s botanical garden experience.
Exhibition space at the Botanical Gardens

Day Trips from Padua

Thanks to an excellent rail system, Padua is a great home base to make day trips throughout the Veneto region. During my week in Padua, I visited Vicenza and Venice.

If you have the time, you could also visit nearby Verona.

Vicenza Day Trip

Many years ago when I was student studying for a Master’s degree in Drama at the University of Toronto, I had a professor who waxed lyrical about the Teatro Olimpico in Vicenza.

She described how she arrived at the building housing the 16th-century theater just before closing and was denied entry. Apparently, she burst into tears, so intent was she to see this masterpiece of Palladian and theatrical architecture. Fortunately, the guard took pity on her and let her in.

Ever since then, I’ve longed to visit Vicenza’a Teatro Olimpico. This pretty town is a short train ride from Padua, and so I set off on a blue sky day to check it out.

Visit to the Teatro Olimpico

Located in the Piazza Matteotti, a short taxi ride from the train station, the Teatro Olimpico is the world’s first indoor theater constructed with interiors made of wood, stucco and plaster.

The great architect Andrea Palladio built the theater between 1580 and 1585. It is now a UNESCO World Heritage Site.

The design of the theater is inspired by ancient Roman theaters and features an elliptical terraced auditorium, framed by a colonnade, and a frieze topped by statues.

The audience seating area at the Teatro Olimpico in Vicenza, featuring red-upholstered benches and a painted sky ceiling. A must-see near Padua for theater and architecture enthusiasts.
The elliptical auditorium where I sat facing the stage

The rectangular stage is bound by a massive proscenium with two orders of architecture and consisting of three arcades that are divided by half-columns. As you sit in the steeply tiered auditorium, you peer into the arcades to see shadowy streets curving into darkness.

The grand stage of the Teatro Olimpico in Vicenza, showcasing Renaissance-style design and artistic depth. A recommended activity for visitors to Padua interested in architecture and the arts.

Sound and Light Show at the Teatro Olimpico

At regular intervals, visitors to the Teatro Olimpico are treated to a rousing sound and light show where a myriad of colored spotlights plays across the proscenium to the accompaniment of stirring music.

It’s pretty over-the-top and yet a fitting tribute to the breathtaking beauty of Palladio’s structure.

Here are some glimpses through the archways into a masterpiece of perspective.

A dramatic perspective of the stage set at the Teatro Olimpico, with vivid lighting and intricate sculptures. An unforgettable cultural experience near Padua.
A detailed stage set in the Teatro Olimpico in Vicenza, featuring classical architectural elements. A must-see attraction near Padua for theater and history fans.

Even if theater history isn’t your thing, a visit to the Teatre Olimpico is a must.

After visiting the theater, I spent a few hours wandering around Vicenza, which I found to be a charming northern Italian town that’s worth an afternoon of your time.

Day Trip to Venice

Venice is only about 30 minutes by train from Padua and so it seemed foolish to take a day trip there. As mentioned, I’ve visited Venice several times, but Venice never disappoints.

The minute I stepped off the train and walked to the edge of the Grand Canal, Venice again worked its magic on me.

A serene canal in Venice with gondolas and colorful buildings, showcasing the city's tranquil side. An easy excursion from Padua for a romantic or relaxing outing.
Views such as this of quiet side canals never get old in beautiful Venice

I spent the day–a gloriously sunny one–walking and walking and walking.

I decided not to take a trip on the vaporetto, opting instead to stroll through the Carneggio district to Piazza San Marco, then crossing the Grand Canal on the Accademia Bridge and walking back through the labyrinthine and over peaceful side canals streets to the train station.

Author Carol Cram and artist Gregg Simpson standing in Saint Mark’s Square in Venice, surrounded by iconic Venetian landmarks. A perfect day trip from Padua to experience Venice's charm.
Carol and Gregg in St. Mark’s Square on a sunny day in November

Visit to Saint Mark’s Basilica in Venice

Even in November, Venice was crowded, but a lot less crowded than I’ve seen it at warmer times of the year. For the first time ever, the line-up to get into Saint Mark’s Basilica was short enough to be worth the wait, so finally I got to see inside.

Wow!

The interior of Saint Mark’s Basilica is one giant glitterfest with sparkling golden mosaics covering every available surface. You’ll get a sore neck looking up, but it’s worth it.

I took it all in with awestruck wonder before returning to the Piazzo San Marco to spend an hour or so sitting in the sun and watching the world go by.

The golden interior of Saint Mark’s Basilica in Venice, adorned with ornate mosaics and sculptures. A short trip from Padua, this is an iconic destination for art and history lovers.
Mosaics cover every available surface in Venice’s Saint Mark’s Basilica

An Exhibition, a Cathedral, and a Quiet Canal

During our week in Padua, I also attended the opening of Gregg’s exhibition at the Queen Art Gallery, had a quick look inside the impressive cathedral (the Basilica di Sant’Antonio), and enjoyed many walks alongside peaceful canals slumbering in the autumn sunshine.

While Padua has several worthy tourist sites, it’s not a particularly touristy town. The vast majority of people out on the streets are locals, and many are students from the university which gives the town a youthful, vibrant feel.

It’s an easy town to walk around with plenty to look at along the way.

A lively art opening near Padua, featuring artist Gregg Simpson, guests, and vibrant modern paintings in the background. A cultural highlight for art enthusiasts visiting the area.
Gregg Simpson at the opening of his exhibition in Padua
The Basilica of Saint Anthony in Padua, showcasing its majestic domes and intricate architecture under a clear blue sky. A top attraction for those discovering Padua's rich heritage.
The Cathedral in Padua

Home Away From Home in Padua

Gregg and I stayed in a two-bedroom apartment not far from the train station in Padua. While the neighborhood was, admittedly, a bit nondescript, it included plenty of food shops, fast-food joints, and restaurants, and was within walking distance of the train station and the center of Padua.

Here’s a shot of a typical canal side scene that I passed pass on my way from the apartment into Padua’s historic center.

A peaceful canal in Padua lined with colorful historic buildings and lush greenery, perfect for a scenic walk or boat ride. A must-see spot while exploring Padua.

I chose the apartment for its location near the edge of Padua because we were driving and did not want to try navigating the medieval streets of old Padua. The apartment came with a parking place, which turned out to be accessible via a car elevator.

Here’s a shot of us retrieving our car at the end of our eight-night stay.

A parking area near Padua with travel luggage and a vehicle by a gated space, representing travel readiness. A reminder for those exploring what to see and do around Padua.

I highly recommend this apartment if you’re looking for comfortable accommodations that won’t break your budget.

The map below shows many other options for hotels and apartments in Padua.



Booking.com

Tours and Tickets in Padua

Here are some options for tours and tickets in Padua from Tiqets.com

Conclusion

Have you visited Padua? What sites do you recommend? Let other Artsy Travelers know your thoughts in the comments below.

Top Ten Favorite Masterpieces at the Uffizi Gallery in Florence

The Uffizi Gallery in Florence is an Artsy Traveler must-see, particularly for artsy travelers who love Renaissance art.

On every trip to Florence, I take the time to marvel at the artworks at the Uffizi Gallery.

Few artsy traveler pursuits equal the joy of wandering blissfully through rooms full of many of western Europe’s most iconic masterpieces.

In this post, I highlight ten of my favorite pieces in the Uffizi Gallery.

Pinterest graphic with the text Uffizi Gallery at the top over a picture of the exterior of the Uffizi gallery in Florence, Italy. At the bottom is the text Top Ten Favorites for the Florence-Bound Traveler.

Overview

The Uffizi (which means offices) was built in the mid 16th century by the all-powerful Medici family in order to administer their vast holdings and show off their art collections.

Designed by Giorgio Vasari, the Uffizi was opened to the public as a museum in 1769.

The Uffizi is big and crowded and even, at times, overwhelming. All that amazing art concentrated in one space makes for a heady experience. Take your time and enjoy the ride.

Assume you’ll return!

When to Visit

The very best time to visit the Uffizi Gallery is first thing in the morning, particularly if you are visiting in high season (April to October).

You’ll have the vast complex to yourself, at least for a little while, so you can trip wide-eyed from room to room in peace. You may even snag a place in front of one of the two most famous Botticellis without sharing air with dozens of other people.

If you’re visiting Florence between November and March, you’ll find fewer crowds and a more relaxed pace.

As a result, you’ll likely be comfortable visiting at any time of day. On a recent visit in November, I chose an afternoon time. Although the Uffizi was less crowded than I’ve found it at other times of the year, it was hardly empty.

I still saw a long line-up of people who hadn’t gotten the memo about buying their tickets in advance, and large groups of art lovers jockeying for position in front of the Botticellis.

Getting Tickets

No matter what time of year you visit, purchase your tickets to the Uffizi Gallery in advance. In high season, purchase them at least a week or more before your visit. You’ll get the entry time that suits your schedule and you won’t need to queue up.

We arrived at the Uffizi about 45 minutes before our 13:15 entry time. The weary ticket collector let us in anyway, probably because it was November. The only delay was getting through security. Here’s an option for buying tickets.

https://www.getyourguide.com/florence-l32/florence-uffizi-gallery-skip-the-line-ticket-t638304/?ranking_uuid=f0d9101e-2bb9-453e-bb6c-cdb4745d1bb0

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Location of the Uffizi Gallery

The map below shows the location of the Uffizi Gallery in Florence.

Also shown is the location of the Accademia (#2), the Duomo (aka Cathedral of Santa Maria del Fiore) at #3, the Bargelo (#4), the Museo di Palazzo Davanzati–an awesome small museum showing what life was like for a wealthy person in medieval Florence (#5), and the gorgeous apartment we stayed in on the banks of the Arno during our three-day stay in Florence in November (#6: see below for more information about the Palazzo Serristori Residence — high recommended).

This map was created with Wanderlog, an itinerary planner on iOS and Android

This map was created with Wanderlog, an itinerary planner on iOS and Android

As mentioned above, the Uffizi Gallery is large and brimming with amazing art, particularly Renaissance masterpieces. To avoid burnout, I suggest you focus on enjoying ten to twenty pieces rather than stopping to admire every piece. Doing so will quickly exhaust you.

Crowds of people in a hallway in the Uffizi Gallery in Florence.
Even in November, visitors throng the long corridors in the Uffizi

The Uffizi’s collection of amazing artwork is spread across two floors, with the most famous pieces by artists such as Botticelli, Michelangelo, Raphael, and Giotto located on the second floor.

I suggest taking the elevator to Level 2 and then starting with the room of medieval art that contains gorgeous works by Giotti, Lorenzetti, and Martini.

Here are my ten favorite pieces in the Uffizi, presented by artist and in the order in which you’ll encounter them.

Giotto

I’ve become a big Giotto fan over the years. Although he died in 1337, Giotto is considered the first artist of the Renaissance because of his use of realism to depict his subjects.

His most famous works are the frescoes in the Scrovegni Chapel in Padua and in the Basilica of Saint Francis in Assisi.

Madonna and Child Enthroned with Angels and Saints shown below is one of Giotto’s most iconic pieces. It’s truly breathtaking, particularly when you realize that Giotto painted it in 1306 at a time when other artists were still depicting everything on one plane.

Check out the Madonna’s knee under the blue drapery of her gown. It’s three-dimensional. This use of perspective set Giotto apart from his contemporaries and heralded the realism that become the hallmark of the Renaissance painters such as Da Vinci and Raphael over 150 years later.

This painting was a source of inspiration for Florentine artists for generations.

Madonna and Child Enthroned with Angels and Saints by Giotto in the Uffizi Gallery in Florence.
Madonna and Child Enthroned with Angels and Saints, 1306-10, Giotto

Martini

I have a huge soft spot for Simone Martini, who was active in the mid-14th century. I even include a reference to his Maesta fresco in Siena’s Palazzo Pubblico in my novel The Towers of Tuscany.

In The Annunciation with St. Ansansu and St. Maxima, below, I love Martini’s over-the-top use of gold, as well as how he shows the Archangel Gabriel in relationship to Mary.

Martini depicts a fluttering cloak and unfurled wings to suggest that the angel’s appearance is sudden. No wonder Mary looks distressed, turning away and wrapping her cloak around her. The fact that Gabriel is telling her she’s to be the mother of Jesus would have likely added to her confusion and distress.

In her hand, Mary holds a book. Martini is likening her to a wealthy Sienese woman–the only women who would be able to afford a book, much less read it. Memmo Lippi is also given credit for the work.

Annunciation by Martini in the Uffizi Gallery in Florence.
Annunciation with St. Maxima and St. Ansanus, 1333, Simone Martini and Lippo Memmi

Lorenzetti

Every time I walk into a room of medieval paintings in an art museum, I make a beeline for anything painted by Ambrolgio Lorenzetti. He’s a Siena hometown boy who was a major figure in his day, before succumbing to the plague (so far as we know) in 1348. He painted The Allegory of Good and Bad Government frescoes in Siena’s Palazzo Publicco, one of the palazzo’s many breathtaking highlights.

Lorenzetti painted the four panels from the life of St. Nicholas shown below. I get such a kick out of Lorenzetti’s depictions of people and life in medieval Siena and the architecture–the graceful archways, exterior staircases, and crenelated rooftops.

I’ve spent a lot of time over the years looking at Lorenzetti’s work to help me visualize what Siena looked like in the mid-14th century so that I can accurately write about the period.

St. Nicolas Gives to the Poor

In the top left painting, St. Nicholas is throwing pieces of gold to a poor man to enable him to gather the dowry required to marry off his daughters. The point is that St. Nicholas is carrying out the charitable deed secretly and humbly, without seeking acknowledgment. What a swell guy!

St. Nicholas Gets Ordained

In the bottom left painting, St. Nicholas is being ordained as a bishop of the city of Myra in Asia Minor. The legend is that the prelates who had gathered to elect the new bishop of Myra heard a voice ordering them to choose the first man named Nicholas who entered the church.

And guess who just happened to walk in?

St. Nicholas Raises the Dead

The top right painting depicts a miracle performed by St. Nicholas after his death. He returns to bring a child back to life after the child was killed by the devil disguised as a pilgrim (the figure in black mounting the stairs).

There’s a lot to look at in this panel. I particularly like the way the figures are portrayed in the upper and lower rooms.

St. Nicholas Talks to Sailors

In bottom right panel, Nicholas asks sailors to give some of the grain their ships are carrying to the starving people of Myra. When the sailors comply, the ships are miraculously replenished with grain.

Four paintings of the Life of Saint Nicholas by Lorenzetti in the Uffizi Gallery in Florence.

Uccello

This large painting by Paolo Uccello dominated the wall on which it was installed in the Uffizi. Check out all the horses–so much vigor and action.

The painting is called The Battle of San Romano and is part of a cycle of three paintings that celebrated the victory of the Florentine forces over the Sienese troops in 1432.

Poor Siena. It had a tough time after being devastated by plague in 1348 and then suffering numerous mercenary raids, famines, and hostile takeovers culminating in its defeat at the hands of the bellicose Florentines in 1432.

While I’m firmly on the side of Team Siena since I’m currently writing a novel set there, I have to admire how Uccello depicted the battle in his painting.

The batlle of Romano by Uccello in the Uffizi Gallery in Florence.
The Battle of Romano, 1435-40, Paolo Uccello

Botticelli

No visit to the Uffizi Gallery is complete without doing some serious swooning in front of two of Botticelli’s most famous paintings–Primavera and The Birth of Venus.

They are both huge and both fantastic–that is, if you can get close enough to get a good, long look.

The large room in which the paintings are hung is mobbed with visitors, all brandishing cell phones and elbowing for position to get a good shot. I know. I was one of them.

Standing in quiet contemplation is out of the question. But it’s still worth seeing the paintings in the flesh, so to speak, just to confirm that yes, indeed, they deserve their vaunted place in western art history.

The figures are ethereal and also realistic, the movement joyous, the themes full of promise and celebration. I don’t think it’s possible to look at Botticelli’s masterpieces and not smile.

Primavera

Here’s what you see while approaching Primavera.

Crowds in front of Primavera by Botticelli in the Uffizi Gallery in Florence.

And here’s the shot I managed to get when it was my turn to step in front of the painting. It truly is a wonderful work.

Botticelli had chops, all right. Look at how he depicts the gossamer draperies encasing the three dancing muses and the figure to the right. The central figure in the painting is Venus, goddess of love and beauty. She’s a stunner for sure.

Primavera by Botticelli in the Uffizi Gallery in Florence.
Primavera, 1480, Sandro Botticelli

The Birth of Venus

The Birth of Venus is just as mobbed as Primavera, which comes as no surprise considering versions of this work appears on everything from aprons to mugs to mouse pads in Florence’s gift shops.

There is so much movement; you can practically feel the wind in your hair as you contemplate this painting, which depicts Venus, goddess of love and beauty, surfing to land on a clam shell, gently spritzed with sea spray and blown by the winds Zephyr and Aura.

I wasn’t able to get a decent shot of the painting, so the image below is from the Uffizi’s marvelous website.

The Birth of Venus, 1486, Sandro Botticelli

Michelangelo

Florence’s Number One Son is well represented at the Uffizi Gallery and elsewhere in Florence. Thanks to a long and prolific career, Michelangelo’s work is pretty much synonymous with the Italian Renaissance.

One of the masterpieces at the Uffizi Gallery is the magnificent, circular Doni Tondo, the only finished panel painting done by Michelangelo that has survived the centuries. It glows.

Doni Tondo by Michelangelo in the Uffizi Gallery in Florence.
Doni Tondo, 1505-1506, Michelangelo

Piero della Francesca

Piero della Francesca’s double portrait of the Grand Duke of Urbino and his wife positively defines aristocratic haughtiness. Imagine the amount of time the duchess must have had to sit still to have that hairdo done. 

I’m hoping it wasn’t a daily thing.

Look at the background–how it continues through from one side to the next. Showing the two figures in profile is a typical device in 15th century portraits that was a throwback to ancient coins. The artist’s attention to detail is a result of his training in both Florentine and Flemish traditions.

The Duke and Duchess of Urbino Frederico da Montefeltro and Battista Sforza, 1473-75, Piero della Francesca

Leonardo da Vinci

Another big draw to the Uffizi Gallery is the presence of a handful of paintings by Leonardo da Vinci.

My favorite is his Annunciation because I love the contrast in styles between da Vinci’s version done in the late 15th century and Martini’s version done in the mid-14th century (see above).

In da Vinci’s Annunication, the figures are rendered extremely realistically and are also quite static. The Virgin is not shrinking away from the Archangel Gabriel, but is confident and receptive. The trees almost look like fantasy trees, and the distant mountains like something out of Lord of the Rings.

The way da Vinci renders the folds of the clothing is remarkable, considering he completed this painting when he was still quite young.

Annunciation by Leonardo da Vinci in the Uffizi Gallery in Florence.
Annunciation, 1472, Leonardo da Vinci

Raphael

I’ve grown to appreciate Raphael’s work over the years. He’s certainly one of the biggies, considered by some to be the greatest painter of them all.

There’s a lot of justification for that view. Unlike Michelangelo and da Vinci, who had other pursuits (science for da Vinci and architecture and sculpture for Michelangelo), Raphael only did painting–and an astonishing amount of it considering he died young, while da Vinci and Michelangelo both lived to ripe old ages.

The work by Raphael I most liked in the Uffizi is Madonna of the Goldfinch. The expression on the face of the Virgin Mary is so youthful and serene. Unlike many Madonnas, she really does look like a young mum.

The trees and landscape in the background are so beautifully rendered. In places they almost look like something Cézanne would have painted 400 years later. And check out the red of the Madonna’s gown–so rich and full and Florentine. It’s a keeper.

Madonna of the Goldfinch by Raphael in the Uffizi Gallery in Florence.
Mary, Christ and the young John the Baptist, known as “Madonna of the Goldfinch“, 1506, Raffaello Sanzio

More Uffizi

After exploring the long galleries on Level 2 of the Uffizi, descend to Level 1 to take in even more masterpieces of the 16th, 17th, and 18th centuries.

Highlights are the Titian’s Venus of Urbino, Caravaggio’s Medusa, and my fave, Judith Beheading Holofernes by Artemisia Gentileschi.

Enjoying Florence

You emerge from the Uffizi into the beautiful piazza della Signoria. Here, you’ll stare up at the Palazzo Vecchio with its iconic tower, check out a statue of Michelangelo’s David (the original is displayed in the Accademia), and marvel at the fountain and statue of Neptune.

Here’s a shot of it in the evening.

Neptune's Fountain in the Piazza della Signoria in Florence
Neptune’s Fountain in the Piazza della Signoria in Florence

Resist the urge to stop and have a coffee at one of the cafes in the piazza, These high-rent places cater to tourists and have sky-high prices.

Walk a few blocks into the maze of streets leading from the piazza toward the river to find slightly less touristy places, although to be honest, Florence is Tourism Central.

And no wonder! It’s crowded, crammed with souvenir shops, and far from undiscovered. But hey, it’s Florence, and there’s no place on Earth quite like it for conjuring the grandeur and pomposity of the Renaissance.

Staying in Florence

On each visit to Florence, I’ve stayed somewhere different–sometimes on the outskirts and sometimes in the middle.

My very favorite place was Serristori Palace Residence. Although a bit on the pricey side, the Serristori Palace Residence is excellent value because of the size of the one-bedroom apartment, with high ceilings, view of the river, and its excellent location.

Here’s a video I shot from the bedroom window early on a breezy November morning.

You will need to walk a good fifteen minutes to reach the center of Florence. But the walk that takes you along the Arno is just spectacular, particularly at sunset. Compared to a typical hotel room in Florence, the Serristori Palace Residence is almost a bargain, at least for Florence.

Here’s me on the walk into Florence on a brilliantly sunny (but not particularly warm) November day.

Carol Cram on a bridge across the Arno with the Palazzo Vecchio and Ponte Vecchio in the background in Florence.

Tickets and Tours in Florence

You can easily spend several days in Florence, immersing yourself in the great art of the western world. If you’re short on time, consider a guided tour. Here are a few suggestions from GetYourGuide and Tiqets.com. I’ve purchased tours and tickets through both companies and been very satisfied with the prices, the quality of the tours, and the ease of booking

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Walking Tours in Florence

Florence is a great city for a walking tour. It’s relatively small and that is a LOT to see. Check out these tours offered through GuruWalks.

Conclusion

Have you visited the Uffizi? What were some of your favorite pieces? Share your thoughts in the Comments below.